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John Atkinson Posted: Jan 04, 2008 Published: Dec 04, 1986 1 comments
The accuracy of a hi-fi system's "soundstage" reproduction seems to be of paramount importance these days, just as a component must now have "transparency" to possess hi-fi righteousness. If the system in which that component is used doesn't give good soundstage, then the system's owner has definitely fallen by the wayside. But what defines a good soundstage? Stereo imaging must have something to do with it, I hear you all cry. (I would have said stereo imagery until Larry Archibald pointed out that imagery has far less to do with hi-fi than with good writing, something I'm sure we agree has no place in a hi-fi magazine.) OK, what defines good stereo imaging?
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John Atkinson Posted: Nov 03, 2009 0 comments
The people at Manhattan high-end audio retailer Stereo Exchange know how to throw a party. They proved it back in April with their Spring Fever event, and they look to surpass the success of that outstanding evening with their 25th Anniversary Celebration, this Thursday, November 5, from 3–9pm.
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John Atkinson Posted: Mar 19, 2006 0 comments
Stereophile's senior contributing editor, Michael Fremer, and the magazine's editor at large, Art Dudley, are both giving presentations this spring at Cornell University in Ithaca, NY. Michael appears on Tuesday, March 28, followed two weeks later, on April 11, by Art Dudley.
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John Atkinson Posted: Jan 21, 2016 Published: Dec 01, 1992 2 comments
"You're only as good as your most recent gig," was literally drummed into me in my pro musician days; I've found it to be just as true in magazine publishing. No matter how much hard work went into, say, an equipment review, a couple of months down the line that review will be as fresh as yesterday's undunked donut. And no matter how good-sounding the product, or how much it excited the writer, it will always tend to be overshadowed by the latest and greatest products written about in the new issue—the "moving finger, having writ..." syndrome.
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John Atkinson Posted: Jan 12, 2014 0 comments
The CES is traditionally where we give awardees their well-deserved Products of the Year awards. Here is the complete line-up for 2013, waiting in the Stereophile room at the Venetian, just before the show started on Tuesday January 7.
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John Atkinson Posted: Oct 16, 2007 0 comments
After several years of collaboration with Lew Johnson and Bill Conrad with McCormack Audio, Steve McCormack went it alone a year or so back with SMc Audio. He was demming SMc's first product at RMAF, the $6800 VRE-1 line preamplifier ("VRE" stands for "Virtual Reality Engine"). The solid-state design uses Lundahl and Jensen coupling transformers and uses J-FETs in a zero-feedback circuit. Unusually, it dispenses with the otherwise ubiquitous solid-state voltage regulators in its power supply. Instead, it uses a choke-smoothed voltage rails, which Steve feels eliminates any trace of "transistor" sound. Next to come will be a matching phono stage.
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John Atkinson Posted: Apr 16, 2006 0 comments
Getting a name check from the mainstream press can be a good thing. But as Wes Phillips wrote in his blog on February 5, "to paraphrase Mason Williams on winning an Emmy Award, 'It's like being kissed by a girl with bad breath—you appreciate the honor, but...'"
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John Atkinson Posted: Jul 27, 1999 0 comments
It was the road signs alongside I-44 that first caught my attention, each with its twin supports neatly snapped halfway up. Then I saw the outlet center east of Oklahoma City, smashed flat as if struck by the mother of all baseball bats swung by a careless god.
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John Atkinson Posted: Aug 26, 2008 Published: Aug 08, 1991 0 comments
Blame the Puritans! say I. The high end has always had an ostinato accompaniment of grumbles from those who appear to feel that it is immoral to want to listen to music with as high a quality as possible. In a recent letter, for example, Fanfare and Stereo Review contributor and author Howard Ferstler states that "the audio world has more products of bogus quality and shills promoting them than any other industry, bar none," and trots out the old saw that audiophiles "end up spending an excessive amount of money on equipment or tweaking techniques of surprisingly dubious quality."
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John Atkinson Posted: Dec 15, 2002 0 comments
"Suicide junctions," I calls 'em. The ones with which I'm most familiar are on I-278, just north of the Verrazano Narrows Bridge in Brooklyn, New York, and along North Mopac in Austin, Texas, but they must exist all over the US. Traffic about to enter the freeway must first cross the line of faster-traveling offcoming cars, the intersection's on- and off-ramps crossing in a shallow X.

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