But before heading over, Kimmy and I just wanted to sit down and watch a couple episodes of our favorite show, Curb Your Enthusiasm. We got distracted though, as is always the case with my blog entries, where plans change due to interest in more exciting forms of clarity, a better understanding of the world. By this, I'm talking about the new Vizio television my roommate Jason bought. (Hold your horses now! Don't get so riled up. I know this isn't a Home Theater blog, but I'm getting somewhere, kinda.)
Lenny Abramov thought he found immortality in Eunice Park, the woman who gave him the will to live. He thought he found it in his job, where he sweat endlessly soaking through his acrylic shirts while mindlessly serving Joshie, a back-stabbing “friend”. Eunice would leave him too. In fact, the only true happiness Abramov ever found and returned to were the sounds of his mother and father’s native Russian tongue, their coddling words and thick, laborious accents. In their speech, he could reconnect to the compassion they shared, the basketball they played, and his basement bedroom. Abramov’s parents were the only thing he had, until they died. He was left with bells “tolling, deep and sonorous and thoroughly Russian.” Lenny never chose his parents. He never chose their boundless affection. It was the sound of bells at their deathbeds that reminded him he was loved.
I saw her first in the Clue room. She exited at the same time as random bald man #72. Were they together? I’m not sure, but the dangerously punchy sound was not helping my listening fatigue. I left. She walked into the Audio Doctor’s KEF Blade display. Should I follow her? That would be weird.
A gentleman from Music First Audio started talking to me and pointing at my camera: “We have a colorful preamp for you to take pictures of.”
On Thursday, June 13th, British hi-fi mainstay Bowers & Wilkins and Italian luxury car manufacturer Maserati brought their Seven Notes World Tour to the Industria Superstudio in New York City’s Meatpacking District. The event presented the B&W-designed in-car audio system, the new B&W 805 Maserati Edition loudspeaker, and a performance from Howie B.
Stereophile is not all about reviewing hi-fi, and thanks to our all-knowing and thrill-seeking Music Editor, Robert Baird, we cover exciting new releases in each monthly issue for you to consider on your hi-fi escapades. In this post, I listen to all records we reviewed available on streaming services MOG and Spotify from our May 2012 issue, provide my own two-cents, and link to the playlists from the two services. With a premium account, one can stream at 320kbps Ogg Vorbis files from Spotify, and MOG users can stream 320kbps MP3s for free!
The May 2012 Playlists were a tough one to make at first. I was having technical difficulties with MOG. Whenever I paused Carolin Widmann and Alexander Longquich’s Schubert performances, the playback buffering would freeze and restart from the beginning of the album. MOG resolved this issue internally, as it was not happening the next day, but it was nevertheless frustrating. I could not get up to pee without having to restart the Rondo in B Minor, D. 895, Op. 70. First-world problems.
Long lines flooded out of the MBL room on the 18th Floor of the Waldorf=Astoria all weekend long, so I arrived at 9:30am on Sunday morning to see if I could get a good listen to the MBL system by myself. Upon arrival, MBL North America’s representative, Jeremy Bryan, was still setting up his smaller speakers, the mbl 120 Radialstrahler ($21,400/pair, without stands) along with their mbl C21 stereo power amplifier ($9200), mbl C11 preamplifier ($8,800), and mbl C31 CD player ($9,200), all members of their Corona line of electronics.
I sat to the side of the room while Bryan finished his set-up, centered in his listening position, tilting his head back and forth. After the first ten seconds of four to five different demo tracks, Jeremy blurted, “Alright! I think we’re set. Come sit down.”
The audiophile press seemed a surprisingly patient bunch. After following the incredibly well indicated signs placed by the Chester Group to the Fourth Floor of the New York Palace, reporters and photographers waited subserviently in a four-person line to receive our press badges. At the counter, Art Dudley, columnist and Editor-at-Large for Stereophile, and Jeff Dorgay, publisher at Tone Audio, chummed it up.
rrill Wettasingh of Merrill Audio says his class-D Veritas Monoblock amplifiers are "not for tube lovers." The crimson or black chassis is made of a solid 60lb billet of aluminum. Allowing only spade connection for the "best and biggest" sound, these 400 watt (8 ohms) power-houses seek "audio purity" rather than coloration, according to Wettasingh.