"Reference Audio on a Budget" was the tagline for the exhibit from Darren and Bonnie Censullo's Avatar Acoustics of Fayetteville, GA. Most important, the room featured two world premieres. First was a product you're sure to hear more about, the Axis Voicebox S loudspeaker ($3000/pair). A 5 ohm, 83dB sensitive model with a frequency response of 45Hz20kHz ±3dB, this little baby was paired with Abbingdon Music Research's AMR AM 777 60Wpc hybrid integrated amplifier ($4500), AMR CD-777 player ($4500), Dr. Feickert Analogue Woodpecker turntable ($4995) with DFA 10.5 tonearm ($1000), AMR PH-77 phono preamp ($11,995, and soon to be reviewed by Michael Fremer)), and DFA premium tonearm cable ($600). Throw in $11,265 worth of cabling and power distribution from Acoustic System International and Avatar Acoustics, including the world premier of the Avatar Acoustics Mach 4 Power Distributor ($1800 with power cable), and $10,240 worth of Acoustic System International Resonators, and your hypothetical budget would top $50,000.
AVM Audio of Germany introduced its 425Wpc MA 3.2 monoblock amplifiers ($5500/pair) and PA5.2 analog tube preamp ($6600). The latter is an extremely versatile, fully balanced design with tube output stage, home theater bypass, and the ability to add additional DAC, phono preamplifier, tuner, and streamer modules.
Alexander Vitus Mogensen was deservedly bright-eyed about his equally handsome AVM-TEC Alluxity Pre One ($9150). Designed with the lifestyle conscious in mind, the Pre One first reached Asia last summer, and is now appearing in the US courtesy of distributor Light Harmonic. Its relay-operated volume control adjusts in 3dB intervals, and then decreases to a still large (in my estimation) 1.5dB as volume increases. It also offers balanced, zero global feedback topology, easily upgradable internal modules, five inputs (RCA and XLR), and two outputs.
Axpona lives! The Audio Expo of North America, the consumer high-end audio show whose successful 2010 launch in Jacksonville, Florida, established it as the premier high-performance audio show on the East Coast, has moved to the far more accessible and convention-friendly Sheraton Atlanta, in Georgia. Scheduled for April 1517, 2011, with a special four-hour trade preview on April 14, the show is cosponsored by Stereophile and Goldmine.
In what may be a record period for audio show acquisitions. Connecticut-based trade show company JD Events has acquired AXPONA (Audio Expo North America). The announcement follows on the heels of UK-based The Chester Group's announcement that it has bought Montreal's Salon Son et Image, and gotten out of the way of AXPONA Chicago by moving its New York Show to a fall date in Brooklyn.
In its own words, JD Events "is dedicated to the creation of targeted and innovative industry-leading events that deliver results. The company brings together highly qualified buying audiences, education-rich content and high-level networking opportunitiesall geared toward increasing business transactions in the markets it serves."
Axpona, the Audio Expo of North America, is geared up for its premiere next Friday in Jacksonville, Florida. The new Show runs March 57 at the 350-room Wyndham Riverwalk Hotel, which overlooks the St. Johns River and is just 15 minutes from the Atlantic Ocean. Sponsored by Stereophile, which will blog live from the show, Axpona is already looking like a winner. Impressive figures for advance Internet registration (discounted through March 1) indicate that Axpona might meet or even surpass attendance at last year's Rocky Mountain Audio Fest, in Denver.
It's not just the first audio show in Chicago in 14 years, since Stereophile's Hi-Fi ’99 at the Palmer House. It's also the first in a millennium where computer audio is changing every aspect of the music and audio industries.
Nor is it a minor effort. AXPONA Chicago, which runs March 810 on five floors of the Doubletree by Hilton O'Hare Airport, promises 90 separate exhibit rooms, 74 table displays in approximately 30 different booths presenting 100 or so brands, and equipment from over 400 manufacturers. Dealers exhibiting number 26, with 15 from Chicago, and others from New York, California, Florida, and other states. That's a lot of show.
The 2014 AXPONA (Audio Expo North America), scheduled for April 2527 in Chicago's completely refurbished Westin O'Hare, promises to the biggest and most comprehensive US consumer audio show east of Denver. How about, for starters, at least 56 known product introductions, with many more intentionally unannounced; 75 active exhibits in "standard" hotel rooms, whose dimensions are a far-from-standard 14.9'x19' with 8.5' high ceilings; 35 significantly larger meeting rooms and suites, spread over numerous floors, often filled with more than one active system per room; an Ear Gear Expo with exhibits from 23 headphone and headphone amp/accessory manufacturers; and a lobby level marketplace that promises 70 displays from 30 different vendors?
It's the afternoon before AXPONA Jacksonville opens, and Carmen Davis is getting prepared. Badges are ready, and welcome smiles and hugs are plentiful. But it's not until after 5 that the show guide arrives from the printer. There were, it seems, so many last minute cancelations and room changes that what only a few weeks before had been announced as 40 exhibit rooms has instead been consolidated into 28.
The largest consumer audio show in America's Southland, AXPONA (Audio Expo North America), returns to its roots when it opens in Jacksonville on Friday March 9. The three-day show, which launched in Jacksonville in 2010, has happily switched locations from a "not-ready-for-primetime" venue to the more upscale Omni Jacksonville.
What the hotel offers audiophiles, besides its amenities and lovely waterfront, is its neighbor across the street, Jacoby Hall in the Times-Union Center for the Performing Arts. Home of the Jacksonville Symphony Orchestra, the hall's much touted superior acousticsmezzo-soprano Frederica von Stade has called them "sensational"offer attendees the opportunity to refresh their ears with the sound of a live, unamplified orchestra in a very special hall. What better way to tell if the audio systems you're hearing present a reasonable facsimile of the real thing?