My photo of the system in the Acoustic Sounds room featured the Manley Labs Snapper monoblock amplifiers. This was the system front-end, comprising (from top to bottom): Funk Firm Vector Turntable with MK3 tonearm and Lyra Dorian phono cartridge; Sutherland Direct Line Stage; Sutherland's new battery-powered Ph3D phono preamp; and Silver Circle Audio Pure Power One 5.0 power transformer. Rack is the Symposium Acoustics Isis.
"New York, New York, It's an Audio Town!" After far too many years without a large-scale audio show, New York City is about to get a taste of what regularly enriches the lives of audiophiles in other major centers around the world. The first, hopefully annual New York Audio and AV Show, brought to you by the same Chester Group that mounts audio shows in the UK, Australia, and Sweden, and by T.H.E. Show USA, takes place in Park Avenue's grand Waldorf=Astoria Hotel at 301 Park Avenue on Friday April 13Sunday, April 15.
The room sponsored by Newform Research itself, as opposed to the adjacent Happy Sounds room that was dominated by Newform Research speakers (see below), was built around Newform Research's triple-stacked LineSource Monitors ($6800). Although less expensive that the No Hold Barred Coaxial Ribbon LineSource speakers, less brought more, in the way of a really nice, solid presentation that was a delight to listen to in the sweet spot. I don't know what was playingthere was a lot of activity in the room, and the hosts were quite busybut I do know that the remaining equipment in the $9800 system included the Onkyo TX-SR 818 receiver ($1300), four Atak Sub 12s / Crown 1000w amplifier combos ($1680), and a Sony Blu-ray player ($129). Also shown, but not playing when I entered, are Newform Research's Ribbon Pyramid speakers ($2720/pair).
NHT is back. Less than five months after the veteran speaker company, aka Now Hear This, declared that it would sell off remaining inventory, pay its bills, and spend time rethinking its future, it has regrouped and returned with a new marketing approach.
Mike Hopkins of Aperion Audio has reason to smile. The Aperion Verus Grand ($1798/pair), a three-way tower loudspeaker with a frequency response of 45Hz22kHz, 6 ohms impedance, and 92dB sensitivity, was being fed by a Marantz SA 1153 SACD player and PM 1153 integrated amplifier via Straight Wire cabling, and delivering a very nice, complete presentation of Belinda Carlisle's cover of "Hallelujah."
I almost missed the Nightingale display. The first time I tried to enter the room, there were so many people involved in post-listening conversation that I skipped it. Happily, the Axpona organizers alerted me to my omission, enabling me to leave the show on a high note. And once I took a listen, I understood why people were spending so much time discussing what they heard.
It's hardly the same as clicking your heels three times and finding yourself back in Kansas, but Stereophile's metaphoric Good Witch of the High End, John Atkinson, has granted me my big wish for CES. Instead of finding myself wandering around and around in circles, following my ears, I’ve been assigned specific turf: T.H.E. Show. And since T.H.E. Show’s two venues, the St. Tropez and adjacent Alexis Park, are literally across the street from our bloggers' home for four nights, the newly and quite tastefully refurbished, remarkably low-key Hyatt Place Las Vegas (formerly the AmeriSuites), yours truly could not be happier. The Sands/Venetian may have more–well-known, higher-profile players, and is certainly attracting more visitors, but I've entered a number of wonderful-sounding rooms on my first day at the St. Tropez to make me quite happy to be here.
Sam Laufer of Laufer Teknik has become the US manufacturer and distributor of Bybee Wire and the distributor of the Bybee Power Purifier ($4500) that is manufactured by Transparent. Here he's pictured holding the new Bybee wire, which contains the equivalent of three Bybee Golden Goddess Speaker Bullets. While I haven't tried the wire, I have two sets of Bullets on each of my reference speaker inputs, and am continually startled by their ability to clarify and refine low-level bass detail. I never, ever thought I could get this much bass clarity from my speakers, especially from closely spaced, multiple parallel lines of double basses and cellos.
John Atkinson and I have made an agreement. When John is not taking part in any of the eight "Demonstration of Live High-Resolution Recordings" seminars he has scheduled over the course of the Fest, he will cover the exhibits in the Marriott's Atrium rooms, and I will cover exhibits in the Tower. Of course, each of us is free to cross over to the other side if we're dying to hear something. But that's the plan.