Jason Victor Serinus

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Jason Victor Serinus  |  Jan 08, 2010  |  6 comments
When I entered the Nordost room, Roy Gregory and Lars Kristensen of Nordost were in the midst of preparing a demo of their Foundation Theory. Although the literature on the theory, which should be available on Nordost's website, consumes five small-print pages, the basic theory boils down to this: consistency in your brand of cabling, whatever the brand may be, produces greater rewards than mixing different lines of cabling.
Jason Victor Serinus  |  May 26, 2023  |  0 comments
There was a lot to take in in the Nordost room at Munich High End. Building upon the upgraded QB8 Mark III AC Distribution Unit ($2300), which I described after it first appeared at AXPONA 2023 in Chicago, the company previewed the QBase Reference, aka the QB10 ($18,000), which is expected in the late summer or early fall. Equipped with 10 outlets and a 20-amp IEC, the QBase Reference includes heavy-grade wire and traces capable of supporting high-current amplifiers. Think of it as a fully maxed out, 32A-capable power distribution unit.
Jason Victor Serinus  |  Jan 09, 2017  |  0 comments
Dennis Bonotto, new International Sales Manager for Nordost, joined the company's Michael Taylor to introduce Nordost's new top USB cable, the Valhalla 2 USB ($3500/1m)…
Jason Victor Serinus  |  Oct 22, 2006  |  0 comments
I began my Sunday in the Nordost room on the Tower mezzanine. Familiar with the sound of the Nordost Valhalla interconnects, speaker cables, and power cables in my reference system, as well as the benefits of the Nordost Thor power distribution center that I have for review in another publication (and will not be returning), I was wondering how they would sound powering completely different components.
Jason Victor Serinus  |  Oct 18, 2012  |  8 comments
Nordost’s Lars Christensen has become an industry legend of sorts for the enthusiasm with which he launches into cable comparison after cable comparison. At RMAF, he notched his demos up several steps, inviting people to hear the effects that cabling, power distribution, and resonance control products from Nordost and other companies can have on system sound.

“The bottom line is, despite the science involved, if you can’t hear it, it matters not,” Nordost’s West Coast distributor Michael Marko told me outside the demo room...

Jason Victor Serinus  |  Jan 07, 2011  |  First Published: Jan 08, 2011  |  2 comments
To celebrate its 20th Anniversary in the cable business, Nordost has just introduced its new Leif Series. The series consists of four levels:
White Lightning ($179.99/1m pair interconnects, $359.99/2m pair speaker cable); Purple Flare ($249.99/1m pair interconnects, $499.99/2m pair speaker cable); LS Blue Heaven ($349.99/1m pair interconnects, $699.99/2m pair speaker cable); and Red Dawn ($499.99/1m pair interconnects, $999.99/2m pair speaker cable).

Of special interest is the change to Nordost’s old standby, the now-discontinued Blue Heaven. “I still remember when we introduced our Blue Heaven cabling 18 years ago,” Lars Christensen (seen here in the photo) recalled at the beginning of the demo in the Venetian. “We thought it was so expensive that we wouldn’t be able to sell it. Now, for much less money, we’ve got Nordost’s new 20th anniversary cable, White Lightning.”

Jason Victor Serinus  |  Oct 16, 2013  |  4 comments
At last, Nordost has augmented its four-level Sort Kone equipment support line with the threaded Sort Füt ($350/each). A mechanically tuned resonance control device designed to replace the standard spikes and stabilizers supplied with loudspeakers and racks, it boasts aluminum and bronze hybrid construction, a filial dome to minimize effects of vibration, and three internal ceramic balls that minimize contact surface area while providing physical stability. The “Premium Package” includes four Sort Füt units (which together support speakers up to 800 lbs), an adjustment tool, laser leveling, and both 8mm and 6mm threaded adaptors.
Jason Victor Serinus  |  Feb 13, 2017  |  4 comments
Prepare for one of those wild, hold-on-to-your-horses rides that will send minds and sound systems spinning (and horses bolting). Andrew Norman's award-winning, 47-minute orchestral work Play (2013), plays with musician and listener expectations simultaneously while proceeding on a course barely predictable from its opening salvos. Somewhat reflective of the worlds of rock and jazz, with a language all its own and ideas far more developed, dense, and unpredictable than all but the most experimental and far out excursions, Play's visceral and cerebral appeal reaches far beyond the confines of genres and settings.
Jason Victor Serinus  |  Apr 27, 2014  |  0 comments
Steve Davis, AXPONA founder, caught on the fly between the "Grab 'N Go" snack area and various presentations. Steve had every reason to smile, given the impressive turnout on the first day of the show. But I'll bet he wasn't smiling in the middle of the second, absolutely packed and tremendously successful day when, somewhere after 2 pm, the fire alarm went off and people were ordered to evacuate the hotel. This, after all, was the second year in a row that an ear-piercing fire alarm went off on the busiest day of AXPONA. Thankfully, it was a false alarm. Within a half hour, everyone had returned to the reality of fine sound.
Jason Victor Serinus  |  Oct 12, 2007  |  First Published: Oct 13, 2007  |  1 comments
According to Marjorie Stiefel, who with her husband Al slaves over the Rocky Mountain Audio Fest for months on end, this year's RMAF has 142 exhibit rooms, 29 more than last year. The show, has in fact, not only reached the hotel’s size limit—the DTC Marriott is Denver's third-largest—but also exceeded Marjorie's and Al’s energetic capacity. Fried to a crisp beyond the smile, the couple is considering hiring help for next year in order to meet increased demand from such major players as Linn, McIntosh, Esoteric, dCS, Kimber, Wilson, BAT, Gamut, Clearaudio, Edge, Ayre, Nordost...you name them.

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