Sort By: Post Date | Title | Publish Date
Robert Baird Posted: Oct 10, 2012 Published: Oct 01, 2012 9 comments
It's the first rule of being a stereophile: sound quality is serious business. Simon Gibson, one of the engineers at Abbey Road Studios who worked on EMI's new Signature Collection of hybrid SACD/CDs, knows the drill: remaster and change the sound of a much-loved classical recording from the label's glorious back catalog and you risk becoming a target of blogs and forums. Gibson's aware that the more hallowed the recording, the more quickly knives come out at the mention of remastering.
Filed under
Robert Baird Posted: Sep 24, 2015 3 comments
The results are quite remarkable, as can be heard in this comparison between the original LP master and the 192/24 digital version archived in April of 2015.
Filed under
Robert Baird Posted: Feb 09, 2009 2 comments
The mini–dustup over Etta James saying she “can’t stand” Beyonce and was gonna “whip” or “whoop” her ass is a hoot. First of all, Etta’s legacy is in no danger. No one will ever top her rendition of “At Last.” That performance, her greatest single track, is in no danger of being superseded.
Filed under
Robert Baird Posted: Jan 20, 2012 2 comments
Publishing has a way of keeping you humble. Many years ago, after a scheduled show by her had been abruptly canceled, a club owner told me that Etta James had died.
Filed under
Robert Baird Posted: Aug 13, 2016 2 comments
The vinyl LP shopping in Amsterdam is as good as anywhere I’ve ever been outside Greenpoint, Brooklyn.
Filed under
Robert Baird Posted: May 11, 2012 10 comments
Many if not most of the world’s most admired albums attained their fame slowly. In the case of Exile on Main Street which was released forty years ago on May 12, 1972, it took years for its ragged, bluesy charms to percolate into the collective psyche and eventually emerge as if not the best, then one of the contenders in the Stones catalog.
Filed under
Robert Baird Posted: Mar 21, 2016 1 comments
A distant relative to what folks in the rest of the United States sometimes call "pizza."
Filed under
Robert Baird Posted: May 08, 2008 4 comments
It drives me nuts when people, some of them intelligent and not prone to idiotic statements, say things to me like a colleague did the other day: "Do you ever hear a good record anymore?"
Filed under
Robert Baird Posted: Jul 10, 2015 7 comments
Bitterweet is easily the most lyrically confused record that Chambers, or any other pop music artist at her level, has released in recent memory.
Filed under
Robert Baird Posted: Jun 22, 2006 1 comments
This just in:

Pages

X