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Art Dudley Posted: Apr 04, 2004 Published: Nov 01, 1998 0 comments
It was the subhead that caught my eye: "Today's super-rich just don't seem interested in $300,000 stereos." Clunky writing, sure. But at least it gave some idea of what the next 2000 words were about, and spared the pain of having to read further.
Art Dudley Posted: Sep 04, 2015 1 comments
In a bizarre but happy turn of events, recent consumer trends have given even the most socially awkward audiophile something to talk about at cocktail parties and family gatherings at which normal people predominate: the PonoPlayer and vinyl. These are hot topics; each is among the best-sounding music sources available, and both offer hope for our hobby, if not for music lovers in general. But vinyl has the advantage of appealing to a much wider range of budgets. LPs can be had from anywhere to "We'll pay you to haul these away" to "Your loan officer is on line one." Likewise, vinyl playback hardware is available in virtually every price range, from a second-hand Dual 1229 ($50 and up) to the highly praised Continuum Audio Labs Caliburn ($200,000 and down).
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Art Dudley Posted: Apr 01, 2014 0 comments
Like the gentleman seen browsing through the crates of LPs offered by Aux 33 Tours—the Montreal vinyl specialists who shared SSI space with hi-fi retailer Acoustic Technologies—I too have a record-shopping hat. I wear it for good luck whenever I leave the house in search of rare vinyl. Especially in cold weather.
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Art Dudley Posted: Mar 27, 2010 1 comments
Coming soon to a salon near you: a 45Wpc integrated amp that even a schoolteacher can afford. Advanced Acoustics, whose products are designed in France and manufactured in China, showed a prototype of their forthcoming MAP-101, which sounded decent driving a nondescript pair of tiny tabletop speakers. And if that sounds like darning with faint praise, consider that Advanced's MAP-101 is intended to sell for only $649. Alors!
Art Dudley Posted: Nov 12, 2014 13 comments
It's no secret, especially to those who've been following Stereophile for more than a short time: In the first half of 2007, I took the plunge and bought a Shindo preamplifier and monoblock amplifiers—handmade products characterized by low output power, generous numbers of vintage parts, steel casework finished in a signature shade of green, and richly textured, impactful sound with lots of sheer musical drive. And while we tend not to alert the major newspapers whenever someone on staff buys new electronics, the change was notable for two reasons: The compatibility of Shindo's amplifiers is limited to loudspeakers of higher-than-average sensitivity and impedance; and, throughout the seven years that followed my switch to Shindo (footnote 1) both my system and my point of view regarding domestic audio in general have evolved in the direction of the artisanal and the vintage.
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Art Dudley Posted: Apr 01, 2014 0 comments
Mark Waldrep of AIX Records didn't bring to SSI any new releases, per se; instead, he brought along a renewed enthusiasm for debating the controversies within the high-resolution music community—and an invitation for showgoers to visit him on, where they'll find up-to-date news and views on all things HD, as well as a selection of free high-definition-audio sample files.
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Art Dudley Posted: Jun 27, 2011 1 comments
The line outside the AIX room at Axpona, like the line outside the MBL room, was evidence that something special was happening inside. Mark Waldrep of AIX Records prefaced his AV demonstration with an interesting—and amusing—discussion of how difficult and expensive it can be to film in 3-D. There followed one of the most convincing performance clips I've yet to see: fingerstylist Laurence Juber playing a number called "White Pass Trail" on his signature Martin guitar. During the second part of this instrumental, Juber switched from mere picking to actually slapping the strings over the guitar's fingerboard extension (slapping the body, too, for percussion), and the five Thiel SCS4T loudspeakers ($3690/pair) captured perfectly the speed and impact, along with the color and texture, of those sounds. By this time of the show my wife had joined my daughter and I, and she shared my surprise at how the 3-D effect enhanced, rather than tarted-up, the performance. An impressive recreation of superb music.
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Art Dudley Posted: Apr 18, 2013 0 comments
At the room sponsored by New Jersey dealer CARE Audio, the Allnic T2000 integrated amplifier ($8900), whose tube cages suggest a horizon not unlike that of the Manhattan skyline, drove a pair of MAD Baron loudspeakers ($13,000/pair), itself fed by a Calyx FEMTO D/A converter ($6850) and a Musica Pristina A Cappella server ($6500).
Art Dudley Posted: Jun 14, 2012 2 comments
Even at its humblest, a 300B is a fine thing. And at its best, this classic triode output tube can deliver some of the most intoxicating music playback imaginable. If tubes are liquor, the 300B is clearly absinthe. (The 2A3 is Cognac, the 45 is Armagnac, the F2a is Tequila, and the EL34 is vodka—which is to say, you can make almost anything out of an EL34, from the repulsive to the sublime.)
Art Dudley Posted: Dec 24, 2014 1 comments
There may have been a time when vacuum tubes and microprocessors seemed strange bedfellows. But nowadays—given the countless digital processors with tubed output stages, and an even greater number of tubed amps and preamps whose insides are crawling with the latest solid-state devices—we're more or less used to the idea. Here as elsewhere, hybrids are no big deal.


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