A musical highlight for us at Stereophile in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a Stereophile CD, Festival (STPH007-2), which features the original chamber version of Aaron Copland's Appalachian Spring, Darius Milhaud's jazz-inspired La création du monde, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's The Transmigration of the Soul (see Stereophile, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, Serenade (STPH009-2), which features chamber works by Mozart, Brahms, and Dvorák.
For several years now, the CES's High-Performance Audio exhibits have been housed at the tony Venetian Hotel on the Las Vegas Strip. And also for several years, the room shared by Stereophile and Home Theater magazines, now joined by our sister websites AudioStream.com and InnerFidelity.com, has been hosted by our administrative assistant (which means she is the glue that holds us together and tells me she prefers to be called our "Digital Goddess") Rosemarie Torcivia. Welcome to Las Vegas, Ro'.
Back in the spring of 1990, Stereophile introduced its first Test CD, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our Test CD 2, released in May 1992.
Since 1992, Stereophile has named a select few audio components its "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
The first morning of CES is traditionally when Stereophile presents its awards for the best products of the previous year, voted on by the magazine's editors and writers. Here, in the magazine's suite at the Venetian Hotel, awaiting their recipients are the 2011 Awards. My thanks to Ariel Bitran for doing a great job getting the awards to CES in time for the presentations.
Stereophile started publishing its "Recording of the Month" feature in its December 1992 issue, with the late Igor Kipnis's rave review of Keith Jarrett performing Shostakovich's 24 Preludes and Fugues.
Back in the Spring of 1990, Stereophile introduced its first Test CD. Featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers, it sold in large numbers—around 50,000 had been produced at last count. Even as we were working on that first disc, however, we had plans to produce a second disc that would expand on the usefulness of the first and feature a more varied selection of music. The result is our Test CD 2, introduced this month for just $7.95 plus postage and handling. With a playing time of over 74 minutes, the new disc should prove an invaluable tool to help audiophiles optimally set up their systems and rooms by ear—and the music's pretty good, too!—John Atkinson
We are saddened to learn of the passing, on December 13, of audio writer Ann Turner. Ann, who was diagnosed earlier in the year as suffering from clear cell carcinoma, was a stalwart of high-end audio magazine The Abso!ute Sound---Editor Harry Pearson tells me he used to refer to her as "the Aquarian War God," a phrase she liked. She was also the inspiration and the driving force behind that publication's web site, The Abso!ute Sound.
Previewed by Michael Fremer in the October 2010 issue of Stereophile (pp.1316), where he goes in depth into its technology, Sonus Faber's flagship loudspeaker, The Sonus Faber, will only be produced in a limited edition of 30 pairs. Apparently, all 30 pairs have been spoken for by distributors and dealers.
This is a big speakerit stands 67" tall and weighs 672 lbsand was being demmed in an appropriately large room with the large Audio Research Reference 610T tubed monoblocks. Or it would have been demmed, as on both my visits to the room, the electricity supply to the room had failed. (If you look closely, you can see the electrician's red toolbox to the left of my photo.)