Jason Victor Serinus

The new EMM Labs NS1 Network Streamer ($4500—the smallest of the three products in the above photo), due in two months, seems to be Ed Meitner's response to the dCS Network Bridge. The NS1 will decode up to 24/192 PCM and DSD 64 and fully unfold MQA, and is a Roon-ready endpoint. In addition, when connected via the company's proprietary Optilink to other EMM Labs products, including the DV2 Integrated Converter that received a rave when I reviewed it for Stereophile, the NS1 can be optically isolated from the network to reduce noise. The NS1's inputs include ethernet and USB; its outputs, in addition to the aforementioned Optilink, include AES and Toslink.

So accustomed am I of associating Ed Meitner's EMM Labs with digital reproduction that I almost missed his first amps for the company. The MTRX class-A/B monoblocks ($130,000/pair), which output 1500W into 4 ohms and 3000W into 2, were designed as an homage to Meitner's previous Museatex MTR-101 monoblocks. Ten years in the making and first shown at last October's RMAF, they are claimed to "drive anything with ultra-low distortion."

Late on Saturday afternoon, Emotiva's hall-end room at the Hilton shifted into college fraternity mode. The Emotiva Stealth 8s ($1499/pair) and ProDAC ($699), connected with Emotiva cables, were blasting mono-tonality assaultive rock that, for all I could tell, was sourced from MP3. The bass was huge, the highs searing, the outcome lamentable. I'll bet, if John Atkinson had analyzed what was playing for one of his seminars on how compression is ruining the pop music industry, his meters would have read red, red, red.

As you will read in the next story, it was a very different story in Emotiva's second room. Thank God.

You should have seen the sad sack look on the faces of Your Final System's Kevin O'Brien and Endeavor Audio Engineering's Leif Swanson when I told them I was trying to restrict my coverage to new product introductions. "We were handicapped by a bad cable and bad USB input when you covered us at the California Audio Show last year," Kevin complained. "Give me one reason to stay here and I'll turn around," said I. . .