Sort By: Post Date | Title | Publish Date
Filed under
John Atkinson Posted: Apr 21, 2016 8 comments
Sad, sad news - and he did the best SuperBowl Show evah!

https://www.youtube.com/watch?v=7NN3gsSf-Ys

One of my music heroes.

Filed under
John Atkinson Posted: Oct 18, 2014 2 comments
Nola's Carl Marchisotto was demonstrating the Studio Grand Reference Gold floorstanders ($19,800/pair) when I entered his second-floor room. This new speakers is similar in concept to the Metro Grand Reference Gold ($33,000/pair) that I review in our November issue but has just one of the reflex-loaded SEAS magnesium-cone/alnico-motor woofers rather than two. But Carl wanted me to hear the new Nola Brio desktop ($995/pair), which he is holding in the photo and describes as a one-and-a-half-way design. The Brio has two 3.5" cone drivers, one of which is reflex-loaded, the other open-baffle.
Filed under
John Atkinson Posted: Oct 14, 2014 0 comments
I have always thought it important for audio shows to feature live music, so showgoers can recalibrate their ears. Thanks to Ray Kimber, who flew in Canadian pianist Robert Silverman, RMAF attendees could do just that. Robert, who had recorded the complete Mozart sonatas on SACD for Ray's IsoMike label a couple of years back and who also appeared on five Stereophile CDs, performed a series of mini-concerts on Saturday and Sunday, as well as a full recital Saturday evening.
Filed under
John Atkinson Posted: Oct 17, 2014 1 comments
Danish manufacturer Gamut has had a patchy history in the US, with a succession of distributors, none of who could establish the brand here. But Gamut has now set up a US-based distributor, who will likely have more success. Gamut's head of engineering, Benno Meldgaard, premiered the new RS5 two-and-a half-way speakers ($31,900/pair) at RMAF.
Filed under
John Atkinson Posted: Oct 12, 2008 3 comments
A surprise outside the Hyatt as I went to get ready for my Sunday morning hi-rez audio dems was this SCCA Mazda race car. Sponsored by RMAF, Focal, Aesthetix, and Tara Labs, among others, driver Christine Jerritts had me enthralled telling me what it was like to take the infamous corkscrew turn at Laguna Seca Raceway. I could have lingered for a long time , but I had to get to work...
John Atkinson Posted: Nov 17, 2000 0 comments
In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the Digital Audio Labs CardDeluxe I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.
Filed under
John Atkinson Posted: May 15, 2007 0 comments
Stereophile's traditional "Ask the Editors" session took place Saturday afternoon. A room packed with audiophiles hurled questions at the panel, who included (from left to right in Jonathan Scull’s photo): Ken Kessler, Michael Fremer, Bob Deutsch, Larry Greenhill, Wes Phillips (at rear), and Sam Tellig. (Not shown in photo but still very vocal were Bob Reina, Kal Rubinson, John Marks, and Art Dudley.) I dodged the bullet by moderating but I was well pleased by the insightful nature of the questions asked.
Filed under
John Atkinson Posted: Mar 28, 2015 27 comments
All of us Stereophile were deeply saddened this morning to learn of the death of Bob Reina, after a brief battle with cancer. Bob was 61. After a stint at The Absolute Sound and cofounding a high-end audio magazine, Sounds Like..., Bob joined Stereophile in 1995 and his first review was of a Creek amplifier. . .
Filed under
John Atkinson Posted: Oct 06, 2009 1 comments
Bob O'Neill sold advertising for Stereophile in the early 1980s and also contributed record reviews to the magazine. He became a firm friend of J. Gordon Holt's and gave a moving eulogy honoring Gordon's memory at RMAF.
Filed under
John Atkinson Posted: Feb 28, 1989 0 comments
One of the things that fascinates me about the field of box loudspeaker design is how few original talents there are capable of designing a model from first principles. Yes, armed with the Thiele-Small papers on bass alignment, an understanding of filter theory, and a working knowledge of the OEM drive-unit field, almost anyone can, and has, come up with one commercially and sonically successful design—given a fair degree of luck. And the teams of well-trained engineers at companies like KEF, B&W, and Celestion have shown that they can produce a steady stream of affordable boxes with a high ratio of performance for the dollar. But for an individual to create more than just one good box speaker requires a modicum of genius, and genius is thin on the ground.

Pages

X