Ayre showed off their new VX-R stereo amplifier, a stereo version of their lauded MX-R monoblocks. Rated at 200Wpc into 8 ohms the VX-R is priced at $14,950. The amp is a zero-feedback design, featuring fully balanced discrete circuitry. As usual from Ayre, the chassis is beautifully made of milled aluminum. The sound of the VX-R, driving the TAD Compact Reference monitors was wonderful.
As a young music lover, I never knew there were such things as separate preamplifiers, amplifiers, and FM tuners. All I knew was that if I wanted to play music from my CD player, hook up my VCR to my stereo, or listen to the radio, I needed that magical device: a receiver. It was all I ever wanted.
Minneapolis-based Bel Canto Design (props to my homies) brought a new amplifier to CES this year. The e.One REF150s ($1495, shown on the lower rack) is a fully balanced dual-mono amplifier that will put out 150Wpc into 8 ohms This may be a wee-sized amplifier, but it sounded huge strapped to a pair of new Joseph Audio bookshelf speakers.
Minnesota pride is a funny thing. As Garrison Keillor points out weekly on A Prairie Home Companion, to be a Minnesotan, the first and crucial step to be taken is that of self-effacement. It is unclear to me whether this is the cause or symptom of Minnesotans ability to endure brutal winters, excel at the creation and consumption of hot dish (which the rest of the God-fearing world knows as casseroles), or their miraculous lineage from generations of Norwegian bachelor farmers. Whatever it is, Minnesotans tend to quietly get their jobs done with little more fanfare than a cup of coffee and a slice of rhubarb pie.
All of Bel Canto’s equipment was powered by their VBS-1 Virtual Battery Supply ($1495), which effectively takes their equipment off the electrical grid. The VBS technology was debuted at last year’s CES, but new this year are the VB-Ref power cables which connect the 12V output of the VBS-1 power supply to the component. Having tried these cables out in my own system at home during my audition of the Bel Canto DAC3.5 VBS, I can testify to their ability to bring out the best in this new Bel Canto gear.
When I walked into the Boulder room, I actually started to giggle. I was told Boulder was showing off some large new amps, but I was not ready for what I saw. Sitting atop plinths of solid granite were the new 3050 monoblock amplifiers. Unlike most monoblocks, the left and right amps, seen here with Boulder's genial Rich Maez, are designed as mirror images of one another for greater visual appeal. These class-A amps put out 1500W into 8 ohms, use 120 output devices, require a dedicated 240AV AC outlet, and weigh 400 lbs each. Oh yes, they cost $180,000/pair. They will begin shipping soon and I am told that orders are already in for these beasts.
Cary Audio Design is known for producing both solid state and tube gear. This year Cary unveils a new set of solid-state amplifiers, the SA-500.1 ($4995 each)and SA200.1 ($3995 each). Shown here is the SA-500.1, a 500W monoblock amplifier that can also push 1 kilowatt of juice into a 4 ohm load. Both amps are built around a modular design that allows a dealer to convert an SA-200.1 to an SA-500.1 and vice versa. The amps each use 1500kVA low-noise transformers and employ 16 bipolar output devices. The amps have been voiced to maintain a similar house sound to Cary’s tube amplifiers. The SA-500.1 sounded warm, open, coherent and dynamic playing high-resolution files courtesy of David Chesky and HDTracks.
Newly unveiled in the Cary Audio room was the CAD 211 Founders Edition amplifier. This fully balanced monoblock retails for $20,000/pair. The amps have taps for 4, 8 and 16 ohm speakers and specified as putting out 70W in class-A, increasing to 110W when pushed into class-AB. They also employ zero feedback so I'm not going to send them to JA's test bench (low-feedback designs seem to make him grumpy). They sounded sweet and full-bodied driving the Marten Coltrane speakers, with cabling by Tara Labs. It is ironic, however, noted JA, that Cary founder Dennis Had retired from Cary in the fall of 2009.
Sure, Stereophile gets letters to the editor. We also get some colorful responses for our "Manufacturers' Comments" section. (Vince Bruzzese and Roy Hall are literary standouts among their component-making peers.) And, as one of the magazine's Contributing Editors (Audio), I get lots of personal mail from readers seeking my advice. I thought I might share some of these letters with you, and my responses.
Musical Fidelity, now distributed in the US by Tempo, had a room at the Mirage and were displaying lots of new equipment. As part of their newly released M series, Antony Michaelson's company showed off the M6i dual-mono integrated amplifier. The amps' circuitry design trickles down from the Musical Fidelity Titan amp reviewed last June by Michael Fremer. The amp puts out 200Wpc, retails for $3000, and, surprisingly, features a USB input.