John Atkinson

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John Atkinson  |  Nov 22, 1998  |  0 comments
For the seventh consecutive year, Stereophile has named a select few audio components the "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
John Atkinson  |  Apr 16, 2014  |  4 comments
It's been getting closer and closer the past few days. But this morning, Stereophile's Facebook page got its 20,000th "Like."

Woo hoo!!!!

John Atkinson  |  Jan 07, 2005  |  0 comments
One of the themes of the 2005 CES, which we touched on in our first day's coverage, regarding Thiel's new version of its best-selling PowerPoint loudspeaker, is the increasing importance of the custom-install market to manufacturers best known for their two-channel products.
John Atkinson  |  Nov 06, 2005  |  0 comments
The 2006 edition of the Stereophile Buyer's Guide is out now. Listing the specifications of more than 5000 audio components within its 212 large-format pages, the Buyer's Guide is exclusively concerned with products for music reproduction, as opposed to the bangs, bonks, and battle noises typical of movie soundtracks.
John Atkinson  |  Jan 20, 2020  |  20 comments
Even as digital/analog processors were becoming a hot product category in the early 1990s, audiophiles were also learning that timing uncertainties in the AES/EBU and S/PDIF serial datastreams—jitter—would compromise any improvement in sound quality offered by these DACs. Some companies therefore introduced products to reduce or eliminate jitter—in the November 1994 issue of Stereophile, Robert Harley reviewed three such products: the Audio Alchemy DTI Pro, the Digital Domain VSP, and the Sonic Frontiers UltrajitterBug. I still have Stereophile's review samples of the UltraJitterBug and VSP, along with two contemporary DACs: a PS Audio UltraLink and a Parts Connection Assemblage DAC-1.

As our reviews of these products were published before Paul Miller's and the late Julian Dunn's development of the "J-Test" diagnostic signal, I performed J-Test jitter measurements to bring that 1994 review into the 21st Century. You can see what I found here.

John Atkinson  |  Apr 21, 2011  |  1 comments
The room shared by Audio Physic and Esoteric was one I returned to, as I couldn't quite believe the superb treble quality being produced by the 25th Anniversary edition of Audio Physic's Virgo speaker (to the right of the photo, $12,800/pair). Couldn't believe it? It was because this speaker was using a cone tweeter. But as AP's Reinhard Goerner explained, with the break-up problems of soft-dome tweeters now well-understood, it made engineering sense to use a cone. The Virgo's aluminum-cone midrange unit features a cast basket with minimal surface area to interfere with the diaphragm's backwave and the twin woofers are mounted on the enclosure sides to minimize vibrational excitation. Esoteric was featuring. . .
John Atkinson  |  Oct 20, 2011  |  0 comments
George Cardas had had a celebratory coin minted to celebrate his company's first quarter century: "25 years helping musicians reproduce their music" it states on the front. Amen to that sentiment, George.

On the other side of the coin is a tribute to George's friend and mentor, retailer Brooks Berdan, who passed away last summer.

John Atkinson  |  Jul 17, 2007  |  First Published: Oct 01, 1997  |  0 comments
Thirty-five years ago this month, the first issue of a new audio magazine—cover price 50 cents—cautiously made its way out of a Philadelphia suburb. Its black'n'white cover featured a chessboard adorned with tubes and XLR plugs. Its 20 advertising-free pages included a feature on how to write an ad for an audio product, which had been penned by one Lucius Wordburger, a footnote helpfully pointing out that this was the nom de plume for one J. Gordon Holt, "who wishes to remain anonymous."
John Atkinson  |  Nov 17, 2002  |  0 comments

"The monthly miracle," it's called in publishing: that magical moment when the new issue of your magazine arrives in the mailbox hot from the printer. And with this issue of Stereophile—No.274, or Vol.25 No.11—we celebrate the 40th anniversary of the start of our "miracle." With the 20 pages of Issue No.1, Vol.1 No.1, cover-dated September-October 1962, "Ye Editor & Publisher" J. Gordon Holt introduced both a new audio magazine and the philosophy that an audio product is best reviewed by doing exactly what its purchasers will do: listen to it. On that small rock of an idea was founded not only Stereophile but the entire high-end audio industry. Here, reprinted from a 1974 anthology of the first 12 issues, is J. Gordon Holt's description of the events that led up to the founding of Stereophile:

John Atkinson  |  Nov 17, 2002  |  0 comments
"Most important." That was the phrase I used when I e-mailed the members of Stereophile's extended family of reviewers and writers to ask for suggestions when I began to compile this list. I didn't want to be more specific because I wanted to cast the net as wide as possible. But there are many factors that make an audio component "important": design innovation, sound quality, sales figures, influence on other designers, influence on the evolving market, influence on system synergy.

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