Fred Kaplan

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Fred Kaplan Posted: Nov 12, 2011 0 comments
Photo: James Matthew Daniel

Darcy James Argue has one of the most original big-band sounds in recent years. His 2009 CD, Infernal Machines, may be the most promising jazz debut of the decade. But his world premiere at the Brooklyn Academy of Music this week—an hour-long suite, accompanying a mix of animation and live painting by graphic-novel artist Danijel Zezelj, called Brooklyn Babylon—puts the composer and his 18-piece big band, Secret Society, on the verge of a quantum leap. . .

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Fred Kaplan Posted: Jan 26, 2010 1 comments
Toward the end of 2009, I read a lot about Darcy James Argue’s Secret Society, an 18-piece big band, and its debut CD, Infernal Machines, which was showing up on several best-of-the-year lists. But I never received a copy of the album and couldn’t figure out how to contact the label, New Amsterdam. Finally, I bought a copy from Downtown Music, a terrific alt-jazz record store in Manhattan, and, it turns out, the excitement is justified.
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Fred Kaplan Posted: Dec 05, 2012 33 comments
Dave Brubeck died today, just short of 92 years old. He was a plodding pianist and a less inventive composer than many obits are suggesting. (It was his alto saxophonist Paul Desmond who wrote the biggest hit "Take Five" in 5/4 time, and while Brubeck wrote many pieces in more exotic times still, they didn't swing or flow like Desmond's.) Still, Brubeck was a colossal figure of modern jazz in many ways.
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Fred Kaplan Posted: Nov 18, 2010 4 comments
Those who follow this space know of my enthusiasm for the music of trumpeter Dave Douglas: his plangent tone, his spine-tingling way with minor-chord intervals, his knack for evoking joy, melancholy, romance, and a host of other emotions—sometimes all at once—without dipping so much as a toe into sentimentalism.
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Fred Kaplan Posted: Jun 19, 2009 0 comments
Trumpeter Dave Douglas’ new album, Spirit Moves, featuring his Brass Ecstasy quintet, is a rouser: hot, cool, raucous, pensive, sometimes all at once, and always a lot of fun. The band’s name is a play on the late Lester Bowie’s Brass Fantasy, and they share a similar hard-blowing vibe—as well as two of the players (Luis Bonilla on trombone and Vincent Chancey on French horn)—but where Bowie used the band to riff on the pop tunes of the day (long before The Bad Plus), Douglas’ sources are mainly original tunes with a zesty swing and a dash of his trademark Mediterranean melancholy.
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Fred Kaplan Posted: Oct 08, 2012 1 comments
Dave Douglas' Be Still (on the trumpeter's own Greenleaf Music label) is his most sheer-gorgeous album since the 1998 Charms of the Night Sky and one of the best-sounding new recordings that I've heard by anybody in quite a while. And it's available on LP as well as CD (more about which, later).
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Fred Kaplan Posted: Apr 22, 2013 1 comments
Trumpeter-composer Dave Douglas turned 50 last month and remains one of the most exciting and versatile musicians in jazz. Time Travel (on his own Greenleaf Music label) is his 40th album in 20 years as a leader. And, as has often been the case, it's a brash departure from his previous record, even though the bandmates are (with one exception) the same.
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Fred Kaplan Posted: Jan 20, 2011 5 comments
David Murray doesn’t play with a big band much these days, but he’s got one at Birdland in midtown Manhattan through Saturday, so if you’re in the area, check it out.

In the mid-1990s, Murray fronted a big band every Monday night at the Knitting Factory in TriBeCa (in addition to the various quartets and octet he played with all over the city). Then he moved to Paris and experimented with African and Caribbean music, but when he comes back to New York, he usually returns to his distinctive style of jazz.

He started Wednesday night’s early set with an original, “Hong Kong Nights,” and the band unleashed that special Murray sound from the first downbeat: the reeds blowing a lush harmony, the horns a clipped counterpoint, while Murray tapped into some hidden rhythm of the universe with a Ben Webster tone, a Sonny Rollins cadence, capped occasionally by an Albert Ayler outer-orbit flurry—lyrical and frenzied all at once.

The magic unfolded again, later in the set, with his arrangement of Billy Strayhorn’s “Chelsea Bridge,” proving once again that Murray is one of the era’s great modern balladeers.

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Fred Kaplan Posted: Jul 10, 2007 0 comments
David Murray has a new jazz album out. A decade or two ago, this wouldn’t be worth a shrug (though it would be worth a trip to Tower); he came out with two or three jazz albums every month. Those of us lucky to live in New York could also go see him lead his big band at the Knitting Factory every Monday night and see him play in a half-dozen other bands, as leader or sideman, at clubs all over the city. Then, in the mid-‘90s, he fell in love with a French woman, moved to Paris, broadened his musical palette (playing with Guadaloupean drummers, for instance)—all to nourishing effect, but the few times each year when he returned to New York and hooked up with a jazz quartet or octet again, it was a nearly always a spine-tingling experience (yes, a clich, but it really was).
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Fred Kaplan Posted: Jul 11, 2011 4 comments
Trumpeter-composer David Weiss calls his quintet Point of Departure, an intriguing but risky move from the get-go. That's the title, after all, of Andrew Hill's 1964 Blue Note masterpiece, one of the most appealingly adventurous sessions in post-bop jazz. In short, Weiss has set the bar high. The startling thing is, he clears it.

The band's new CD, Snuck Out (on the Sunnyside label), is a terrific album, one of my very favorites so far this year. Its melodic lines swirl in catchy cascades without quite settling into melodies. Its free-style rhythms are tethered to a structure of harmony while floating clear of strict chords. The music's tight, loose, catchy, elusive, knotty and limber, all at once. The musicians (in addition to Weiss, J.D. Allen on tenor sax, Nir Felder on guitar, Matt Clohesy on bass, Jamire Williams on drums) are first-rate. The sound, engineered by Paul Cox, is crisp and airy.

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