John Atkinson and I have made an agreement. When John is not taking part in any of the eight "Demonstration of Live High-Resolution Recordings" seminars he has scheduled over the course of the Fest, he will cover the exhibits in the Marriott's Atrium rooms, and I will cover exhibits in the Tower. Of course, each of us is free to cross over to the other side if we're dying to hear something. But that's the plan.
I had a quick look in Nola's room, and as soon as I saw their giant speakers, I knew that these were not going to be in my designated "Under $15k" price range. Indeed, the speakers (whose name escapes me, but it has something to do with boxing) were just under $200k/pair. They sounded great, with tremendous dynamics, but I have trouble relating to speakers in that price range. "Do you have anything new and relatively affordable?" Yes, said Nola's Marilyn Marchisotto. The $9998/pair KO (another boxing reference) was being used in another room in demos by Nordost.
T.H.E. Show Newport Beach presented two opportunities to hear the encouraging debut of the Nola Micro Grand Reference Gold loudspeaker ($22,200/pair with stands). On both occasions, the speaker was paired with Nordost cabling, this time top-of-the-line Odin throughout.
I’ve grown quite fond of Nola Metro Grand Reference Gold loudspeakers ($33,000/pair). Mated once again with ultra-transparent, full-range Nordost Odin cabling and several Nordost Quantums ($2200/each), the system brought out the true nature of Audio Research’s CD-8 CD player ($9000), Reference 75 amplifier ($9000), and Reference 10 preamplifier ($30,000). On a recent Mercury Living Presence CD reissue of music by Chabrier, that made for an easy-on-the-ears, slightly damped top and the dominant ARC midrange that so many people love.
On August 29, Nonesuch Records gave its first donation of $1 million to Habitat for Humanity International. The funds, raised in only eight months through sales of 150,000 copies of Nonesuch's superb benefit album Our New Orleans 2005, will be used to build homes for displaced musicians and others in the New Orleans Habitat Musicians' Village, whose centerpiece will be the Ellis Marsalis Center for Music.
At RMAF 2009, Nordost shook up quite a few audiophiles by announcing preliminary results of research that can measure and validate the positive effects after market cabling, supports, and power products. One year later, Nordost announced that the research, jointly conducted by Nordost's competitor, Vertex AQ of the UK in collaboration with military electronic-engineering consultant and sonar expert Gareth Humphries-Jones of North Wales, has taken a major step forward.
Intrigued by Ariel Bitran’s initial assessment of Nordost’s new Valhalla 2 line, as well as the repeat responses of website readers who seem determined to answer the modern koan, “What is the sound of one hand clapping in the hot wind?” I spent awhile listening to Valhalla 2 in Nordost’s room in the Hilton. Paul Ritchotte (L) and the ultra-modern Rune Skov were only too happy to oblige, switching between Valhalla 2 and the original Valhalla line (including the power cables that are currentlypun intendedon my desktop’s iMac and Dynaudio Focus 110A self-powered loudspeakers).
Not every breakthrough product available through cable manufacturer Nordost costs an arm and a leg. The new Quantum Resonant Technology products distributed worldwide by Nordost Corporation are a prime example. While the QX-2 costs $1700, and the larger QX-4 costs $2500, their amazing effects on sound suggest a product I'd expect to cost far more.
When I entered the Nordost room, Roy Gregory and Lars Kristensen of Nordost were in the midst of preparing a demo of their Foundation Theory. Although the literature on the theory, which should be available on Nordost's website, consumes five small-print pages, the basic theory boils down to this: consistency in your brand of cabling, whatever the brand may be, produces greater rewards than mixing different lines of cabling.
I began my Sunday in the Nordost room on the Tower mezzanine. Familiar with the sound of the Nordost Valhalla interconnects, speaker cables, and power cables in my reference system, as well as the benefits of the Nordost Thor power distribution center that I have for review in another publication (and will not be returning), I was wondering how they would sound powering completely different components.