Fred Kaplan
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Fred Kaplan
Fred Kaplan Apr 26, 2009 1 comments
I have an article in the Arts & Leisure section of today’s New York Times about Andy Warhol’s album covers. Everyone’s seen the covers he designed for The Velvet Underground & Nico, with the banana that peels, and the Rolling Stones’ Sticky Fingers, with the zipper that unzips. But who knew that the pioneer of Pop art designed over 50 covers over the entire span of his career, and not just for pop albums but also for jazz, classical, and opera? His work, often signed, appeared on Blue Note, RCA, Columbia—all the giants—and echoed, or often anticipated, the style that he would cultivate not just as a commercial designer but as a gallery-and-museum artist (though he rarely distinguished between the two). A new, lavishly illustrated, fastidiously documented book, Andy Warhol: The Record Covers, 1949-1987, lays them all out. Read about it here. Buy the book here.
Fred Kaplan
Fred Kaplan Oct 22, 2007 2 comments
Oy!
Fred Kaplan
Fred Kaplan Jun 10, 2012 0 comments
Three great new offerings from Music Matters Jazz, the house that reissues Blue Note classics on gatefold-covered, double-disc vinyl 45rpm LPs: Wayne Shorter's Speak No Evil, Herbie Hancock's Empyrean Isles, and Grant Green's Street of Dreams. All were recorded in 1964: the first two are among the best titles in Blue Note's catalogs; the third is one of the more purely pleasurable.
Fred Kaplan
Fred Kaplan Oct 04, 2007 3 comments
Steely Dan’s Aja isn’t exactly jazz, but given (a) the presence of such jazz luminaries as Wayne Shorter and Victor Feldman, (b) the jazz sensibility of Walter Becker and Donald Fagen, (c) my blogger’s prerogative to step outside genres once in a while, and (d) the fact that my host, Stereophile, is, after all, an audiophile magazine, I feel entitled to mention—and wholeheartedly recommend—Cisco Music's LP reissue.
Fred Kaplan
Fred Kaplan Jul 19, 2007 3 comments
The ad team at Dolce & Gabbana seems to think it can be. Would Charles Mingus’ “Moanin’” become a best-seller if more people knew it sounded so cool—or if the millions who watched this TV commercial knew that’s what they were hearing? Could it be that jazz just needs shrewder marketing? (The whole song can be heard on Mingus’ great 1959 album, Blues & Roots.)
Fred Kaplan
Fred Kaplan Jun 29, 2007 0 comments
It just goes to show, you never know what lurks in some men's souls. White House press spokesman Tony Snow playing a not-at-all-terrible blues flute. For the video (via YouTube and Matt Yglesias' blog), click here.
Fred Kaplan
Fred Kaplan Jun 25, 2007 4 comments
Lee Konitz, who turns 80 in October, ambled on stage last night at New York’s Zankel Hall, blew a note, asked his audience to hum it, then, as we all hummed it continuously like a dirge, he blew over it on his alto sax, an improvised solo, darting and weaving, choppy then breezy, sifting changes, shifting rhythms, and all so very cool. It lasted five minutes, it probably could have gone much longer. Then two old pals, bassist Steve Swallow and drummer Paul Motian, joined him, and they played standards. Tenor saxophonist Joe Lovano came out to trade fours and eights. They all left, and on came a string quartet, which played ballads and Debussy, Konitz cruising over the sweet strings in his signature airy tone, with its syncopated cadences and wry, insouciant swing.
Fred Kaplan
Fred Kaplan Jan 21, 2010 1 comments
The World Saxophone Quartet and the five-piece percussion group M’Boom play together at Birdland in midtown Manhattan through Sunday. It’s music to make your head sweat and spin.
Fred Kaplan
Fred Kaplan Jan 30, 2011 6 comments
Yes We Can is the most jolting, swinging, all-round best album by the World Saxophone Quartet in nearly 20 years.

WSQ, which was formed in 1977, still has at its core two of the founding members, David Murray on tenor sax and Hamiett Bluiett on baritone. The alto parts, which have shifted over the decades, are taken up here by Kidd Jordan and James Carter (the latter also on soprano at times). They’re all playing at peak power.

In its original guise, with Julius Hemphill and Oliver Lake on altos, WSQ was the signature jazz band of the 1980s, the spearhead of a spontaneous “neo-classical” movement (as critic Gary Giddins dubbed it), which combined the avant-garde’s passionate expressionism with the wit, grace and beauty of myriad traditional forms.

Much of this movement was captured on the Italian Black Saint label, as were the quartet’s seminal albums (especially Revue, W.S.Q., and Live at Brooklyn Academy of Music), though their most voluptuous work, the 1986 Plays Ellington, appeared on Nonesuch.

Hemphill, a master of stretched harmony, was the band’s driving force, and his departure. . .

Fred Kaplan
Fred Kaplan Mar 29, 2011 4 comments
Has anyone here ever heard of Youn Sun Nah, or am I just out of it? She's a South Korean singer, 42 (though she looks 25), born to a musical family. She's spent the last decade or so in France and has built a strong reputation on the European concert tour the last couple years, but there have been no appearances or even press about her stateside, not that I know of anyway. Well, let me get a ball rolling. Her new CD, Same Girl (on the German label ACT), is one of the most refreshing jazz vocal albums I've heard in a long while.
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