Trumpeter-composer David Weiss calls his quintet Point of Departure, an intriguing but risky move from the get-go. That's the title, after all, of Andrew Hill's 1964 Blue Note masterpiece, one of the most appealingly adventurous sessions in post-bop jazz. In short, Weiss has set the bar high. The startling thing is, he clears it.
The band's new CD, Snuck Out (on the Sunnyside label), is a terrific album, one of my very favorites so far this year. Its melodic lines swirl in catchy cascades without quite settling into melodies. Its free-style rhythms are tethered to a structure of harmony while floating clear of strict chords. The music's tight, loose, catchy, elusive, knotty and limber, all at once. The musicians (in addition to Weiss, J.D. Allen on tenor sax, Nir Felder on guitar, Matt Clohesy on bass, Jamire Williams on drums) are first-rate. The sound, engineered by Paul Cox, is crisp and airy.