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Art Dudley Posted: Apr 14, 2013 2 comments
Colleen “Cosmo” Murphy, the record-store clerk-turned-internationally known DJ-turned-analog impresario, has set out to change the way we listen, one roomful at a time; based on my experiences at NYAS 2013, she is bound to succeed. I had heard that Ms. Murphy is as sound- and music-savvy as she is lovely, and I can only say those observations don’t do her justice. “Today, music is treated almost as aural wallpaper, as a cheap commodity,” Murphy bemoaned in her opening remarks before spinning the Japanese vinyl version of David Bowie’s Hunky Dory on a truly grand system, including a Spiral Groove SG1.1 turntable with Centroid tonearm and a Lyra Atlas cartridge; a VTL TP 6.5 phono preamp (with integral step-up transformer); VTL’s TL 7.5 line-level preamp and Siegfried monoblock amps; Wilson Audio MAXX 3 loudspeakers and Opus series cabling from Transparent. (When I visited the Classic Album Sundays room, early on the show’s first day, exact pricing details weren’t yet available; suffice it to say, everything was rather expensive.)
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Art Dudley Posted: Mar 30, 2014 0 comments
Heard at one of the three SSI rooms sponsored by Montreal dealer Coup de Foudre was this serene-looking record player by Clearaudio, comprising the company's Concept Wood Edition turntable, Satisfy Carbon tonearm, and Performer V2 moving-magnet phono cartridge. Sold as a package for $2200, the Clearaudio player sounded open and engaging in a system including a Unico Primo integrated amplifier with built-in phono stage ($2450), Opera Grand Mezza loudspeakers ($2800/pair), and cabling by Transparent Audio.
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Art Dudley Posted: May 10, 2014 6 comments
Bill Parrish of GTT Audio calls it "the best." Jonathan Halpern of Tone Imports describes it as "the most well-organized, well-attended show, with the greatest number of products I've never heard or seen before." Peter McGrath of Wilson Audio says "It has risen to be the most significant showcase of high-end technologies: a major, major show." And our own Michael Fremer says it's "where you go to confirm that audio is a serious, healthy, and growing business."

The object of their praise is the Munich High End show, which runs from May 15 through May 18. . .

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Art Dudley Posted: Mar 31, 2014 0 comments
Here's a closer look at the Ayre MXR 20 amplifier, which is due to ship fairly soon, according to Ayre's Alex Brinkman. As he puts it, "We lost a little time working on the Pono thing."
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Art Dudley Posted: Apr 15, 2012 2 comments
The TAD CR1 (for Compact Reference) loudspeaker ($37,000/pair) was demonstrated with Viola amplification and a digital front end comprising the Weiss Man301 server ($9000) and Weiss Medea+ D-to-A converter ($19,000). The CR1, which has been on the market for a little over three years, has a rated sensitivity of 86dB and uses the same type of CST coincident driver as featured in the company's flagship Reference One loudspeaker. The TAD had satisfying bass extension for such a relatively small enclosure, but the system was being played way too loud for my comfort, so I can't offer a more nuanced appraisal. JA, however, was very impressed when he reviewed the CR1 last January.
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Art Dudley Posted: Mar 24, 2012 4 comments
Working alongside Steve Silberman of AudioQuest, Wavelength Audio’s Gordon Rankin offered a series of talks on computer audio for Mac users, while Jim Hillegass, the founder and CEO of JRiver Inc., offered corresponding seminars for users of Windows-based computers. My schedule allowed me to hear only a brief portion of Gordon Rankin’s Saturday seminar—and, regrettably, none of Jim Hillegass’s talks—yet even so, I learned things I’d never come close to knowing before. (An exemplary gem: When it comes to RFI rejection, Apple’s laptop computers are considerably better made than the company’s desktop models.)
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Art Dudley Posted: Mar 24, 2012 4 comments
California-based Constellation Audio, represented by the well-known engineer Peter Madnick, supplied the amplification for the Magico Q3 loudspeakers. On audition were their Virgo preamplifier ($19,000) and Centaur amplifier ($24,000), set up with elegant looking (and apparently effective) loudspeaker cables and interconnects from Argento Audio of Denmark. Source components were the C1 D/A converter and D1 disc transport from CH Precision of Switzerland.
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Art Dudley Posted: Mar 31, 2010 1 comments
Cable manufacturer JPS Labs is now connected (sorry) with the Canadian importer AudioScape Canada, which also distributes amplifiers and CD players from PrimaLuna, turntables from Dual, loudspeakers from Usher, and other delights. At Salon Son et Image, Joe Skubinski of JPS unveiled a new version of his popular Digital AC power cord, now called Digital AC-X. The cable's filter network has now been upgraded to handle higher frequencies than before, but the price remains the same: $399 for a 2-meter run. Sweet!
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Art Dudley Posted: Mar 23, 2012 0 comments
Happily, the big Coup de Foudre also included an analog front: a combination turntable and tonearm package from German manufacturer AMG, bundled with a Benz LP phono cartridge ($21,500 for the package).
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Art Dudley Posted: Mar 23, 2012 0 comments
The VTL MB185 Series IIIs, which sounded great driving the Wilson Sophia Series 3 loudspeakers, offer a choice between XLR and RCA inputs—and, according to designer Luke Manley, they can develop fully balanced performance with single-ended inputs. Their EL34-based output sections can also be switched between triode and tetrode operation.

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