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John Atkinson Posted: Mar 14, 2004 Published: Apr 01, 1998 0 comments
It's a beautiful drive, considering you're on a freeway. You take I-25 north out of Albuquerque, Sandia Peak to your right and the Jemez Caldera and Mount Taylor dimly visible in the distance to your left. As you broach La Bajada hill south of Santa Fe, the Sangre de Cristo range—the "Blood of Christ Mountains" described by Paul Simon in "Hearts & Bones"—appears before your windshield. You take the Old Pecos Trail exit to the City Different, but before you reach town you bear to the left, then take another left opposite St. Vincent Hospital. There, in a cul-de-sac, you peer up at the street sign: "Stereophile Way," it says (footnote 1). "Not just a street, but a philosophy," I kidded Larry Archibald when the city told him that he could name the road where the magazine's headquarters would one day be situated.
John Atkinson Posted: Dec 26, 2000 1 comments
Little Feat: Hotcakes & Outtakes: 30 Years of Little Feat
Warner Archives/Rhino R2 79912 (4 CDs). 1970-2000. Russ Titelman, Ted Templeman, Lowell George, Van Dyke Parks, Erik Jacobsen, George Massenburg, Bill Payne, Paul Barrère, Bill Wray, Ed Cherney, Frank Zappa, Michael O'Bryant, Richard Moore, orig. prods.; Gary Peterson, Bill Payne, Paul Barrère, reissue prods.; Bill Inglot, reissue sound. AAD. TT: 5:13:48
Performance *****
Sonics ****
John Atkinson Posted: Jun 10, 2010 0 comments
Jeff Beck: Emotion & Commotion
Atco R2 523695 (CD), R1 523695 (LP). 2010. Steve Lipson, prod., eng., mix; Trevor Horn, exec. prod. DDD. TT: 40:26
Performance *****
Sonics ***½
John Atkinson Posted: Sep 16, 2007 0 comments
J.S. BACH: The Goldberg Variations, BWV 988
Glenn Gould, piano (1955); Yamaha Disklavier Pro piano, "Re-Performance" by Zenph Studios Sony Classical 8697-03350-2 (SACD/CD). 2007. Howard H. Scott, prod. (1955 mono sessions); Steven Epstein, prod. (2007 stereo, multichannel, and binaural sessions); Peter Cook, Richard King, eng. (2007); Dennis Patterson, asst. eng. (2007); Marc Wienert, piano voicer (worked with Gould); Ron Giesbrecht, calibration. Zenph project team: Mikhail Krishtal, Anatoly Larkin, Peter J. Schwaller, John Q. Walker. DDD. TT: 77:02.
Performance *****
Sonics ****
John Atkinson Posted: May 11, 2003 0 comments
THE POLICE: Every Breath You Take: The Classics
A&M Chronicles 069 493 607-2 (hybrid SACD/CD). 2003. The Police, Hugh Padgham, Laurie Latham, orig. prods.; Nigel Gray, Chris Gray, Hugh Padgham, Phil Nicolo, orig. engs.; David Tickle, Martin Pradler, 5.1 remixes (tracks 1-12); Bob Ludwig, 5.1 remixes (tracks 13-14) and SACD mastering; Bill Levenson, reissue supervision. A?D. TT: 59:43
Performance *****
Sonics ** to *****
John Atkinson Posted: Jun 10, 2013 0 comments
It was a treat to visit the Red Wine Audio room, which featured Harbeth Super HL5 monitors ($5690/pair) driven by Red Wine’s battery-powered Liliana Renaissance Edition monoblocks ($5995/pair) and Isabella Renaissance Edition 6H30 preamplifier ($3995), and hear Grammy-winning engineer David Reitzas mixing songs from Madonna and Barbra Streisand from his MacBook Pro running Pro Tools.
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John Atkinson Posted: Apr 07, 2008 0 comments
Something I found fascinating about the Reference 3a Veena loudspeaker that Robert Deutsch writes about below is that it (almost) dispenses with a conventional crossover. The Murata supertweeter at the top is driven directly, as is the 8" woven–carbon-fiber-coned unit beneath the tweeter, which covers the range from 94Hz upward. The soft-dome tweeter is fed via a single capacitor, and the twin woofers have a simple 2nd-order low-pass filter. Tash Goka explained to me that saving money on the crossover allowed the designer to use high-quality internal components such as Bybee Quantum Purifiers, Mundorf silver capacitors, and van den Hul wiring. I agree with Robert that the sound of the Divergent system was surprisingly good.
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John Atkinson Posted: Jan 17, 2015 1 comments
Rega introduced its first low-output moving-coil cartridge, the Apheta, in 2006, but it got mixed reviews, due to a high-frequency peak at the top of the audioband. Rega showed the Apheta 2 ($1895) at CES, mounted on the vestigial RP10 turntable. The Apheta 2 has benefited from some serious production engineering and has a lower moving mass, the latter moving the treble peak higher, to 18kHz or so.
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John Atkinson Posted: Mar 31, 2010 4 comments
I had been impressed by Micromega's Airstream, the WiFi-connected DAC ($1595), when Jason Serinus and I heard it at Axpona at the beginning of March. But it was the French company's new owner, Didier Hamid, who caught showgoers' attention with the Airstream at SSI. Holding his MacBook Pro in his hand and playing songs from iTunes, Hamid dramatically demonstrated the benefits of doing away with wires. (The rest of the system included Focal 1038Be speakers driven by Micromega amplification; control of volume was provided by the iTunes level control on the laptop.)
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John Atkinson Posted: Oct 15, 2004 Published: Oct 01, 2004 0 comments
"Let's face it, we recommend way too many components."

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