Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Even if equipment is as excellent as it was in the Eficion/Stillpoints room, no system can sound better than its source material. On that score, I doubt any room save Cookie Marenco's Blue Coast Studios set-up, which was recording acoustic musicians live to DSD, could top Bruce A. Brown's hi-rez files. Bruce's Puget Sound Studios not only does all the mastering for Winston Ma's First Impressions Music (FIM), but also supplies all the 96/24 hi-res tracks for the Chesky Bros' HDTracks site.
Filed under
Jason Victor Serinus Posted: Jan 13, 2011 0 comments
To celebrate the 25th anniversary of Purist Audio Design, founder/designer Jim Aud has just introduced their 25th Anniversary cable. Shown at T.H.E. Show for the first time, the 25th anniversary line consists of interconnects ($8100/1m pair) and speaker cable ($18,000/1.5m pair).

“Basically we’re using solid silver, single crystal wiring surrounded by Ferox 103, which is a proprietary doped silicon,” Aud explained. “Our other cables only use copper or copper alloys, and don’t use the Ferox 103.” While Purist still makes two cables that contain fluid, the 25th Anniversary cabling does not.

Filed under
Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Welcome to retro city. Not only did the Quad ESL2805 speakers ($10,000/pair), Classic II integrated amp ($6000) and QC24 phono stage ($2449) look from another era, but the equally classic-looking Merrill-Williams turntable ($4000), clamp ring ($649), weight ($249), and 33/45 power supply ($1150) was playing Frank Sinatra's "Days of Wine and Roses."
Filed under
Jason Victor Serinus Posted: Jan 13, 2015 0 comments
The Sound Organisation's Barnaby Fry (left), David Carr (center), and Sally Goff (right) had ever reason to smile as they showed off a rack claimed to offer the fastest, quietest, and most dynamic and spacious presentation of all Quadraspire racks.
Filed under
Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Tom Compagna brought his new Quintessence Acoustics flagship QLS loudspeakers ($50,000/pair, $60,000 with active subs) to T.H.E. Show. "These are true ribbons, not quasi-ribbons," he said of his SOTA line source design, which uses nine 6.5" true ribbons and nine moving-coil mid-woofers. Frequency response is stated as 39Hz—41kHz, ±3dB, extending down to 19Hz with the subs. With a claimed 95dB sensitivity, the QLS can handle up to 400W continuous, 1000W peak. Connected to Tom Maker's reference monoblocks and MG Audio Design flat ribbon cables, the speaker's bass was very impressive, but midrange predominance de-emphasized the top end.
Filed under
Jason Victor Serinus Posted: Oct 06, 2009 0 comments
Where, you may ask, are the speakers? All you see are light fixtures.
Filed under
Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Knowing something about race car driving won't get you a good system in and of itself, but it will help you understand the genesis of the names of Alvin Lloyd's Grand Prix Audio's attractive equipment isolation racks. New is their Woodcote line, the company's first line of wooden racks. Made of true hardwood—no MDF here—the four-shelf cherry model with decoupled shelves costs $4495, and walnut, curly maple, and custom woods are also available.
Filed under
Jason Victor Serinus Posted: Mar 29, 2012 8 comments
Unique circumstances conspired to make the March 15 US debut of Raidho's handsome 2.1, 2.5-way floorstanding loudspeaker ($28,000/pair) at AudioVision San Francisco an unusual event. Despite ample planning on everyone's part, US Customs, which has never been known for putting audiophiles first, held up delivery of Raidho's new babies until the afternoon of the demo. Did they perhaps think that the "Raid" in Raidho was code for a terrorist plot?

Due to this unforeseeable snafu, what a very full house of eager audiophiles heard was not the Raidho 2.1 in all its glory, but a literally out-of-the-crate speaker whose drivers, capacitors, and circuits, by all accounts, had undergone only something like 5 hours of break-in. There was nothing that even Nordost's Lars Christensen, creator of the most masterfully conceived and executed audio demos I have ever witnessed, could do about the fact that the speaker could only provide an tantalizing albeit incomplete indication of its ultimate potential.

Filed under
Jason Victor Serinus Posted: Jan 14, 2016 0 comments
Raidho principals Lars Kristensen, whose surname, thanks to his business card, I've finally spelled correctly after all these years; Mikkel Simonsen, who specializes in digital circuits, software, and PCB work; and Michael Børresen, the speaker designer/chief engineer who is responsible for overall concepts, visual and functional design, and analog circuitry; showed off the great, full-range sound of Raidho's new D-3.1 loudspeakers ($65,500/pair). Not the least bit shy at frequency extremes, the D-3.1 loudspeaker topped off a system that was equally at ease with fast, slamming percussion and naturally zingy piccolo.
Filed under
Jason Victor Serinus Posted: Jan 09, 2010 7 comments
At the last few Nordost demos I've witnessed, I've been amazed by the huge soundstage, deep bass, and tonal accuracy produced by Raidho's diminutive C-1.0 loudspeakers. Imagine my surprise when I learned that this little speaker, no larger than many a bookshelf design, lists for $18,000/pair. Then again, it produces a fuller, larger, and more coherent image than many a full-range floorstander of comparable price. It also has a pretty even 6 ohm impedance, and is said to be very tube friendly.

Pages

X