Beautiful, airy, and colorful sound distinguished the forthcoming Peachtree Nova 220 SE ($1999), an all-in-one class-D baby that produces 220Wpc into 8 ohms and 440Wpc into 4 ohms. Cribbing from our sister site, Audiostream.comthe pre-show press release cannot be found in my mailboxI see that it accepts up to 24/192 data through its USB and coaxial S/PDIF inputs. Its new discrete class-A preamplifier stage offers improved micro-detail over old Peachtree models, and its S/N ratio has improved 12 dB over the Nova 125 (Stereophile's 2009 Budget Product of the Year). Paired with Martin Logan Summit X loudspeakers ($14,000/pair), this baby acquitted itself with honors on Reference Recordings' version of Tchaikovsky's Hopak from Mazeppa.
Given the lateness of the hour, I could only snap a photo of the Italian Pearl Evolution Victor Ballerina 401/8 DPG loudspeaker ($14,000/pair) and grab a brochure. Slated for U.S. distribution, the three-way D'Appolito design with 89dB "sensibility"why do so many overseas companies dispense with professionals when they translate their literature into English?boasts a bass box that is equipped with a "Dynamic Pressure Gide (D.P.G) . . . a substantial and radical innovation in loudspeakers [sic] design. The D.P.G. differs from the usual internal bracingsthat only aim at reducing box vibrationsbecause it is intended to orientate a great part of air flow toward the CremonesiVenturi port, purportedly reducing air pressure on the box walls."
Manufactured in Sparks, NV by two families who "all have an insanity for music" and sold direct, two-year old Perla Audio's complete system was set up for extreme nearfield listening. Having entered to the assurance, "You're gonna love this," I made my way to the front, favored-by-Perla seat to hear the Perla Signature 50 integrated amplifier ($9000), PRS-2B ($8800/presumably for the pair) and PRS-2 ($7800/pair?) loudspeakers on $2250/pair stands, and Perla SB-400 subs.
Enjoying classical music performed on original instruments has just gotten easier. After 25 years of issuing recordings on LP and CD, the invigorating Philharmonia Baroque Orchestra has decided instead to make recordings of its live performances available for download.
On March 24, Universal Classics labels Decca and Deutsche Grammophon announced a pioneering global initiative to release live recordings of recent performances by the Los Angeles and New York Philharmonics for download on iTunes. By the end of the year, four major European orchestras are expected to follow suit, releasing live concerts on the web on the DG Concerts or Decca Concerts virtual labels.
Surprise, surprise, at least for me. Pipeline, RadioShack's high-end cabling line, is manufactured by no less an entity than AudioQuest. Bill Boyer, Sr. VP (left) and Milton Perez, National Sales Manager (right), gave an idea of the price range when they explained that a 4 foot HDMI cable retails for $49.
New for 2013, and due this summer, is Playback Designs' IMS-3 ($13,000). IMS stands for Integrated Music System, as in a one-piece unit housing DAC, preamp, and amp. The DAC is the same as in the excellent NPS-3 one-piece player, and the amp a class-A/B design that outputs 130W into 8 ohm and 260 into 4. A digitally controlled analog volume control, three analog inputs, and four digital inputs are among the features of a unit that will also support multi-channel playback.
Using a similar line-up as at CES 2013, the public show premiere of the Playback Designs' IPS-3 ($13,000), which contains a remote controlled amplifier/preamplifier/DAC with USB input that can handle up to 384kHz PCM and 6.1MHz DSD, paired with Evolution Acoustics MMMicroOne loudspeakers with integrated stands ($4000/pair), sounded very solid and musical on a big band selection. I would have stayed longer, but rather than interrupt an intense conversation, I added this room to my “next show wish list.”
Choose a door, any door. Confronted with three entirely different systems in the Norvinz room, for some reason I ignored my usual inclinations and moved to the far right. There I encountered veteran electrostatic guru Roger Sanders, formerly of Innersound, who now markets Sanders Sound Systems products online and through Norvinz.
Visual aesthetics were clearly not the main priority in room 431. Pictured is Polk Audio's LSiM 707 loudspeaker ($4000/pair), driven by an unseen Oppo 83 SE used as a transport, the excellent Peachtree DAC/Pre ($4700), and, on the computer end, a Macbook Pro running Amarra 2.4.2 via an Audioquest Carbon USB cable. Audioquest Rocket 88 cabling, PS Audio P10 power conditioner, XLO-10 power cords, and room treatment completed a system that, on George Benson's classic recording of "The Ghetto"a song that doesn't sound remotely like the predominantly Mexican, multi-ethnic and multi-national ghetto in which I livesounded like solid hi-fi.