After seeing Ambrose Akinmusire’s quintet at the Jazz Standard
in New York City last Sunday night, I realize that, if anything, my recent blog posting
sold him shortor fell short, anyway, in describing what makes him so remarkable.
Unlike many of the best young lions of recent years, Akinmusire is not aiming to expand the realm of jazz to include hip-hop, classical, Latin, or whatever. He is steeped in “the jazz tradition” and aims to deepen his stance within itbut his approach doesn’t seem the slightest bit retro. His trumpet tone, as noted earlier, has traces of Clifford Brown and Booker Little; but how he shapes that soundas a player, a composer-arranger, and an ensemble-leaderis thoroughly distinctive. . .