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Jon Iverson Posted: Jan 13, 2009 3 comments
Not an audiophile product per se, SE2 Labs ITC One "Integrated Theater Console" takes all the components typical in a high-end audio/video rack, and strips away everything but the circuit boards and transports and puts them all in a single climate-controlled chassis.
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Jon Iverson Posted: Jan 13, 2009 2 comments
Once you choose which components you want, they bolt the circuit boards inside the chassis and link them together.
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Jon Iverson Posted: Sep 08, 2002 0 comments
Audio retailing has been a tough business in recent years, but two just-released surveys are suggesting that with the right combination of economic factors and dealer preparedness, things could turn around for smart retailers over the coming holiday season.
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Jon Iverson Posted: Dec 20, 1998 0 comments
As expected, the Recording Industry Association of America held a press conference last week to announce the formation of the Secure Digital Music Initiative (SDMI), with which they hope to develop Internet downloading technologies for music. The move comes after a rough year for the music business, which has seen thousands of unauthorized websites offer copyrighted material for free using the MP3 audio format.
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Jon Iverson Posted: Apr 11, 2005 0 comments
I admit to being a little surprised at the results of our Discs or Downloads poll a couple of weeks ago. More of you (65%) see a future for downloads as a viable music medium than I would have expected. As reader Mike Garner put it, "As bandwidth and storage continue to become cheaper, audiophile quality music downloads are inevitable." "Downloads save you trips to the shop or having to wait for shipping when you shop online. We'll soon be loading the data into a music server anyway," adds reader Ola Roll.
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Jon Iverson Posted: May 09, 1999 0 comments
In an Internet world, the audiophile's quest for sound quality via high-resolution formats like DVD-Audio or SACD might be the last gasps of a dying generation. New media and technology companies like Liquid Audio, Diamond Multimedia, and RealNetworks are betting that the new generations of music lovers care more about how music is distributed, stored, and manipulated than about how it ultimately sounds. Les Garland, one of the founders of MTV and VH-1, has stated that "Technology fueled the growth of the market for music during the time when we pioneered music on cable. The Internet is having a similar effect, tenfold, driving artists and consumers to embrace digital media."
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Jon Iverson Posted: Jun 27, 1999 0 comments
The Internet is beginning to pose quite a dilemma for high-end audio manufacturers, especially ones with limited distribution in major markets such as the US. Do you risk alienating potential bricks-and-mortar dealers in an effort to gain widespread exposure by offering your products online? Or do you slowly build distribution through the traditional stores that for years have been high-end audio's haven?
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Jon Iverson Posted: Mar 12, 2000 0 comments
Last week, Capitol Records announced that it will release expanded DVD and VHS editions of Endless Harmony: The Beach Boys Story. The documentary, produced by Stephanie Bennett and directed by Alan Boyd, made its US television debut on VH1 in 1998. A soundtrack CD of Endless Harmony, originally released to coincide with the VH1 airing, is also available.
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Jon Iverson Posted: May 31, 2006 0 comments
It's the day before HE 2006 opens (for the press on Thursday - the public show opens Friday), and the weather could not be nicer. Here's a shot of the hotel from across the parking lot.
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Stephen Mejias Jon Iverson Posted: Nov 21, 2010 6 comments was feeling a little bit old.

We'd have to go back to September 2005 to recall the last major changes made to our website. It was then that we began adding our forums and blogs, which moved slowly at first, went through some growing pains, and finally became some of our most popular online destinations. About a year later, we made other minor revisions, altering the look and feel of our site to make it friendlier, more attractive, and easier to use.

These were all great moves, but the nature of the Web demands near-constant renewal. The time had come for some tube-rolling. Or, if you prefer, we needed to augment our physical media with a high-res, lightning-fast, computer-based system. Look at it however you like. The situation was clear: We were overdue for a facelift.


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