Sort By: Post Date | Title | Publish Date
Filed under
John Atkinson Posted: Jan 11, 2009 0 comments
Wes Phillips gave me the tip. "You must check out the Sonicweld room. Their active Pulserod system uses the DEQX digital crossover." So I checked it out. Comprising two 4'-tall Pulserod towers and two Subpulse subwoofers, the system costs $110,000 but includes all amplification—three 200W class-D ICE modules for the upper-range drivers in each tower and a1.1kW class-D amp for each 15" subwoofer—the crossover module, cables, and even a remote control.
Filed under
John Atkinson Posted: Apr 21, 2011 0 comments
Sonist's Randy Bankert was about to grab some lunch when I stopped by his room on the last day of the Show, but he graciously stayed on to explain what was new about the Concerto 4 speaker ($5895/pair). Art Dudley had reviewed the earler Concerto 3 a couple of years back and described it as coming close "to being the one true, affordable, all-around satisfying choice among the SET-friendly loudspeakers with which I'm familiar." I had found some cabinet resonant problems, however, which Randy had fixed by the time I auditioned the Concerto 3 at the 2010 Axpoina in Jacksonville. The new speaker uses two paper-cone woofers rather than one with the same ribbon tweeter and solid poplar front baffle, and boasts a claimed 97dB sensitivity. This allowed the Concerto 4 to fill the Atlanta room (sensibly treated with Real Traps) with sound with just 5Wpc from the EL84-fitted Glow Audio Amp One ($648). Source was a Cary CAD306 SACD player.
John Atkinson Posted: Sep 17, 2006 Published: Oct 17, 2006 0 comments
Don't get the wrong idea. I don't watch trash TV. I am not interested in the doings of people who are famous merely for being famous. I was probably the last to realize that Paris Hilton was not the name of a French hotel. But the kitchen TV just happened be tuned to Channel 4 when I switched it on while I was preparing dinner. No, I do not watch NBC's Extra, but as I was reaching for the remote I was stopped in my tracks by what I saw. The show was doing a segment on the new L.A. home of Jessica Aguilera, or Christina Simpson, or . . . well, it doesn't matter. What does matter was the host's mention of all the cool stuff the bimbette had had installed in her new pied-à-terre: "...and a Sonos audio system, of course."
Filed under
John Atkinson Posted: Jan 14, 2011 0 comments
The first trickle-down from The Sonus Faber project is a revised Amati model, the Amati Futura ($34,000/pair). Beautifully finished in a mirror-gloss lacquer, as you can see, it was also almost unphotographable. It was also only on passive display in the Sumiko penthouse suite at the Venetian.
John Atkinson Posted: Mar 08, 2012 1 comments
The Amati Futura is the third Sonus Faber loudspeaker to be called an Amati. The first, named simply the Amati and priced at $20,000/pair, was reviewed for Stereophile by Michael Fremer in June 1999. I reviewed the second, the Amati Homage Anniversario ($27,500/pair), in May 2006.
John Atkinson Posted: May 14, 2006 0 comments
Back in the day, one of the first reviews to be posted in our free online archives at was Michael Fremer's June 1999 report on the Sonus Faber Amati Homage loudspeaker. The Amati was the second in the Italian manufacturer's top range, the Homage line, which is dedicated to the master makers of stringed instruments of 17th-century Cremona. The first was the Guarneri Homage (reviewed by Martin Colloms in July 1994), while the third was the Stradivari Homage (reviewed by MF in January 2005). Mikey was so impressed by the Amati that he purchased the review samples and used them as his reference for almost three years.
John Atkinson Posted: Dec 17, 2007 0 comments
It is the audio writer's nightmare that the combination of the large number of exhibitors at a Consumer Electronics Show and the very limited amount of time the Show's doors are open will lead him to miss the event's biggest story. I came close to living that nightmare last January, at the 2007 CES, when I realized that I had missed an entire floor of Las Vegas's Venetian Hotel. And it was, of course, the floor where, among other high-profile high-end companies, Sumiko was debuting the Cremona Elipsa from Italian speaker manufacturer Sonus Faber.
John Atkinson Posted: Mar 14, 2004 Published: Mar 01, 2004 0 comments
"The Sonus Faber Cremona is the finest cabinet-built speaker I have heard for under $10,000/pair," wrote the usually reticent Sam Tellig in the January 2003 Stereophile. "Bravissimo...Molto, molto bene" he added to his paean of praise for the Italian speaker manufacturer's founder and chief engineer, Franco Serblin.
Filed under
John Atkinson Posted: Apr 07, 2011 2 comments
I had to make several attempts to visit the Son-or-Filtronique room featuring Sonus Faber's new Amati Futura speakers ($34,000/pair), but the line of would-be listeners patiently waiting outside the room was daunting. The Futuras were launched at last January's CES but not being demmed; at SSI, they were being driven by a Boulder 2060 amplifier, with a dCS Scarlatti and Boulder 1021 used as digital sources.
Filed under
John Atkinson Posted: Jan 14, 2007 0 comments
Covering a Show as large and as geographically diffuse as the CES invariably leads to moments of writer brainfade. I auditioned Sonus Faber's new Elipsa loudspeaker in the Sumiko suite at the Venetian on Tuesday evening just before the Show closed but had run out of space on my camera's memory card. Back in my hotel room Thursday evening, after the Show had closed until January 2008, I found my note to myself on my PDA reminding me that I needed to take the Elipsa's photo for this report. So words will have to suffice, I am afraid, as well as a link to Sonus Faber's website.


Enter your username.
Enter the password that accompanies your username.