Sort By: Post Date | Title | Publish Date
Filed under
Jon Iverson Posted: Aug 18, 2002 0 comments
What music lovers have suspected for months, and record labels vehemently deny, has apparently been confirmed by Forrester Research: Piracy is not responsible for the 15% drop in music sales in the past two years. According to a new report from Forrester, "Labels can restore industry growth by making it easier for people to find, copy, and pay for music on their own terms."
Filed under
Jon Iverson Posted: Feb 02, 2003 0 comments
Having a great product at a fair price is mandatory practice in the ever-competitive audio business. But getting the word out and placing those products in front of the customer is just as critical—some might argue, even more important. If this is true, then Canadian speaker company Athena has just made the score of a lifetime.
Filed under
Jon Iverson Posted: Apr 02, 2000 0 comments
Next to join the online ATRAC parade, Warner Music Group announced last week that it has agreed to license the ATRAC3 audio compression technology from Sony, for use in the electronic distribution of music. Warner says it expects to launch its electronic distribution business during the second half of 2000, using ATRAC3 on a non-exclusive basis.
Filed under
Jon Iverson Posted: Jan 11, 2012 0 comments
A music server priced in the low six figures. An air tight music server filled with inert gasses. A music server so rare, only two have been built to date.

I try to be logical about show coverage so usually start at the top floor and work my way down, room by room, floor by floor.

CES exhibits at the Venetian top out at floor 35, and as soon as I exited the stairwell, I spied the first exhibitor, Magico speakers. I'm here to cover digital and tend to skip the speaker-only rooms, but Magico provides great demos, so I stepped in.

Am I glad I did.

Filed under
Jon Iverson Posted: Feb 01, 2013 213 comments
Register to win an Audience aR2p Adept Response Power Conditioner (MSRP $695) we are giving away.

"The Audience Adept Response aR2p power conditioner is designed to elevate the performance of your audio system and provide superior power protection. It’s ideal for single-component applications like monoblock amplifiers, receivers, video projectors and video displays and plugs directly into a power outlet with no separate power cord required. The aR2p is hand-built with premium-quality high-current components throughout."

[This Sweepstakes is now closed.]

Filed under
Jon Iverson Posted: Jan 14, 2011 0 comments
Consider this the baby brother to the La Source. Same overall functionality but with the lower priced Esoteric UMK5 transport, a stereo Burr Brown 1792 DAC and an OEM clock directing the digital. Still, it has the S.T.A.R.S. 32bit/384kHz DSP and vacuum tube output stage as well as the preamp features.

The La Fontaine will be available sometime in February with transport for $25,000 and without for $19,000. O'Hanlon adds that by the end of the year, there should be five Music Centers products without disc ranging in price from $3,000 to $35,000.

Filed under
Jon Iverson Posted: Jan 14, 2011 0 comments
It is a truism worth repeating: you can't really draw any conclusions about the sound of a component from an audition at an audio show.

Then there are those exceptions that prompt you to drop your neutrality and reach for the superlatives. The Vienna Acoustics room was like that for me last year. But this year, I've got to hand it to Philip O'Hanlon for creating a sound and scripting a demo that I would rate as extraordinary no matter what the circumstances.

Vivid's G2 Giya loudspeakers and the large room at the top of the Mirage didn't hurt. But I was here for the digital front end, and in this case, the Audio Aero La Source, which was functioning both as a disc player and preamp, connected to a Luxman M-800A Amplifier.

O'Hanlon describes the La Source as "an all-out attempt to put an analog preamp into the same box with the SACD/CD player." The La Source was also hooked up to a computer and streaming files via its USB input. On the back is a set of balanced and unbalanced analog inputs, BNC, SPDIF coax and optical, USB, and AES/EBU digital inputs along with a BNC digital and balanced and unbalanced analog outputs.

You can order the La Source with an Esoteric VMK5 Neo VRDS transport for $44,000 or without the transport for $35,000 and there is a trade-up program for Prestige owners. Also in the box is an Anagram digital clock along with S.T.A.R.S. 32bit/384kHz DSP, dual mono Burr Brown 1792 DAC, and vacuum tube output stage.

Filed under
Jon Iverson Posted: Sep 16, 2001 0 comments
In the wake of last week's disasters in New York, Washington, DC, and Pittsburgh, Audio Asylum and Audiogon have banded together to co-sponsor a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities.
Filed under
Jon Iverson Posted: May 23, 1999 0 comments
In a tersely worded press release, Carver Corporation announced that on Wednesday, May 12, 1999 it filed a voluntary petition under Chapter 11 in United States Bankruptcy Court for the Western District of Washington. The cause of the filing was "an accumulation of unpaid debt and resulting legal actions filed by creditors. These actions created the prospect of an inequitable distribution of payment to creditors and prevented the Company from being able to operate as a functioning business entity. In October of 1998, the Company ran out of working capital and laid off the remainder of its workforce. Subsequently, at the invitation of the Board of Directors, Robert W. Carver, the founder of the Company and former CEO, stepped in to take over."
Filed under
Jon Iverson Posted: Sep 13, 2004 0 comments
There are a myriad surefire ways to get audiophiles riled. Just bring up $350,000 tube amps, iPods as serious audio devices, or SACD versus DVD-Audio versus DualDisc versus iTunes.


Enter your username.
Enter the password that accompanies your username.