Robert Baird

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Robert Baird  |  May 16, 2006  |  2 comments
Being addicted, or even just a fan of The New York Times means you have to suss out the necessary assumptions and become expert at translating what's really going on there. Even overlooking the woeful sports section and regular incidents of pathetic pandering—a recent travel piece by Robert Kennedy Jr. comes to mind—the institutional psychoses and attitude, subtle as they may be, that the paper infuses, again ever so delicately, into everything is quite amazing.
Robert Baird  |  Jan 29, 2024  |  4 comments
"When I first listened to the tape I thought, this is so good that if I do anything else in my life, I have to make sure the world hears this," David Prinz says with obvious intensity. "That's how I really feel. It makes me happy that all these Gram fans are finally going to get to hear what he was really like live."

The love of music can drive human beings to astonishing lengths. For Prinz, cofounder/owner of California's Amoeba Music chain, that fervor revolves around the work of country-rock pioneer Gram Parsons. Despite the often-outlandish mythology that's grown up around this shooting star since his tragic 1973 overdose at age 26, Prinz has made it his quixotic mission to find, restore, and release unreleased Gram Parsons live shows.

Robert Baird  |  Feb 16, 2016  |  17 comments
Watching Johnny Depp play rock guitar dude was a bit squirm-inducing.
Robert Baird  |  Feb 11, 2008  |  4 comments
Writing about the idiocy known as the Grammy Awards Show just isn't that much fun anymore. I used to take great glee is slicing and dicing them but they’ve been so dumb for so long that, to quote Mr. King (as in B.B.): the thrill is gone. That said, I now look at it as live comedy, of the squirm in your seat variety. It's always mildly amusing to see the U.S/U.K. music business make an ass of itself for the entire world to see. In no particular order here's a few Grammy 2007 observations. On one of those occasions when the camera whirled down and across the crowd, I saw Jeff Tweedy of Wilco, looking very adult-like, and his wife sitting in a coveted aisle seat. He's come up in the world. His band's Sky Blue Sky was nominated for Best Rock Album but lost out to the Foo Fighters. Sinatra and Keys? A tragic mistake for her. Showed how limited her talent is, but then anyone would come up short against Frank. That little sound/image synch problem did not help. A bad idea gone wrong. Tina and Beyonce. Tina looked spectacular at 69 and sounded even better. She is a wonder of nature. And plastic surgery. Beyonce? Damn, the woman has dancer thighs doesn't she? She looked and sounded very nervous. Of course again, she was matched, not to her advantage, with a masterful singer. Maybe the whole young/old thing needs a rethink. Liked the commercials for Garth Brooks Greatest Hits records. The Jerry Lee Lewis/Little Richard/John Fogerty segment was fairly amazing. The Killer, who has been rumored to be on death's door for at least the last decade, looked jowly as hell but was still having fun. Little Richard, on the other hand, was oddly waxen looking (yes, more than normal) and was downright grim when he played. It did occur to me that that performance could well be Jerry Lee's final television appearance, the last glimpse America will ever get, of one of the more unforgettable creators of rock ‘n ‘roll. Thank God Michael Jackson didn’t show up to pay tribute to Thriller. The freak quotient was off the map to begin with. Seeing and hearing Keely Smith was great. Kid Rock however is the same untalented dope he's always been. His only redeeming quality is his respect for rock's elders, which still ain't enough to make me say anything but: why does this man have a music career? Loved the look on people's faces when Doris Day’s name was mentioned. Ooohh was that a LONG time ago. Andy Williams looked like Andy Williams if he were one hundred and ten years old. It’s testament to what performing in Branson, Mo. ad nauseum will do to ya. And poor squinting Tony Bennett did not a whole lot better. Great choice on Herbie Hancock. Blew everyone's mind. In a good way.
Robert Baird  |  Dec 11, 2016  |  9 comments
Lake’s death, followed by the fact that I had three new 140 gram ELP LP reissues...
Robert Baird  |  May 29, 2017  |  5 comments
His finest moments came just after the death of brother Duane in 1971 and then-bassist Berry Oakley a year later.
Robert Baird  |  Oct 23, 2015  |  1 comments
They live to seek the little black holy grail…with the big hole in the middle.
Robert Baird  |  Sep 12, 2008  |  4 comments
It’s been a Guitar Fest here in NYC lately. I’ve seen Bill Frisell (always superb), Kenny Burrell (a very rare pleasure because he hates to fly) and Mike Marino (with new Blue Note pianist Aaron Parks). Tonight is a tribute to Fender's Jazzmaster guitar headlined by Nels Cline, J. Mascis, Thurston Moore and Tom Verlaine. Must be frets in the water or something.
Robert Baird  |  Feb 19, 2010  |  0 comments
The relationship between the internet and music continues to evolve in new and bizarre ways. The latest is Guvera, a site that offers free music downloads, that the principals say uses the sponsorship model in new and they hope successful ways and keeps everyone—from artist to label to consume—happy. When you register for the site, they ask you a battery of questions about your likes and dislikes and then you’re free to search for a song or an artist. The site will then direct you to a channel or channels, sponsored by an advertiser, which has what you’re looking for. Using the information from those initial customers’ surveys and then your subsequent download history, the site’s algorhythms find the target audience for certain advertisers and grab their eyeballs in a better way than pop up or strip ads. They also tell the advertisers what music the customers they want to reach listen to. The advertiser pays the royalties on the music to whoever holds the copyright. In other words, either the record label or the artist gets paid. It ain’t stealing.

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