Jason Victor Serinus

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Jason Victor Serinus  |  Apr 27, 2014  |  0 comments
I'll be the first to admit that I have champagne tastes and a house wine budget. As proof, no sooner do I walk into the Brown Art Museum exhibit that has been an ongoing feature of AXPONA shows than I fall in love with this statue. Although the person who could have told me all about her was on break, the man taking his place could only share that she was the most expensive work of art in the exhibit. No wonder. Isn't she gorgeous?
Jason Victor Serinus  |  Jun 06, 2013  |  2 comments
Ray Kimber has blown minds at previous shows with his IsoMike surround-sound exhibits. I recall, in fact, one at RMAF with huge Sound Labs electrostats that had everyone shaking their heads in disbelief at how amazing it sounded. But in this case, despite the excellence of four Sony SSAR-1 loudspeakers, Pass Labs X350.5 amplification, an extremely expensive array of EMM Labs equipment connected to a Sonoma—32 super audio center, and excellent Kimber Kabling, something was not right.
Jason Victor Serinus  |  Jan 14, 2015  |  0 comments
Two components in one, Isotek's Mosaic Genesis ($11,995) is, first of all, a power regenerator. Converting power to DC, and claimed to produce a perfectly clean, time-correct sinewave without sending noise back into the wall, it sends power to outlets isolated via a bus bar.
Jason Victor Serinus  |  May 01, 2022  |  18 comments

Exciting. Engrossing. Exhausting. Enjoyable. Nothing but e-words from me. I could go on, but not without breaking out the thesaurus. —Rogier van Bakel, Stereophile's newest Contributing Editor

Jason Victor Serinus  |  Feb 02, 2008  |  0 comments
You thought the only new articles about CDs you'd be reading would be about further declines in sales? Well, it turns out that ArkivMusic, the country's leading website for new and formerly out-of-print classical recordings, posted, um, record sales last year.
Jason Victor Serinus  |  Oct 22, 2010  |  0 comments
Stereophile editor John Atkinson in a pensive mood as he listens to Jonathan Reichbach of Sonic Studio/Amarra speak at the start of the Advances in Computer Audio seminar JA chaired on Sunday morning.
Jason Victor Serinus  |  Oct 19, 2012  |  16 comments
Without, of course, wishing in any way, shape, or form for the title of his four seminars, “Just How ‘Absolute’ Is Recorded Sound?,” to be misconstrued as referring to a certain publication based on what I personally consider a dubious concept, Stereophile editor John Atkinson used everything from a drumstick to a cowbell, both sounded “live” and played back on the seminar room’s stereo system, to convey the message: “Nothing is real. How the recording art affects what you think you hear!” As John proceeded to point out that the brain combines information from separate left and right loudspeakers into a single stereo image, my own brain began to repeat the refrain, “30 or so more rooms in the hall, 30 or so more rooms, If one of those rooms should end up uncovered, your ass will be plastered far into the wall.” Hence I vamoosed, and now leave it to John to say more about the content of his seminar.
Jason Victor Serinus  |  Feb 01, 2018  |  16 comments
"How natural the sound," wrote Jonathan Scull in March 1994, in his Follow-Up on the original Jadis JA 200 monoblock amplifier, which then cost $18,990/pair. "How easy it was to follow the musical line and fall into the music. How deep, controlled, tight, and satisfying the bass. How magnifique the midrange—the traditional strength of the Jadis presentation. How full and satisfying the lower midrange. How open, airy, how right the highs—not at all hard, but very extended and natural. How involving their presentation. How full, how harmonically correct, how wonderfully compelling. How magical."
Jason Victor Serinus  |  Sep 08, 2019  |  15 comments
Occupying a small but significant place in Bluebird Music’s outer suite, the new Jadis Orchestra Black integrated amplifier ($3995) was producing sweet and enjoyable sound that, on a track from Count Basie Meets Oscar Peterson, felt like a lovely warm kiss.
Jason Victor Serinus  |  Aug 04, 2022  |  0 comments
"Really nice alive sound." Simple words, they. But truth be told, they only apply to a limited number of systems at an audio show and far beyond, in the supposed "real" world.

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