Robert Baird
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Recording of the Month
Robert Baird May 02, 1998 0 comments
OLU DARA: In the World, from Natchez to New York
Atlantic 83077-2 (CD). 1998. Yves Beauvais, Olu Dara, prods.; Danny Kopelson, eng. Tom Schick, asst. eng. AAD? TT: 47:03
Performance ****
Sonics ****(But see final paragraph.)
Recording of the Month
Robert Baird May 10, 1999 0 comments
BILL LLOYD: Standing on the Shoulders of Giants
Koch LOC-CD-8035 (CD). 1999. Bill Lloyd, Scott Baggett, prods., engs.; Brad Jones, prod.; Robin Eaton, Marshall Crenshaw, engs. AAD? TT: 56:46
Performance ****?
Sonics ****
Recording of the Month
Robert Baird May 28, 2000 0 comments
DR. JOHN: Duke Elegant
Blue Note 5 23220 2 (CD). 2000. Mac Rebennack, prod.; Suz Dyer, eng.; Steve Revitte, Tovi Rodriguez, asst. engs. AAD? TT: 66:40
Performance ****?
Sonics ****?
Recording of the Month
Robert Baird May 12, 2002 0 comments
NEIL YOUNG: Are You Passionate?
Reprise 48111-2 (CD). 2002. Neil Young, Booker T. Jones, Duck Dunn, Poncho Sampedro, prods.; John Hanlon, eng.; Aaron Prellwitz, Alex Osborne, asst. engs.; Tim Mulligan, mix, mastering; John Hausmann, Denny Purcell, mastering; John Nowland, A/D transfer. AAD? TT: 65:29
Performance ****?
Sonics ****
Recording of the Month
Robert Baird May 15, 2005 0 comments
TORD GUSTAVSEN TRIO: The Ground
Tord Gustavsen, piano; Harald Johnsen, double bass; Jarle Vespestad, drums
ECM 1892 (CD). 2005. Manfred Eicher, prod.; Jan Erik Kongshaug, eng. DDD. TT: 60:13
Performance ****½
Sonics ****½
Recording of the Month
Robert Baird May 15, 2008 0 comments
BON IVER: For Emma, Forever Ago
Jagjaguwar Jag 115 (CD). 2008. Justin Vernon, prod., eng. AAD? TT: 37:15
Performance ****1/2
Sonics ****
Recording of the Month
Robert Baird May 15, 2009 0 comments
Willie Nile: House of a Thousand Guitars Circle P/River House RHR9904 (CD). 2009. Willie Nile, Brad Albetta, Frankie Lee, Andy York, prods.; Stewart Lerman, Rich Pagano, prods., engs.; Rich Lamb, eng. AAD? TT: 52:36 Performance ****½ Sonics ***½
Recording of the Month
Robert Baird May 15, 2010 0 comments
Johnny Cash: American VI: Ain't No Grave
Lost Highways/American Recordings B0013954-02 (CD). 2010. Rick Rubin, prod.; David Ferguson, eng.; Greg Fidelman, Jimmy Tittle, Paul Fig, Dan Leffler, asst. engs. AAD.? TT: 32:23
Performance ****½
Sonics ***½
Recording of the Month
Robert Baird May 06, 2011 1 comments
The Twilight Singers: Dynamite Steps
Sub Pop SPCD 844 (CD). 2011. Greg Dulli, prod.; Brenndan McGuire, Ben Mumphrey, Steve Nalepa, Mike Napolitano, others, engs. AAD? TT: 43:03
Performance ****
Sonics ****

Unleash "Retarded," the unforgettable first track of Up In It (1990), the Afghan Whigs' first Sub Pop album—the one with the eerie stitched-up hand on the cover—and immediately the madness seeps out. No one has ever done the angry leer and tormented spat quite like AW singer/songwriter Greg Dulli. As the charismatic leader of one of the nastiest, hardest-edged live acts ever to prowl a 1990s indie-rock stage, he and the Whigs were one of the Yo MTV 120 Minute generation's most striking acts—one that combined buzzy guitar thunder with odd but welcome leanings toward classic R&B that persist to this day in the Twilight Singers. The assault of the Cincinnati-based Whigs was led by Dulli, a seemingly normal Ohio boy whose unhinged wailing, self-flagellating lyrics, and shrieking, Cobra-like stage persona made him a rock star: dangerous candy for the girls, unhinged fury for the fellas.

Recording of the Month
Robert Baird Apr 29, 2013 Published: May 01, 2013 0 comments
Doug MacLeod: There's a Time
Reference RR-130 (HDCD). 2013. Doug MacLeod, Janice Mancuso, prods.; Keith O. Johnson, Sean Royce Martin, engs. DDD? TT: 58:00
Performance ****½
Sonics ****½

Like a lot of other once-pure forms of American music, the blues today has become a swirl of influences, mixing folk, rock, rhythm & blues, and even Latin flavors into a music that its aficionados—that fervent contingent known as "blues nuts"—have grudgingly accepted as being a part of the music they adore. But if blues fans thought Hendrix or Stevie Ray Vaughan muddied the wellsprings of the Devil's own music, it'll be only a matter of time before rappers mix blues in with their beats, and then—horror of horrors!—dance music begins to "borrow" from da blues. Rather than resist these changes, blues fans should willingly embrace any new energies brought into the music; rather than ruin, these fresh ideas and passions may actually revitalize a musical form that many already see as a museum piece.

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