Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 22, 2006 2 comments
Peter Ledermann, former Director of Engineering at the Bozak Corporation and winner of numerous IBM awards, has spent the last 16 years developing the Soundsmith Corporation product line. Amplifier, preamplifier, phono cartridges, and now speakers—Soundsmith has it all. Available factory-direct from the Soundsmith website, the Strain Gauge cartridge and preamp and just-introduced loudspeakers especially caught my ear. The most expensive speaker, the Mantis 300, lists for $5800/pair and is equipped with dual 10" high-power woofers, a 6" long-throw midrange unit, and "zero diffraction," time-aligned 1" tweeters. Specs include 42Hz–22kHz frequency range and 91dB sensitivity. All speakers include amplifier clipping indicators and tweeter protection circuitry. Next January or so promises a $3800, 100Wpc integrated amp. This is exceptionally fine-sounding gear, a must hear for vinyl lovers.
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Jason Victor Serinus Posted: Mar 12, 2012 0 comments
Hardly 90 seconds into the demo, the earthquake hit. No, not one caused by God and nature, or the vibrational residue from a huge subwoofer in the room above or below. Rather, this earthquake was courtesy of the huge industrial washing machine located directly below Soundsmith's fourth floor exhibit. And we are not talking minor stuff here, folks. Everything was shaking badly, including the sign on the wall, and it went on for several minutes.
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Jason Victor Serinus Posted: Oct 06, 2009 5 comments
Visiting the Soundsmith room is always a pleasure. Peter Ledermann's phono cartridges, preamps, and diminutive, how-can-such-a-little-box-produce-that-much-sound speakers always deliver superb sound.
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Jason Victor Serinus Posted: Jan 13, 2010 2 comments
I always look forward to Peter Ledermann's analog demos, because the sound of his cartridges, electronics, and speakers is consistently delicious. While it certainly was this time around, some surprising booming in the bass—something I do not recall hearing at any previous SoundSmith demo—alerted me to the fact that the small rooms at THE Show, situated on the fourth floor of the Flamingo Hotel, were a bitch to control.
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Jason Victor Serinus Posted: Oct 17, 2010 0 comments
Reasonably priced cabling from Soundstring Cable Technologies of South Norwalk, CT created a polite, welcoming feel in a room that also featured ModWright and Oppo electronics and Nola bookshelf speakers.
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Jason Victor Serinus Posted: Oct 03, 2009 0 comments
It's hard to resist the pairing of Avalon Indra speakers ($19,900/pair) with the superb VTL MB 450 Series II Signature Monoblocks ($15,000/pair). Demmed by Luke Manley of VTL (left) and Lucien Pichette of Avalon (right), the duo was mated with the VTL TL 5.5 Series II line stage ($6000) and TP 6.5 phono stage ($8500), Ayre C5xe MP ($6900) and justly praised QB9 USB DAC ($2500), Cardas Clear Cables, Rega P5 Turntable ($2200 and unheard by moi), and beautiful Finite Elemente Pagoda Master Reference Rack. This set-up from Blu Note audio & home theater especially excelled for its spacious presentation and timbral beauty. The system seemed devoid of boundaries. It was also capable of notable and rewarding low extension. A winning combo.
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Jason Victor Serinus Posted: Apr 30, 2014 0 comments
Clayton Shaw, who designed Emerald Physics loudspeakers and founded the company, returned last year with Spatial Audio loudspeakers. The Spatial Hologram M2 standard ($1995/pair) contains a new Hologram Circuit, and is a completely passive, analog, high-efficiency, open-baffle speaker. Each baby contains two 12' mid/woofers and one coaxially mounted compression driver. Designed to eliminate floor bounce, it claims not to need DSP or bi-amping.
Jason Victor Serinus Posted: Jun 08, 2013 0 comments
Clayton Shaw, who previously developed and manufactured Evett & Shaw and Emerald Physics loudspeakers, has now moved beyond his three-year non-compete agreement with Emerald Physics’ current owner to found a new company, Spatial Computer. The 90 lb Trilogy T2 ($2398/pair), a high-sensitivity, three-way, open-baffle design loudspeaker, is sold with a 30-day trial policy. With DSP operating below 200Hz, the speaker delivered beautiful, warm, open, and colorful sound on Jane Monheit’s rendition of “Somewhere Over the Rainbow.” Those who have followed Shaw’s previous accomplishment to the Emerald City will definitely want to check these babies out.
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Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Given that, for the first time since the dawn of the stereo era, cables were not part of my assignment, I never expected to find anything on my beat in the MIT room. But there, virtually dwarfed between MIT's top-of-the-line Oracle MA-X cabling and Magico Q3 loudspeakers, sang one of only two Spectral DMA-300 RS stereo amplifiers ($TBD) yet in existence. The sound through this stereo version of Spectral's monoblocks and Spectral's DMC-30 SS preamp and FDR-4000 CD player was spectacular.
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Jason Victor Serinus Posted: Oct 28, 2011 8 comments
Spectral Audio , the northern California company whose director of engineering is Prof. Keith O. Johnson, gave the first public preview of its SDR-4000SL Master CD Processor on September 24, at Music Lovers Audio, in Berkeley. Introduced by Johnson and Spectral founder Richard (Rick) Fryer, the $19,000 Spectral Digital Resolution (SDR) model sounded sensational playing 16-bit/44.1kHz, HDCD-encoded files Johnson had made for Reference Recordings, through a system that included Spectral's DMC-30SS preamplifier and monoblock amplifiers, Wilson Audio MAXX 3 speakers, Spectral Ultralink II speaker cables, the MIT Z Duplex conditioner, Synergistic Research's controversial ART system, and other room treatments.

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