Jason Victor Serinus

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Jason Victor Serinus Posted: Jun 08, 2013 1 comments
The Music First Audio system, which included the Music First Audio Step-up and Music First Audio Baby Reference preamplifier (in front, in red), helped create a midrange-strong system that, on a recording by Eva Cassidy, sounded very smooth indeed. Favoring the midrange over brilliance in orchestral fare, the system transmitted the natural resonance of horns, and credibly communicated the full and meaty sounds of violins.
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Jason Victor Serinus Posted: Jan 14, 2010 1 comments
The vendor display at THE Show was up and going strong throughout the four days. Classic Records, who clearly didn't want to attract any attention, joined Acoustic Sounds, Chesky, Elusive Disc, HDtracks.com, M•A Recordings, Music Direct, Reference Recordings, themusic.com, Ultra Systems, Truextent, Quality Rare Records, and Parts Express.
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Jason Victor Serinus Posted: Oct 23, 2005 0 comments
In an era when music as instant entertainment enjoys increasing dominance over music as art, cellular phones have emerged as the latest purveyor of music on demand. Issues of sound quality mean little when the goal is to accumulate more and more files at an ever-accelerating pace and have ever easier access to those files.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Roy Hall's Music Hall was showing several nifty little systems. Making its official debut as well as show debut, the Creek Audio Evolution 5350 Integrated amplifier ($1795), which has been around for perhaps a decade in various proven incarnations, was sending its 120Wpcs into 8 ohms signal from the Creek Destiny CD player ($2495) into the handsomely slim (were we all only as. . .) Epos M22i loudspeakers ($2599/pair). This system was uncompromising in its portrayal of brash rock as exactly that. No euphonic roll-off or soft-pedaling allowed! Switch to the Oscar Peterson Trio, and you'll hear a very different, sweet sound on piano and bass.
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Jason Victor Serinus Posted: Dec 25, 2005 0 comments
Don't bother to tell Music Lovers Audio that audio sales have slowed. At a time when many dealers have abandoned two-channel audio altogether or chosen between de-emphasizing music and calling it quits, this Bay Area audio retailer has opened a second store a mere 30 miles from the original North Berkeley location, across the Bay in San Francisco.
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Jason Victor Serinus Posted: Oct 01, 2006 0 comments
Telarc, Classic Records, AIX, Cisco Music, Elusive Disc, Reference Recordings, and M•A Recordings have all pulled out of CES 2007, citing new restrictions on sales of merchandise that they feel to be unacceptable. Chesky remains undecided. Music Direct, May Audio, and Acoustic Sounds will exhibit, but will not sell product. Only 5.1 Marketing and Sales is currently committed to selling music.
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Jason Victor Serinus Posted: Oct 21, 2006 1 comments
The combo of Einstein NK60, 60W OTL monoblocks, Einstein The Tube preamp, Electric CDP7T Mk.II CD player, Adept Response power conditioning, A Cappella High Violin Mk.III horn speakers and cabling mated mellow, warm, nurturing sound with a lovely, sweet presentation. Playing the Ebony Wind Band’s take on the music of Silvestre Revueltas, the sound was especially beautiful and airy. Although not the greatest in the slam department, this system was not afraid of open, high extension. It also presented the midrange in correct proportion, which is no mean feat.
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Jason Victor Serinus Posted: Jan 30, 2013 Published: Feb 01, 2013 199 comments
The demo seemed simple enough. A distributor proposed a session for the Bay Area Audiophile Society (BAAS) that would pit his relatively low-cost speaker cable against an ultra-expensive competing model named for a Norse god. We would listen to the music first with the high-priced spread, then with his cable, then discuss the differences. As far as the distributor was concerned, everyone would hear that the Nordic Emperor had no clothes.
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Jason Victor Serinus Posted: Oct 21, 2010 2 comments
I ended Saturday's incredibly packed tour of the 15 rooms on the Marriott Tower's 10th floor with a stop in Musical Fidelity's room. It was a good choice. This was the first room at the show where I pulled out Channel Classics' superbly recorded hybrid SACD of the Ebony Band Amsterdam performing a unique arrangement of Revueltas' elemental, gutsy, phantasmagorical Sensemaya. The sense of air was immense, with amazing soundstaging that belied the small size of the room. I also loved the height of the soundstage, and the deep reaches of the bass. But as much as I savored the presentations' air and depth, this hardly laid-back system sounded a bit tipped-up in the highs, a common factor in many of the smaller rooms at the Marriott.
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Jason Victor Serinus Posted: Mar 13, 2013 1 comments
Given the number of loudspeakers in the relatively small room, I was amazed that two corner traps, combined with intelligent speaker placement that began at 8am, could result in such well-controlled bass. But on the Channel Classics native DSD/hybrid SACD of the Budapest Festival Orchestra performing Mahler's Symphony 2, the opening movement exhibited ideal control on the low end as well as natural warmth. I kept waiting for the booming, but it never came. What a great end to my first long day at AXPONA Chicago, 2013.

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