These are my MIMOBOT flash drives. In theory, these cute little guys would go back and forth, delivering InDesign and image files, between me and our graphic designer, Pip. That's how we make the magazine, you see: We pass files back and forth and voila!
“To limit yourself to just vinyl,” says Audioarts’ Gideon Schwartz, “would be ridiculous.”
It’s not that Schwartz doesn’t like vinylseveral LPs were scattered about the beautiful demo room, said to have been the office of Leona Helmsleybut he simply believes that a good system should work well with all music formats, and more, should sound good in many different rooms.
Good morning, _____.
Thank you so much for following the show blog. My goodness, these shows are such great work. Writing, in general, you know, is a kind of solitary activity. I think that's partly why I've been drawn to it; I'm a kind of solitary guy. But this team-effort show-blogging stuff is not solitary at all. The entire process runs opposite to what I normally think of writing and to how I approach writing. By the end actually, almost right from the start I am feeling completely drained.
In his WS Distributing room, Tom Myers had set up a system made of a Vincent CD-S7 CD player (available now for $2199.95 in black or silver), Thorens TD 2030 turntable with blue acrylic plinth ($3699) and Benz Ace cartridge ($700) , Vincent amplification, and Thiel SCS4 loudspeakers on Pangea speaker stands. With its top-to-bottom coherence, the system was easy to enjoy. Moving from the Vincent CD player to the Thorens turntable added measures of body and scale, which I found even more involving.
Wye Oak is a sort of American folk duo. Andy Stack plays drums and keys (at the same time), while Jenn Wasner sings and absolutely wails on the guitar. This is a video for their song, "Please Concrete," from their 2008 debut If Children.
You know the slinky hi-hat, the funky wah, the groovy bass line; the slow-building horns, the deep voice, the suggestive lyrics: Who’s the black private dick / That’s a sex machine to all the chicks? / (Shaft!) / Damn right…
There was a party going on in the Xact Audio room.
Simple, beautiful, majestic: The video for Yeah Yeah Yeahs "Despair," the second single from their recently released Mosquito, has the band on top of the Empire State Building, rocking joyously as the sun rises over the unreal city.
In a much smaller room next door to GTT Audio's main suite, YG Acoustics’ Carmel loudspeakers ($18,000/pair) were driven by a Devialet D-Premier integrated amplifier/DAC ($16,999). Source components were Bryston’s BDP-1 digital media player ($2250) and PS Audio’s Perfect Wave Transport ($3000). Cables were Kubala-Sosna’s Emotion.