Jason Victor Serinus

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Jason Victor Serinus Posted: Jan 08, 2006 0 comments
The Elf Foundation's accomplishments are extraordinary. In just four and a half years, the nonprofit organization has facilitated the design and construction of more than 40 Rooms of Magic. These are private entertainment theaters in medical facilities for children: hospitals, as well as centers for autism, abused children, and kids with long-term disabilities. And none of the design work or state-of-the-art equipment for these children's oases costs the host facilities a cent.
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Jason Victor Serinus Posted: Sep 24, 2006 0 comments
We all know the refrain. Classical music is losing its audience. With shorter attention spans, the ascent of the iPod, a penchant for music (and spoken word masquerading as music) in the background, and the submergence of audio by home theater, fewer and fewer people in the United States are being exposed to art music of the past and present.
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Jason Victor Serinus Posted: Jan 12, 2010 3 comments
I have heard Acapella horn loudspeakers and Einstein electronics on other occasions, but they have never sounded as glorious as they did paired together in one of the Aaudio Imports room at CES 2010. I only wish Erick Lichte and John Atkinson had been present as I played John's 2008 recording of Cantus' While You Are Alive, which Erick produced. (Erick was also Cantus' Artistic Director at the time). The sound was big—huge, in fact—maximally transparent, and thanks to the Einstein electronics' euphonic presentation, absolutely luscious.
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Jason Victor Serinus Posted: Jan 11, 2009 14 comments
Somewhere in the maze of air-walled convention cells in the Sands, I stumbled upon PSC Audio's Pure Silver Connection cable. Handmade in Perth, Australia using the finest, purest Australian silver one can find—6Ns, or 99.99997% pure—each cable receives three to six annealing heating and cooling treatments (without cryogenically freezing) to increase the length of silver crystals, thereby increasing conductivity by 20% over untreated silver.
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Jason Victor Serinus Posted: Mar 13, 2012 2 comments
So here we are on Saturday night, Rob Robinson of Channel D, Jeff Joseph of Joseph Audio, and myself of something or other, chilling in the ridiculously oversized chairs in the Omni Jacksonville's lobby near the elevators, awaiting the arrival of Rob's wife Claudia so we can all head out to Thai dinner, when Jacksonville Symphony French horn player Aaron Brask, aka "Last Horn," appears out of nowhere and on your mark-get set-go begins telling us how absolutely, positively, and totally stoked he is that we have brought all these high-end audio exhibits to Jacksonville. It seems that, given that artist Brask is unable to talk while his embouchure is otherwise occupied with his instrument's mouthpiece, the boy has seized the opportunity to gush, and I mean gush, over his chance to finally hear the equipment, big and small, that he had been reading about and lusting after for all these years.
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Jason Victor Serinus Posted: Oct 03, 2009 1 comments
That the Sixth Annual Rocky Mountain Audio Fest is even taking place at the Denver Tech Center Marriott this year is something of a miracle. Just as preparations for the show were getting underway, its universally loved founder, Al Stiefel, died at the age of 66. Knowing how much the show meant to her husband, his co-show producer and greatest fan, Marjorie Baumert, vowed to preserve Al's legacy to the audiophile community. Thanks to Marjorie's dedication, perseverance, and love, and the able assistance of everyone from Marcie Miller and the Colorado Audio Society to several members of Marjorie's family, the show continues as a tribute to Al.
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Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Although the business buzz in the Esoteric room made deep sonic evaluation impossible, I was impressed with the very nice midrange warmth and sweetness of the Esoteric system. I didn't hear any overtones from the new Grandioso M-1 mono power amplifier ($23,000/each), but I expect they were drowned out. A new companion preamp may be out by summertime. Also due from the company known for its excellent transport mechanisms is a new top-of-the-line transport, to replace the P-01, and a new mono DAC, to replace the D-01.
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Jason Victor Serinus Posted: May 04, 2005 Published: May 05, 2005 0 comments
"Some say it dates back to 1927, when Gramophone magazine's editor thundered that electrical reproduction was a step backward in sound quality," said the promotional copy for Home Entertainment 2005's opening-day event, "The Great Debate: Subjectivism on Trial." It continued: "But whenever it started, the Great Debate between 'subjectivists,' who hear differences among audio components, and 'objectivists,' who tend to ascribe such differences to the listeners' overheated imaginations, rages just as strongly in the 21st century as it did in the 20th." On April 29 at the Manhattan Hilton, Stereophile editor John Atkinson and one of the Internet's most vocal audio skeptics, Arnold B. Krueger, debated mano a mano where the line should be drawn between honest reporting and audio delusion.
Jason Victor Serinus Posted: May 19, 2012 17 comments
If any single voice was synonymous with the flowering of the LP era, it was that of German baritone Dietrich Fischer-Dieskau. The great artist's death at his home in Bavaria on Friday, May 18, 10 days short of his 87th birthday, sets the final seal on an age in which art song, oratorio, and opera received equal respect from record companies and the listening public.

Equally adept at all three disciplines, Fischer-Dieskau became perhaps the most recorded baritone in history. There was a period in which nary a month went by without another LP from Fischer-Dieskau on which he sang either solo or in ensemble. Even today, when so many recordings have gone out of print, and large number of LPs have never been remastered for CD, arkivmusic.com lists no less than 490 titles that include Fischer-Dieskau's voice. The most recent release, a four-SACD remastered compilation of some of the monaural Schubert lieder (art song) recordings he made with pianists Gerald Moore and Karl Engel early in his career, became available on the website on May 8. Its 39 performances are but a fraction of the Schubert recordings he made in his five decades before the microphone.

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Jason Victor Serinus Posted: Jan 08, 2008 4 comments
One of the highlights of RMAF 2007 was encountering Lou Hinkley's Daedalus Audio Ulysses loudspeakers ($8800/pair) in the ART Audio room. Here, paired with Gill Audio Designs Alana preamp ($5000) and Elise DAC ($6000), an Ensemble transport, Clayton M-200 power amps ($9500/pair), and relatively inexpensive Empirical Design cabling, the system was arresting in its transparency and three-dimensionality.


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