Jack English

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Jack English Posted: Mar 07, 2008 Published: Jun 07, 1993 0 comments
All right, class. Your assignment is to write a paper persuading people to do something good for themselves that they really don't want to do.
Jack English Posted: Apr 23, 2013 Published: Oct 01, 1994 9 comments
Immedia introduced the German Audio Physic speakers at the 1994 Winter CES. As I mentioned in my Show report (Vol.17 No.4), I felt the price:performance ratios of the three models displayed was an indirect one: the least-expensive—the Step—sounded best. Since I'm always looking for products that offer great bang for the buck, I arranged to receive a pair of review samples.
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Jack English Posted: Jul 29, 2007 Published: May 29, 1992 0 comments
Conrad-Johnson launched the all-tube Premier 7 in 1988 as an all-out sonic assault on the state of the preamplifier art. A great deal has happened since then. For starters, C-J has gotten a great deal of feedback from customers, dealers, and reviewers. None other than J. Gordon Holt (Stereophile, November 1988, Vol.11 No.11) concluded that: "It appears that nothing which could possibly have improved its sound had been omitted....It is, in fact, about as close as any tubed preamp has come to being perfectly neutral in sound—in nearly all respects." In the now-defunct Sounds Like... (issue 3), Sam Burstein concluded that "It is, with certain reservations, absolutely delightful to one's musical senses." And, speaking of absolutes, even Harry Pearson gave the Premier 7 a rave in the first round of his preamplifier survey (TAS, issue 58). As icing on the cake, John Atkinson (Stereophile, Vol.12 No.8) concluded that the 7 had "the requisite degree of sonic magic to make it a Class A recommended preamplifier."
Jack English John Atkinson Posted: Apr 15, 2014 Published: Aug 01, 1993 2 comments
893count.250.jpgWhile Clearfield Audio may be a new name to many of you, it represents the marriage of two well-established members of the high-end community: Counterpoint and designer Albert Von Schweikert. Counterpoint had been working to add speakers to its product lineup for some time. The partnership with Von Schweikert, whom Stereophile readers will remember as the designer of the Vortex Screen favorably reviewed by Robert Harley in July 1989, fills out Counterpoint's high-end product line from source—the company showed a CD transport at the June 1993 CES—to speaker.

The Metropolitan
The developmental history of Vortex speakers provides a meaningful framework for the design of the Clearfield offerings, especially the Metropolitans, or Mets. Like the Vortex designs, the Mets are three-ways with transmission-loaded bass. Like the Kevlar Reference Screen (reviewed by Robert Greene in The Abso!ute Sound's "double-issue" 83/84, December '92), the Mets use Kevlar-coned midrange units from Focal that cover a broad range from 125Hz to 2kHz. What's dramatically different is the overall driver layout.

Jack English Posted: Nov 06, 2005 Published: Sep 06, 1996 0 comments
Beauty is in the eye of the beholder—but all too often there is little of beauty to be found in high-end audio. In these aesthetic dark ages, we have been indoctrinated to forsake grace and elegance; we all know that every underlying penny should be spent only in the pursuit of superior sonic performance.
Jack English Posted: Feb 25, 2007 Published: Feb 25, 1996 0 comments
If reviewers can be believed, the diminutive, $995/pair Epos ES11 loudspeaker has been a phenomenal success worldwide since its 1990 introduction. Stereophile added its voice to this hallelujah chorus in Vol.14 No.7, when the '11 kicked butt in a blind-listening-panel evaluation of inexpensive small speakers. While the ES11 did plenty of things extremely well, it was inevitable that it was limited in terms of ultimate sound-pressure levels (spls), deep-bass extension, and dynamic persuasiveness. While the ES11 was an unqualified success given its modest size and price, one couldn't help but wonder what Epos might be capable of in a larger model. (While a larger Epos model already existed in the $1695/pair ES14, it predated the technology of the ES11 by four years.)
Jack English Posted: Mar 29, 2012 Published: May 01, 1996 0 comments
When you wish upon a star,
Makes no difference who you are;
Anything your heart desires,
Will come to you
.—Jiminy Cricket

12-21-92-17-52-46. Big deal, another $100,000 lottery winner. Where's Jean-Phillipe? Probably off getting us something to drink. Who can blame him? I can't believe people sit around dreaming and waiting to hear all these winning numbers. J-P, you out there?

Young, good-looking, bright—J-P had a lot going for him. He certainly didn't need to sit here listening to winning lottery numbers. Ah, there you are. What are you mumbling about?

"12-21-92-17-52-46. I've won! I've won! I've won!" He shouted over and over, almost crushing me in a bear hug.

My oh my, J-P had really won a big one. And what was it he'd been dreaming about while buying all those tickets every payday for the last three years? Speakers! He'd wanted to own the best loudspeakers in the world, and now he could.

Jack English Posted: Sep 05, 2008 Published: Dec 05, 1993 0 comments
Despite displaying its products at nearly every CES since 1985, Merlin remains essentially unknown in the US. Problems have plagued the company in this country: key suppliers have gone under, marketing efforts have lacked focus, and the principals of the company seemed to have gotten caught up in audio politics.
Jack English Posted: Oct 03, 2004 Published: Mar 01, 1994 0 comments
Reviewing audio equipment has always been a blast. With each passing month, some potentially wonderful new piece of audio gear finds its way into my system. But as an audiophile, I don't want to be constantly changing the equipment in my system—I want to put together the best setup I can and spend my time optimizing its performance. In spite of the revolving equipment door, I try to listen to the majority of music on my own equipment.
Jack English Posted: Jan 05, 2007 Published: Sep 05, 1991 0 comments
Let's see—should I start with a discussion of conflict? Or maybe indecision? No, let's be more psychological and talk about approach/avoidance dilemmas...No, I'm supposed to be entertaining. How about a joke? Nah, that won't do. Well how about the framework for a joke? Yeah, that's the ticket!

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