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Jason Victor Serinus Posted: Feb 21, 2014 Published: Feb 24, 2014 3 comments
Some months back, SACD and DSD champion Jared Sacks, founder of Channel Classics, stopped by Casa Bellecci-Serinus in Oakland for an extended chat about the history of his label, recording in DSD, and his new NativeDSD.com download site. I started our conversation by asking Jared to share his history with music and the industry with Stereophile:
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Jason Victor Serinus Posted: Jan 07, 2016 2 comments
Which lines took longest to traverse, the one snaking round and round at the CES registration booth in Las Vegas’s Macallan Airport, the ridiculously long one at the lost baggage counter at Southwest Airlines, or those at hotels on the strip that were overwhelmed by late night arrivals? I certainly know which moved faster.

Which leads to this photo. As much as it may look rather placid and fantasy like, it also reveals surprisingly light evening foot traffic in front of the Venetian hotel...

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Jason Victor Serinus Posted: Oct 08, 2015 0 comments
Ah yes. Through the audio jungle I thrashed, through sound both thrilling and threadbare, until, having totally exhausted the alliteration resources of my thoroughly thumbed thesaurus, I alighted upon the thoroughfare of Thrax. Once there, I threw all literary pretense aside, and thrillingly cried, "Thanks be to Thrax!"
Jason Victor Serinus Posted: Jun 03, 2015 0 comments
Resolving to get an early start, I skipped breakfast and hit the show floor at 10:30am on Sunday. Will Kline of Fine Sounds (left) and Sunil Merchant (right) of Covina, CA's Sunny's Components were justifiably proud of the simply beautiful midrange created by the marriage of Wilson Audio Alexia loudspeakers ($52,000/pair) and Audio Research components. This wasn't the most transparent of systems I auditioned, but it was unquestionably among the most musical.
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Jason Victor Serinus Posted: Oct 09, 2015 9 comments
Wilson seems to not only have a lot of dealers—Shadi’s Santa Monica-based Audio Salon is one—but also possesses a most intelligent marketing strategy that leads it to honor requests for loaner loudspeakers when it feels the products they’ll be paired with at shows are up to snuff. In this case, were they ever! Alongside the Wilson Sabrina loudspeakers ($15,900/pair) in the Audio Salon room were singing components of very different price points. . .
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Jason Victor Serinus Posted: Oct 04, 2015 3 comments
The Rocky Mountain Audio Fest decided to give press a head start this time around by inviting us in two hours before the show's official noon opening on Friday. While not all manufacturers got on board—several of the rooms I tried to visit on the 2nd floor of the Marriott Denver Tech Center's Tower were locked—digital audio pioneer dCS leaped into the breach by staging a 10am press conference for the official release of the dCS Rossini CD player. The company's Martin Reynolds (above) flew over from the UK to do the presentation.
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Jason Victor Serinus Posted: Oct 06, 2015 2 comments
Andy Carr, Marketing Director of the UK's Cambridge Audio, introduced two of the company's systems: a CX series system that included Cambridge Audio Aeromax 2 bookshelf speakers ($649/pair), and an 851 series that used Aeromax 6 floorstanders ($1299/pair). Both speaker models incorporate Cambridge Audio's BMR (Balanced Mode Radiator) drivers and dedicated subwoofers. Playing a FLAC file of Eric Bibb's "Rocking Chair" through, I believe, the CXN upsampling network music player ($999), the lower priced system ($2700 total + XLO cabling) produced really nice, smooth sound that felt just right for grabbing a beer, settling down, and mellowing out . . .
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
One of several low-cost, high quality exhibits at Axpona came from Jaton. Based in Fremont, CA, Jaton sources its speaker components from Germany and other parts of Europe, but assembles them in China. It amps, which include 14 Mundorf caps in the amp proper and four more in the power sector, are assembled in Fremont. Everything is designed by the company's unnamed and extremely secretive CEO, who only began to enter the high-end market a few years ago.
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Jason Victor Serinus Posted: Aug 03, 2010 2 comments
At the other end of the room from the JBL Everest DD-66000 I wrote about on the first day, Design Interaction was switching between the JBL 1400 Array ($11,000/pair) and Revel Ultima2 Salon loudspeakers ($22,000/pair), both speakers very well-reviewed in Stereophile. Heard through a dark-charactered Mark Levinson No.532 amp ($20,000), No.512 SACD player ($15,000), and No.526A preamp ($10,000), hooked up by MIT Oracle cables ($3500, with allocation not specified), the much fêted Revels smoked the less expensive JBLs, I thought.
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Jason Victor Serinus Posted: Jul 30, 2010 3 comments
On ground level in the Design Interaction room, a pair of JBL DD-66000 Everest loudspeakers ($60,000/pair) were especially imposing in the bass department. Driven by the Mark Levinson No.326 preamp ($10,000), Levinson No.512 SACD player ($15,000), a discontinued Levinson No.433 ($11,000) on the bass, a Pass Labs XVR01 for the crossover, and a Pass Labs XA30.5 30Wpc class-A amplifier on the horns, all connected by MIT cabling, the system had great authority. The presentation had the characteristically dark Levinson sound, with some curious extra bass resonance on the voice of mezzo Lorraine Hunt Lieberson. Branford Marsalis's music, on the other hand, sounded just fabulous.

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