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Robert Baird Posted: Jun 26, 2006 1 comments
Back when everyone was rushing to convert LPs to CDs, the boxed set was a wondrous thing. The rush to "box" every artist propelled the record biz to some of their best Christmas seasons ever. It even inspired some labels to get off their then wealthy asses and dig around the vaults to find that most marvelous of record label offerings, the "bonus track."
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Robert Baird Posted: Aug 28, 2015 3 comments
For Grace Potter it seemed inevitable that the clock was going to strike Midnight.
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Robert Baird Posted: Apr 20, 2007 2 comments
jazz fusion is a movement in music, that I have to say, often leaves me cold. Yeah, Bitches Brew is great and other masterworks of the genre obviously resonate, but shows like a rare appearance by guitarist David Torn that I caught on Tuesday night at Joe's Pub are less than thrilling.
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Robert Baird Posted: Nov 09, 2006 2 comments
Ohhhhh, my aching head. Back from a wedding and then right into CMJ (a sort of New York version of Austin's SXSW), which strangely enough actually had music worth seeing and some very cool panels for the first time in many many years. The Thrill Jockey Showcase that I saw, which showcased all the noiserock that Shytown is famous for, was excellent. Also attended a party at the Slipper Room on the Lower East Side for Fuzz Music, a new music company whose backing comes from one of the Google millionaires. They're looking for things to sign but have no real idea, it seems, as to what directin they want to go. A new music company in 2006. God bless they're Googly millions.
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Robert Baird Posted: Aug 28, 2007 0 comments
The amount of flux in the world of music and the businesses of marketing and selling creativity continues to be absolutely amazing. In nearly 25 years of writing about music I’m seeing things I almost don't believe.
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Robert Baird Posted: Feb 25, 2008 6 comments
From NYT Arts section ads:
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Robert Baird Posted: Jan 21, 2011 1 comments
While I know through reading all about Don Kirshner’s work at the Brill Building...
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Robert Baird Posted: May 15, 2009 1 comments
Tribute records are only as good as the person being feted. Their success or failure is also directly linked to how much energy the performers put into the project. Most tributes operate via telephone and UPS, meaning everyone uses the telephone to figure out what song they want to cover, and then UPS (or if you’re really sexy and rich, Fedex) delivers the finished tape. Actually, in some really impersonal cases, the music might be sent via email. Gee, ain’t this `ol digital world great?
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Robert Baird Posted: Aug 28, 2013 20 comments
Acoustic Sounds Inc. has today announced that it has launched a new high resolution download service, Acoustic Sounds Super HiRez, at
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Robert Baird Posted: Sep 11, 2015 7 comments
A great, if not the greatest Krautrock engineer recording Duke Ellington in 1970 at Rhenus Studios in Cologne Germany?


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