When I entered the Nordost room, Roy Gregory and Lars Kristensen of Nordost were in the midst of preparing a demo of their Foundation Theory. Although the literature on the theory, which should be available on Nordost's website, consumes five small-print pages, the basic theory boils down to this: consistency in your brand of cabling, whatever the brand may be, produces greater rewards than mixing different lines of cabling.
I began my Sunday in the Nordost room on the Tower mezzanine. Familiar with the sound of the Nordost Valhalla interconnects, speaker cables, and power cables in my reference system, as well as the benefits of the Nordost Thor power distribution center that I have for review in another publication (and will not be returning), I was wondering how they would sound powering completely different components.
Nordost’s Lars Christensen has become an industry legend of sorts for the enthusiasm with which he launches into cable comparison after cable comparison. At RMAF, he notched his demos up several steps, inviting people to hear the effects that cabling, power distribution, and resonance control products from Nordost and other companies can have on system sound.
“The bottom line is, despite the science involved, if you can’t hear it, it matters not,” Nordost’s West Coast distributor Michael Marko told me outside the demo room...
To celebrate its 20th Anniversary in the cable business, Nordost has just introduced its new Leif Series. The series consists of four levels:
White Lightning ($179.99/1m pair interconnects, $359.99/2m pair speaker cable);
Purple Flare ($249.99/1m pair interconnects, $499.99/2m pair speaker cable);
LS Blue Heaven ($349.99/1m pair interconnects, $699.99/2m pair speaker cable); and
Red Dawn ($499.99/1m pair interconnects, $999.99/2m pair speaker cable).
Of special interest is the change to Nordost’s old standby, the now-discontinued Blue Heaven. “I still remember when we introduced our Blue Heaven cabling 18 years ago,” Lars Christensen (seen here in the photo) recalled at the beginning of the demo in the Venetian. “We thought it was so expensive that we wouldn’t be able to sell it. Now, for much less money, we’ve got Nordost’s new 20th anniversary cable, White Lightning.”
At last, Nordost has augmented its four-level Sort Kone equipment support line with the threaded Sort Füt ($350/each). A mechanically tuned resonance control device designed to replace the standard spikes and stabilizers supplied with loudspeakers and racks, it boasts aluminum and bronze hybrid construction, a filial dome to minimize effects of vibration, and three internal ceramic balls that minimize contact surface area while providing physical stability. The “Premium Package” includes four Sort Füt units (which together support speakers up to 800 lbs), an adjustment tool, laser leveling, and both 8mm and 6mm threaded adaptors.
According to Marjorie Stiefel, who with her husband Al slaves over the Rocky Mountain Audio Fest for months on end, this year's RMAF has 142 exhibit rooms, 29 more than last year. The show, has in fact, not only reached the hotel’s size limit—the DTC Marriott is Denver's third-largest—but also exceeded Marjorie's and Al’s energetic capacity. Fried to a crisp beyond the smile, the couple is considering hiring help for next year in order to meet increased demand from such major players as Linn, McIntosh, Esoteric, dCS, Kimber, Wilson, BAT, Gamut, Clearaudio, Edge, Ayre, Nordost...you name them.
Veteran speaker engineer Albert Von Schweikert wasn't in the room at the time, but his astounding VR-9SE ($90,000/pair) was making the quite a sound in his absence. The smaller sibling of the flagship VR-11SE, this 350 lb, two-module mini-behemoth was paired with VAC's brand-new Phi-200 100Wpc amplifier, Signature linestage ($14,000), and recently-released Phi Alpha D/A Converter ($7500). An older Oracle transport and what appeared to be Cardas Golden Cross cabling completed the system. Any notion that tube equipment lacks control in the bass was blown to pieces by this system's tremendous authority in the bass region and beautiful presentation on high. Fabulous sound.
The NSR Sonic Research D3 Concerto Sonata loudspeaker ($4495/pair) was reportedly making a lot of waves at its world premiere. Displayed in not completely broken-in prototype form, with tweaking of crossover and capacitors still to come, the speaker is claimed to have 93.7dB sensitivity. The bottom of the enclosure features an exclusive "Acoustic Projection Lens." The lens, developed over the course of 30 years by its guitarist/luthier/locomotive engineer designer, is claimed to act as a sonic prism that overcomes randomly generated frequencies. The company also offers the much larger D1 Concerto Reference ($32,000/pair). Both speakers have back panels that intentionally resonate like an instrument, a feature that JA points out was first seen in the controversial Bösendorfer loudspeakers.
Nordost has entered the realm of stratospherically-priced cabling with the introduction of Odin interconnects and speaker cable. With Odin interconnects draped around Lars of Nordost's neck, and the speaker cable seen running between Raidho Ayra C3 speakers and Burmester 001 CD, BAT preamp, and Gamut D-200 amplifier (a last-minute replacement for an ailing Burmester amp), the combination of Odin interconnects and speaker cable and Nordost Valhalla power cables—Odin power cables are yet to come —delivered one of the most breathtakingly realistic depictions of a huge, three-dimensional soundstage I've ever experienced. It's you-are-there transparency was pretty damn amazing. I greatly look forward to reacquainting myself with this cabling at CES 2008, and promise to report on it in my show blog if five other Stereophile colleagues don't get to the Nordost room before me. But oh, the price, which is in the "don't ask" category, adds JA.