Sort By: Post Date | Title | Publish Date
Richard Lehnert Posted: Apr 04, 2012 0 comments
Tord Gustavsen Quartet: The Well
Tord Gustavsen, piano; Tore Brunborg, tenor saxophone; Mats Eilertsen, bass; Jarle Vespestad, drums
ECM 2237 (CD). 2012. Manfred Eicher, prod.; Jan Erik Kongshaug, eng. DDD. TT: 53:19
Performance *****
Sonics *****

The first time I heard J.S. Bach's Well-Tempered Klavier, I heard an endless sameness, lovely but undifferentiated. Only over many hearings did each pairing of prelude and fugue begin to emerge from the background, as what Bach did in each iteration of the same received form began to be revealed as an inexhaustible richness of difference. Gradually, I was learning Bach's musical language; only then did I begin to get an idea of what he might be saying.

Richard Lehnert Posted: Sep 29, 2011 Published: Aug 01, 1988 0 comments
888rotm.jpgJane Siberry: The Walking
Reprise/Duke Street 25678-1 (LP), 25678-2 (CD). John Naslen, eng.; Jane Siberry, John Switzer, John Naslen, prods. DDD. TT: 53:03

I came to Jane Siberry's music pretty late in the game. This is her fourth album, and the third released by a major label—No Borders Here and The Speckless Sky were released by Open Sky/Windham Hill a few years ago. Hadn't heard 'em (footnote 1). Didn't need to. On the basis of The Walking alone, it was clear Siberry is one of the most important singer/songwriters we've got.

Richard Lehnert Posted: Oct 01, 2010 Published: Aug 01, 1989 0 comments
MAHLER: Das Lied von der Erde
James King, tenor; Dietrich Fischer-Dieskau, baritone; Vienna Philharmonic, Leonard Bernstein
London (CD only). Gordon Parry, eng.; John Culshaw, prod. AAD. TT: 66:32
Richard Lehnert Posted: Oct 05, 2009 Published: Aug 05, 1990 0 comments
LUKA BLOOM: Riverside
Reprise 26092-1 (LP), -2 (CD). Mike Krowiak, eng.; Jeffrey Wood, prod. ADA/ADD. TT: 44:31
Richard Lehnert Posted: Oct 29, 2008 Published: Aug 29, 1991 0 comments
KEITH JARRETT TRIO: Tribute
Keith Jarrett, piano; Gary Peacock, bass; Jack DeJohnette, drum
ECM 1420/21 (847 135-2, 2 CDs only). Jan Erik Kongshaug, O. Fries, engs.; Manfred Eicher, prod. DDD. TT: 115:05
Richard Lehnert Posted: Dec 02, 2007 Published: Aug 02, 1992 0 comments
Veljo Tormis: Forgotten Peoples
Tõnu Kaljuste, Estonian Philharmonic Chamber Choir
ECM New Series 1459/60 (434 275-2, 2 CDs only). Paul Hillier, prod.; Peter Laenger, eng. DDD. TT: 2:06:01
Richard Lehnert Posted: Nov 03, 2003 Published: Aug 01, 1993 0 comments
MAHLER: Symphony 10 First Performing Version by Deryck Cooke
Eliahu Inbal, Frankfurt RSO
Denon CO-75129 (CD only). Yoshiharu Kawaguchi, Richard Hauck, prods.; Detlev Kittler, eng. DDD. TT: 70:59
Richard Lehnert Posted: Aug 20, 1994 0 comments
TERRY EVANS: Blues for Thought
PointBlank/Charisma/Virgin 39064 2 (CD only). Ry Cooder, prod.; Mark Ettel, eng. AAD? TT: 49:18
Richard Lehnert Posted: Aug 30, 1995 0 comments
PÄRT: Fratres
Fratres for strings & percussion; Fratres for violin, strings, & percussion; Fratres for wind octet & percussion; Fratres for eight cellos; Fratres for strings; Fratres for string quartet; Fratres for cello & piano. Plus: Cantus in Memory of Benjamin Britten, Summa, Festina Lente
Rudolf Werthen, I Fiamminghi (The Orchestra of Flanders)
Telarc CD-80387 (CD only). James Mallinson, prod.; Jack Renner, Tony Faulkner, engs. DDD. TT: 79:00
Richard Lehnert Posted: May 18, 2012 Published: Dec 01, 1987 0 comments
Wynton Marsalis: Marsalis Standard Time, Vol.1
Wynton Marsalis, trumpet; Marcus Roberts, piano; Robert Leslie Hurst III, bass; Jeff Watts, drums
CBS CK 40461 (CD), FC 40461 (LP). Tim Geelan, eng.; Steve Epstein, prod. DDD. TT: 62:54

When someone has garnered as much hoopla as has Wynton Marsalis over the last five years, it becomes harder and harder for a critic to believe that the hype continues to be justified. Nor does winning Grammys in the jazz and classical categories help the situation's believability. Worse, Marsalis's own bristly demeanor and portentious pronouncements on the state of jazz—see "Book Reviews" elsewhere in this issue—make it all the more important that he put his money where his mouthpiece is. (As Miles Davis, never known as the soul of tact himself, groused a while back when leaving a Grammy Award ceremony at which Marsalis had held forth: "Who asked him?")

Pages