NEIL YOUNG: Are You Passionate? Reprise 48111-2 (CD). 2002. Neil Young, Booker T. Jones, Duck Dunn, Poncho Sampedro, prods.; John Hanlon, eng.; Aaron Prellwitz, Alex Osborne, asst. engs.; Tim Mulligan, mix, mastering; John Hausmann, Denny Purcell, mastering; John Nowland, A/D transfer. AAD? TT: 65:29 Performance ****? Sonics ****
Willie Nile: House of a Thousand Guitars
Circle P/River House RHR9904 (CD). 2009. Willie Nile, Brad Albetta, Frankie Lee, Andy York, prods.; Stewart Lerman, Rich Pagano, prods., engs.; Rich Lamb, eng. AAD? TT: 52:36
Johnny Cash: American VI: Ain't No Grave
Lost Highways/American Recordings B0013954-02 (CD). 2010. Rick Rubin, prod.; David Ferguson, eng.; Greg Fidelman, Jimmy Tittle, Paul Fig, Dan Leffler, asst. engs. AAD.? TT: 32:23
The Twilight Singers: Dynamite Steps
Sub Pop SPCD 844 (CD). 2011. Greg Dulli, prod.; Brenndan McGuire, Ben Mumphrey, Steve Nalepa, Mike Napolitano, others, engs. AAD? TT: 43:03
Unleash "Retarded," the unforgettable first track of Up In It (1990), the Afghan Whigs' first Sub Pop albumthe one with the eerie stitched-up hand on the coverand immediately the madness seeps out. No one has ever done the angry leer and tormented spat quite like AW singer/songwriter Greg Dulli. As the charismatic leader of one of the nastiest, hardest-edged live acts ever to prowl a 1990s indie-rock stage, he and the Whigs were one of the Yo MTV 120 Minute generation's most striking actsone that combined buzzy guitar thunder with odd but welcome leanings toward classic R&B that persist to this day in the Twilight Singers. The assault of the Cincinnati-based Whigs was led by Dulli, a seemingly normal Ohio boy whose unhinged wailing, self-flagellating lyrics, and shrieking, Cobra-like stage persona made him a rock star: dangerous candy for the girls, unhinged fury for the fellas.
Doug MacLeod: There's a Time
Reference RR-130 (HDCD). 2013. Doug MacLeod, Janice Mancuso, prods.; Keith O. Johnson, Sean Royce Martin, engs. DDD? TT: 58:00
Like a lot of other once-pure forms of American music, the blues today has become a swirl of influences, mixing folk, rock, rhythm & blues, and even Latin flavors into a music that its aficionadosthat fervent contingent known as "blues nuts"have grudgingly accepted as being a part of the music they adore. But if blues fans thought Hendrix or Stevie Ray Vaughan muddied the wellsprings of the Devil's own music, it'll be only a matter of time before rappers mix blues in with their beats, and thenhorror of horrors!dance music begins to "borrow" from da blues. Rather than resist these changes, blues fans should willingly embrace any new energies brought into the music; rather than ruin, these fresh ideas and passions may actually revitalize a musical form that many already see as a museum piece.
MILES DAVIS & GIL EVANS: The Complete Columbia Studio Recordings Gil Evans (arranger/conductor); Miles Davis, Ernie Royal, Johnny Coles (trumpet); Cannonball Adderley, Lee Konitz, (alto sax); Gunther Schuller (french horn); Paul Chambers (bass); Philly Joe Jones (drums); many others. Columbia 67397 (6-CD set) Michael Cuscuna, exec. prod.; Phil Schaap, Mark Wilde, Bob Belden, reissue producers; additional engineering, Tom Ruff. TT: 6:56:39.
VARIOUS ARTISTS: Los Super Seven Radv/RCA Nashville 67689-2 (CD). 1998. Dan Goodman, exec. prod.; Steve Berlin, prod.; Dave McNair, eng.; Fred Rennert, Steve Gamberoni, asst. engs. AAD? TT: 41:36 Performance ****? Sonics ****