Slowly, painfully, high-end audio seems to be dying. We all know it but we're apparently unable to resuscitate the patient. US dealers are closing at alarming ratesit must be the economy. Women continue to avoid the High Endit must be the technobabble combined with male equipment fetishism. Younger people aren't hopping aboardit must be all those other things competing for their money. (Then again, it might be the High End's abhorrence of rock'n'roll.)
Solamente una faccia bella? At first glance, the Sonus Faber (pronounced Fah-bear) Electa Amator appears to be a typical minimonitor: a small vented box with two drivers. The speaker is significantly better-looking than Franco Serblin's first speaker system, the Snail, a subwoofer with two satellites attached via arms (see photograph in Vol.11 No.3, p.34). And, like the Oracle Delphi turntable or Goldmund Apologue speakers (the latter also an Italian design), the Amator's appearance has received at least as much attention as its performance. But is it just another pretty face?
If you read Stereophile regularly, you already know that all audio equipment does not sound the same. But did you know that a given piece of gear can sound better or worse depending upon how it's set up and used? With a few simple tweaks, you can bring out the best in your audio system.