Even if you win, sometimes you lose—a lesson the Recording Industry Association of America (RIAA) might soon be learning if the results of a new poll are proven to reflect the long-term mainstream music buying mood.
It has been another tough week for the Recording Industry Association of America (RIAA) as it continues to grapple with a waning CD market, and attempts to further rein in the forces of a brave new digital audio world. It didn't help that its website was heckled until it went offline, either.
When is a music sample not a sample but an actual product? Are those 30-second audio snippets used at online music-retailer websites and in stores considered samples and therefore covered under fair use copyright laws? These are some of the questions that the National Association of Recording Merchandisers are asking the copyright office as another battle heats up between the record labels (represented by the Recording Industry Association of America (RIAA)) and the music retailers (represented by NARM).
There are dozens of music-playback programs for computers, touchpads, and smartphones, ranging from Amarra, Audirvana, JRiver, Pure Music, and VLC, which manage libraries or work with library software, to programs that are integrated with a specific distribution service: Pandora, Spotify, Tidal, and, of course, iTunes. Still others, such as Sonos, are integrated with a dedicated hardware product.
The ever-lovely Rosemarie Torcivia and Cynthia Fontaine, running the Stereophile room at the Venetian. They'd appreciate it if someone would bring them a decent sounding stereo to listen to. An ipod even.
Audiophiles have a mess on their hands. In a somewhat surreal press conference in May, a half dozen audio luminaries—representing Sony, Philips, and several titans of the high-end recording business—stood on a HI-FI '99 stage looking awkwardly at the audience.
The music industry is clearly redoubling its efforts to market DVD-Audio, with the proposed launch of the DualDisc format. Adding either video content or high-rez audio or both to a standard CD looks to be the new strategy for adding value—an acknowledgement that just offering non–CD-compatible high-rez audio is not enough.
What's a home-entertainment show without an assortment of state-of-the-art audio demonstrations? EgglestonWorks has announced that its next generation Andra II speaker will be featured as part of what it calls an "unprecedented" demonstration of multichannel Super Audio CD (SACD) to be conducted during the upcoming Home Entertainment 2002 Show May 30 through June 2 at the New York Hilton.
It's hard enough for established record labels both big and small these days. With the high-resolution audio formats SACD and DVD-Audio still fighting each other and struggling to launch, picking sides is an even bigger gamble for a brand-new record label's first releases.