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Robert Baird Posted: May 09, 2015 0 comments
What keeps Waterfall, the band’s seventh album and the first in four years, from sinking into a kind of earnest, overly precious, 1970s lite rock muck is that James’s many influences are a mist and not a downpour.
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Robert Baird Posted: Sep 16, 2011 0 comments
There are a lot of reasons to love Gotham—most of them having to do with humans `cause let’s face it there just aren’t many mountain vistas here—but the one that tickles my fancy the most is what Billy Joel (sorry) famously called, the “New York State of Mind.” Jay–Z would have it “Empire State of Mind,” but you get the idea. After a premiere showing of Sounds and Silence, Travels with Manfred Eicher, the new film about the ECM founder, owner and inspiration, there was a brief Q&A period chaired by WNYC's Julie Burstein (left in JA's iPhone photo). The first hand up was in the back of the IFC Center in the West Village.
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Robert Baird Posted: Mar 03, 2009 2 comments
I can see the scene now, Gary, the mighty Max, the Big Man, all standing around the studio, looking at their feet, afraid to tell Bruce that one of his new songs, the otherwise very charming, “Outlaw Pete,” has a melody very similiar to the one found in KISS’ “I Was Made For Lovin’ You Baby,” their successful quasi-disco single off their otherwise weak 1979 stylistic stumble, Dynasty.
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Robert Baird Posted: Jan 18, 2008 0 comments
Blues movies, movies about the blues, continue to be a treacherous swamp for filmmakers; For some bizarre reason, they just can’t get it right.
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Robert Baird Posted: Nov 16, 2009 2 comments
Imitation is the sincerest form of flattery...or maybe not!
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Robert Baird Posted: Apr 09, 2010 0 comments
German Barbie
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Robert Baird Posted: Jan 23, 2015 2 comments
After the death of the label’s biggest star Otis Redding in December 1967 (damn those small planes!)...
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Robert Baird Posted: Dec 12, 2014 7 comments
Clearly, the concept of overexposure never enters Dave Grohl's mind.
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Robert Baird Posted: Jul 23, 2007 1 comments
It's Monday. It's raining. And people, tourists in particular, (excuse me, why don’t you just poke out the other eye while you're at it!) cannot walk with umbrellas, so let’s talk Ticketmaster.
Robert Baird Posted: Jun 06, 2011 1 comments
To write about music, you must first come to terms with your fanboy urges. You must brush off the fairy dust and see your heroes for who they really are—a picture that in many cases is all too human. Yet that first blush of idolatry is an experience you never quite forget, no matter how many times you interview a person.

There was a time, back in the St. Elmo's Fire 1980s, when Steve Earle's first album, Guitar Town, was an object of abject slobbery for a generation of rock critics. Turning a near-mint LP copy of that album over in his hands, Earle begins to reminisce about a record that changed Nashville and country-rock music and, for many, remains his undisputed career masterpiece.

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