Jon Iverson

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Jon Iverson  |  Aug 06, 2000  |  0 comments
Longtime audiophiles no doubt remember Hafler for their early amp and preamp kits, which offered excellent value for the money. The company soon dropped the kits, but continued production with a complete line of popular amps and preamps throughout the '80s and early '90s, only to hit hard times as the audio recession kicked in.
Jon Iverson  |  Feb 23, 2004  |  0 comments
Back in January of 2002, we reported that loudspeaker manufacturer NHT and DEQX (then known as ClarityEQ) had begun to co-develop a new line of active loudspeakers using DEQX's custom digital room correction technology. It's two years later, and NHT says it is finally ready to unveil the first speaker system incorporating digital signal processing (DSP) developed during the alliance.
Jon Iverson  |  Oct 13, 2002  |  0 comments
Media critics may be right: If record companies had spent as much effort building a digital distribution network as they have fighting digital piracy, they might actually be making money online instead of complaining about it. This is the conclusion of a new report from KPMG and the Economist Intelligence Unit.
Jon Iverson  |  Jan 02, 1998  |  0 comments
Operating at the fringes of the audio world, binaural recordings have continued to maintain a hardcore group of advocates. Creating a convincing three-dimensional surround effect using only a two-channel source, binaural technology is especially impressive with headphones.
Jon Iverson  |  Jan 07, 2010  |  First Published: Jan 08, 2010  |  1 comments
I love wandering the halls and coming across a fully formed company that had up until now snuck under the radar in the US. Bladelius is such a brand, enjoying success all around the world and presently making a push into North America. President George Ioakimedes, who resides in the US, is at the show to sign up dealers and spread the word about the Swedish company.
Jon Iverson  |  Jan 13, 2011  |  0 comments
Bladelius has created a gorgeous product that includes a touch screen on the front and can play discs, stream media and store music. Hand made in Sweden and retailing for around $9,000, the Embla features internal flash memory for storing music (upgradable to 2TB!!), USB and Ethernet on the back, and built-in analog preamplifier.
Jon Iverson  |  Jan 17, 2012  |  0 comments
Bladelius has released a new stripped-down version of the Embla shown last year at a very stripped-down price: $3,000. What they've taken out is the solid-state hard drives and disc player, leaving those items to the network. In addition to the front panel touchscreen, here is an UPnP server and custom iPad app as well.
Jon Iverson  |  Jan 17, 2013  |  0 comments
Two of the products I most wanted to see in the flesh at the show didn't actually arrive due to the exhibitor's respective shipping services. The first was Antelope's Rubicon DAC, lost by DHL; this time it was the Mimer music server from Bladelius, lost courtesy of UPS.

Too bad, because the photo in the brochure is quite enticing. The Mimer is essentially a wall-hung touchscreen device about 7.5 inches wide by 13.5 inches tall. You can see by the photo of a photo how the touchscreen display is arranged for album cover art and control/navigation. The chassis looks about an inch thick and inside is an upgradable hard drive for storing music as well as support for NAS and USB drives, 32/348 files, 4 SPDIF inputs, Wi-Fi and ethernet, internet radio and Spotify, headphone amp, multi-room support and analog input (for the built-in analog preamp).

Though I'm sure many will differ, I've always been partial to music servers that have always-ready built-in navigation screens like Meridian's Sooloos as apposed to relying on iPad apps. I'm hoping to get my hands on the Mimer in the future and see if it lives up to the photo and spec sheet.

Jon Iverson  |  Nov 29, 2004  |  0 comments
We all know by now the perils of proclaiming a winner before all of the votes have been cast, but with the possible future of high-resolution audio and video data storage at stake, the temptation to call it early is great.
Jon Iverson  |  Nov 28, 1999  |  0 comments
One of the challenging attributes of the new DVD-Audio format is the ability to release music in high-resolution multichannel (four or more) sound. For some this will be a thorny issue: Can previously released recordings be remixed to take advantage of the extra channels without sounding gimmicky? Should classical and/or live recordings use the surround channels for concert-hall ambience? How long will it be until consumers even care about setting up their systems to take advantage of more than two full-bandwidth channels?

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