Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 20, 2012 0 comments
Since Sonic Studio dropped the price of its Amarra music software system to $189, lots more people have been enjoying its sound. Less than two months after Amarra’s last release, James Anderson announced the imminent arrival of 2.4.3 (free to current owners). He also played Reference Recordings’ superb recording of Copland’s Symphony 3, one of whose movements has become known as the “Ode to the Common Man.” Turns out that the performance was recorded using Sonic Studio’s professional Soundblade products. Played back with Amarra 2.4.3, it sounded fabulous, with absolutely tight, room-shaking bass. No doubt Amarra’s optional equalization component, which can help control bass booming created by either room nodes or less than flat loudspeaker response, had more than a little to do with the success of the presentation.
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Jason Victor Serinus Posted: Jun 04, 2006 2 comments
The Immedia room proved an isle of sanity amidst the clamor. As I entered, the folks were playing Analogue Productions’ HQ-180 pressing of Chet. Heard through Joachim Gerhard’s somewhat diminutive, 90 lb Sonics Allegria speakers ($15,000/pair, shown above with Immedia’s Allen Perkins), the trumpet sounded far bigger and lifelike than speakers this size “should” make it sound. Equally impressive were the amazing depth, height, and width of the soundstage. No small part of the credit is due Perkins’ Spiral Groove SGI turntable ($20,000), Immedia RPM tonearm ($2995), Lyra Skala cartridge ($2500, a replacement for Lyra’s Helicon), the Lyra Connoisseur 4-2LSE preamp ($25,000), and Ayre V5XE 150 Wpc amp ($4500).
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Jason Victor Serinus Posted: Oct 20, 2012 1 comments
Having heard at last Randy Bankert’s 97dB-sensitive Sonist Concerto 4 floorstanding loudspeakers ($5895) with electronics and cabling that do them justice, I understand what beautiful sound they are capable of producing. Together with Snake River Audio interconnects and speaker cable ($1100–$2449 for a 3m bi-wire pair of speaker cables), whose outer shell shimmers like a snake slithering in the sun, the Hong Kong sourced Increcable TIA-280 80Wpc integrated amplifier, and a Cary CAD-306 Pro SACD/CD player, this system produced solid bass and beautiful highs.
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Jason Victor Serinus Posted: Mar 09, 2010 4 comments
Sonist of Studio City, CA was touting the premier of the Recital 3 all-wood floorstanders ($2195/pair), with a lower-price black textured finish model ($1795/pair) also available. . Featuring a 6" woofer and ribbon tweeter, the 8 ohm speaker has 93dB sensitivity, and a frequency response of 45Hz–40kHz. Audience and Cardas parts point to high quality. Shown next to the larger Concerto 3 ($4195/pair with all-wood cabinets, otherwise $3495 and reviewed by Art Dudley in April 2009), the Recital 3 is an 8 ohm, 95dB-sensitivity speaker with a frequency response of 30Hz–40kHz. Current production of the Concerto 3 has fixed the cabinet resonance problem JA found in our review.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
Sonus faber mated its Olympica 3 loudspeakers ($13,500/pair) with Audio Research’s Reference CD9 CD/DAC player ($13,000), Reference 75 amplifier ($9000), and SP20 preamplifier ($9000). Heard through AudioQuest Redwood cables, the system uncompromisingly conveyed the take-no-prisoners nature of the demo CD that was playing during my time in the room.
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Jason Victor Serinus Posted: May 09, 2013 0 comments
Sony's Yuki Sugiura adjusts the controls in Music Lovers' Reference Room

"Sensational" is an adjective far overplayed in "fine audio" circles (to borrow a phrase that Bob Levi of T.H.E. Show Newport Beach has been using). But I know of no better word to describe the jaw-dropping sound of a dCS/Boulder/Sony set-up at a May 4 demo in the Theater 2 room of Music Lovers Audio, San Francisco. With the assistance of a full complement of Transparent Audio cabling, save for an all-important active USB cable from Synergistic Research, the MacBook Pro/Audirvana-source system, featuring the Sony SS-AR1 speakers that so impressed Kal Rubinson in July 2011 was nothing short of sensational.

For me, the demo began when John R. Quick of Tempo Sales, distributor of digital equipment from UK-based dCS (Data Conversion Systems, Ltd.), ran up to me upon my arrival. Enthusiastically greeting me and my two remarkably well-behaved terrier mixes, Daisy Mae Doven and Leo Gleesun, he declared, "Jason, I have great news for you."

"I can hardly keep hold of the leashes, John," I said, quivering with anticipation. "Tell me, please, before I lose my grip."

"The new Synergistic Research USB Active SE cable blows every other USB cable I've tried out of the water. You've got to hear this thing."

Jason Victor Serinus Posted: Jun 06, 2013 2 comments
Sony’s new SS-NA2ES loudspeakers ($10,000/pair, to be reviewed in the September issue of Stereophile) are hardly huge speakers. Yet in a ballroom system that included Pass Labs’ highly prized X600.5 monoblocks ($22,000/pair) and XP-20 preamplifier ($8600), the Sony speakers delivered an amazingly large soundstage further distinguished by an exceedingly beautiful, warm, and clear sound.
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Jason Victor Serinus Posted: Apr 24, 2014 11 comments
On Thursday April 24, Sony announced a new round of reasonably priced products, all of which are capable of high-resolution audio playback. Sony's unequivocal embrace of high-resolution audio—the acronym HRA seems to have become the mutually accepted, industry-wide term—was the main order of business. Defining HRA as everything greater than Red Book CD (16/44.1k) Jeff Hiatt, the company's Director of Home Audio (above), began by stating, "We have sacrificed quality in order to get convenience. MP3 has been degrading the quality of music, and was a quantum leap backwards. The young generation doesn't even realize that they're not listening to music as the artist intended it be heard."
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Jason Victor Serinus Posted: Jan 13, 2014 0 comments
Excellent bass, speed, and a distinctly solid-state signature of high-end three-dimensionality were the hallmarks of a Sony system that paired the TA-A1ES 80Wpc integrated amplifier ($2000) with the new HAP-Z1ES hi-res music player with 1TB HDD ($2000), SS-NA2ES loudspeakers ($10,000/pair), and Kimber Select copper speaker cables and copper power cables. This was my first opportunity to experience the much heralded "audiophile grade" HAP-Z1ES, which plays back a full range of file formats, including DSD; includes a 1TB hard drive for playback and storage; has built-in Wi-Fi for app control and music transfer; and, shades of far more expensive dCS, includes a DSD re-mastering engine that converts all signals to DSD.
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Jason Victor Serinus Posted: Mar 15, 2013 1 comments
In the room set up by Holm Audio of Woodridge, IL, Sony SS-AR1 loudspeakers ($27,000/pair) dominated a system in which Nordost Odin cabling—Odin power cord ($15,999/2.5m), interconnects ($19,999/2m) and speaker cable ($25,999/2m)—transmitted signals from a Rega RP6 turntable ($1990 with Rega Exact cartridge), Hegel HD25 32-bit DAC ($2500), Manley Chinook phono preamp ($2250), Hegel CDP2A ($2650), Hegel P20 preamplifier ($2900), and Hegel H20 amplifier ($5750). On Randy Crawford's CD, We'll Fly Away, the sound was very smooth and non-fatiguing, but lacked sparkle.

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