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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
“Hands down great sound” I wrote of a room that combined Joseph Audio’s universally lauded Pearl loudspeakers ($31,500/pair with outrigger bases), Cardas Clear cabling, and a VPI Classic Direct with 3D arm ($30,000) outfitted with a Soundsmith Hyperion OCL cactus cantilever cartridge ($7500), with Jeff Rowland’s Capri preamp with phono option ($4300), Aeris DAC ($9800), and 825 power amp ($32,000). Sourced from computer, Boz Scaggs “Thanks to You” sounded gorgeous, and the beauty of Reference Recordings’ LP version of Vaughan Williams’ The Wasps confirmed the superiority of both the equipment chain and the Keith Johnson/Sean Martin recording team. Bass was profound, the midrange world-class, and highs just right. Transparency, too, was excellent. I wish I could have spent hours immersed in the beauty and grace of this system.
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Jason Victor Serinus Posted: Feb 18, 2013 Published: Dec 31, 1969 10 comments
Music Lovers' Hugh Fountain shows off the Vivid Giya G3 speakers

Philip O'Hanlon is one smart cookie. Rather than stage the customary new product demo, where attendees must sit through one or more lengthy spiels before they get a chance to hear a single note, he went right for the gold. As someone who loves music, thrives on music, and takes joy in creating demo CDs for friends, the renowned proprietor of On a Higher Note—distributor of Luxman, Vivid, Brinkmann, Mola Mola, and TriPlanar —delighted a full house at the first public demo of Luxman's forthcoming DSD-capable DA-06 DAC ($6000), staged at Music Lovers Audio in San Francisco, by spending close to three enthralling hours spinning music, performing comparisons, and letting the system do most of the talking.

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Jason Victor Serinus Posted: Jan 11, 2016 1 comments
Luxman's L-590 integrated amplifier features amplifier circuitry with Darlington-connected devices and the company's proprietary distortion-reducing ODNF (Only Distortion Negative Feedback), which isolates noise and distortion at the output of the music signal, and uses only a touch of negative feedback to suppress them.
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Jason Victor Serinus Posted: Oct 22, 2010 4 comments
It's always a joy to encounter Todd Garfinkle of M•A Recordings. Here he shows his latest audiophile quality CD, Nama. Also available as a 24-bit/176.4kHz hi-rez DVD-ROM format in a plain package that belies the beauty of its contents, the recording is the rightful successor to M•A's Sera una Noche and La Segunda, and features some of the same superb Argentinean artists. I can't wait to take a listen, once I dig it out of my luggage.
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Jason Victor Serinus Posted: Jan 18, 2014 Published: Dec 31, 1969 1 comments
"I'm mad as hell and I'm not going to take this anymore" may be one of the most famous lines from an American film—Network, 1976, to be precise—but it seems, on the surface, to have little relationship to MAD (Made in England), the British loudspeaker company whose products have earned praise from cellist Julian Lloyd Webber and Stereophile's European correspondent Paul Messenger, among others. Playing at T.H.E. Show was the MAD Grand MS ($12,000/pair).
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Jason Victor Serinus Posted: Mar 07, 2010 1 comments
Madisound, a speaker kit company based in Madison, Wisconsin, demmed a full range of loudspeakers that starts with the recession-buster RB3 ($445/pair). Playing at the time I visited was the astounding for the price Zaph Audio floorstander (with the black face–$1559). Equipped with two Scanspeak drivers, and powered by the Fountek Altitude 3500 23Wpc integrated amp ($1350), the system delivered impressively smooth, full-range sound on a stellar Chesky CD from vocalist Rosa Passos and bassist Ron Carter.
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Jason Victor Serinus Posted: Oct 17, 2012 3 comments
Scores of DIYers are familiar with Madisound, a company that distributes raw drivers, passive crossover parts, and speaker building supplies, some in kit form. On display were the SEAS of Norway A26 loudspeaker kit with a 10" SEAS A26RE4 woofer and the T35C002 1.5" dome tweeter—over 1 million sold, I was told—and the Scan-Speak Nada, with a 7" Illuminator woofer and 1" Beryllium dome tweeter.
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Jason Victor Serinus Posted: Jan 08, 2008 0 comments
The Jadis magic is hard to explain. But once you hear it, you can recognize it again and again. It has to do with the beauty of the midrange, the accuracy of timbres, and an inherent musicality that is less about detail than essence.
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Jason Victor Serinus Posted: May 01, 2014 0 comments
Some of the best sound at AXPONA filled Chicago-based dealer/concert pianist George Vatchnadze's room. With more than a little help from industry veteran Dan Meinwald, who not only claimed to have simply plunked everything down, but also called the large room at the end of the 3rd floor of the Westin O'Hare "the best hotel showroom I've ever been in," Ella's "Angel Eyes" from her universally lauded LP, Let No Man Write My Epitaph, sounded drop-dead gorgeous. The midrange felt like a warm embrace, inviting me in without fear of witnessing Fitzgerald's emotion drowned in a sea of euphonia.
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Jason Victor Serinus Posted: Jan 10, 2010 Published: Jan 11, 2010 10 comments
Ever since blogging about the Magico V3 loudspeaker a few years back, and then interviewing Magico's Alon Wolf for a Stereophile feature, I've been eager to hear every sonic and technological advance that Alon and his team have come up with. Thus I made my way to the huge Magico suite on the Venetian's 35th floor—whose exquisite lighting and overall aesthetic were on another plane from most of the exhibits below it—where Magico was unveiling the much-anticipated Magico Q5 ($54,000/pair), which has a heroically constructed all-aluminum enclosure.

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