How can a decidedly old-fashioned hobby move forward in an increasingly newfangled world?
Outside the listening rooms, the story of this year's Rocky Mountain Audio Fest traced the mood-swings and anxieties that buoy and beset the retro-futuristic world of high-end audio.
I have loved Drag City for many, many reasons including: Royal Trux, Silver Jews, Red Krayola, Fucking Champs, Joanna Newsom, Bill Callahan, Jim O'Rourke, and more.
It is November 14th, and it's hot as heck outside. I wonder how many polar bears just died. That's not funny. The arctic is vanishing, the oceans are rising, we have brown clouds in the sky. Awesome. We are doomed. Screw it. Let's buy some vinyl!
We took the S1 to the Feldmoching stop where we transferred to the U2. From there, Frankfurter Ring, and our lovely little Park Inn were just moments away.
We're always asking the big questions: Are we really alive? Will we ever find true happiness? How can we be better human beings? What's love, but a secondhand emotion? Who needs a heart when a heart can be broken? How can the high end audio industry reach a wider audience?
Today is Ornette Coleman's 81st birthday, and we can celebrate with smiles, thanks, and The Shape of Jazz to Come.
Tune in to Columbia University's WKCR for a full day of Coleman's work as the station celebrates "innovation, relentless individualism, and commitment to artistic freedom." Right on. You might also enjoy Matthew Ditullo's excellent "This Shape of Jazz" blog, where Ditullo thinks about jazz, blues, and beer.