Thomas J. Norton

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Thomas J. Norton  |  Oct 20, 2016  |  First Published: Jan 01, 1991  |  3 comments
With Sony's latest flagship single-box player ($1700), we find yet another variant on 1-bit D/A technology—High Density Linear Converter, or HDLC. At the heart of this Pulse Length Modulation (footnote 1) D/A technique is Sony's CXD-2552 Pulse D/A converter (two per channel in complementary mode in the CDP-X77ES). This complex LSI chip incorporates a third-order noise shaper, the PLM converter, and a digital sync circuit receiving its input from the system clock.
Thomas J. Norton  |  Aug 25, 2010  |  First Published: Nov 25, 1996  |  3 comments
It's conventional wisdom among audiophiles: Small, high-end audio companies build high-quality products in small numbers. Products which are often expensive. But not always. Big mass-market companies build cookie-cutter products in big numbers. They're usually cheap. But not always.
Paul Bolin, Thomas J. Norton  |  Jul 26, 2003  |  First Published: Jul 26, 1990  |  0 comments
"Which way to the four o'clock tour?" It was already 10 minutes past the hour. I was late, but this was the last tour of the day. It would be a very long wait for the next one.
Thomas J. Norton  |  Dec 11, 2015  |  First Published: Jul 01, 1990  |  12 comments
In their seminal work on the subject of audio "Bluff your Way in Hi-Fi" (1987), Sue Hudson and John Crabbe stated that "the perfect speaker would have no mass and no dimensions. The perfect speaker does not exist, and if it did, it still wouldn't." One might add, as a corollary, that a speaker with zero dimensions would also have infinite cost. At least there seems to be a trend in that direction. The Wilson WATT and Celestion SL700—to use today's two most visible examples—may have attracted considerable attention because of their exceptional performance, but they have also attracted at least as much because of their price/size ratio. Even in a considerably "lower" price bracket, a "simple" two-way loudspeaker with a 6" or 7" woofer costing $1000–$2000/pair would, at one time, have had most audiophiles laughing themselves silly.
Thomas J. Norton  |  Sep 07, 2010  |  First Published: Feb 07, 1994  |  0 comments
You'd probably be surprised to learn that headphones are the most common means for listening to music. No, I didn't get that from a book, but from personal observation. I'm referring here to personal portable stereo listening—the ubiquitous Jogman with which a whole generation has retreated into its own private world, isolated from traffic noise, muggers, and, at home, housemates or parents screaming "Turn it down!"
Thomas J. Norton  |  Jul 09, 2020  |  First Published: Mar 01, 1995  |  0 comments
Ah, yes, headphones again. The market for super–high-end headphones must be small, but manufacturers nevertheless keep introducing new designs. At least two manufacturers—Stax and Sennheiser—seem to have carved out a big chunk of this market for themselves, and are currently slugging it out with their respective takes on the best that electrostatic headphones have to offer.
Larry Greenhill, Thomas J. Norton  |  Sep 02, 2010  |  First Published: Oct 02, 1984  |  0 comments
James Bongiorno, the engineer behind the Sumo Andromeda, has enjoyed a long and colorful career as an audio amplifier designer. He has cast himself at times as an enfant terrible, exploding at audio critics and running scandalous advertisements (footnote 1). His best-known amplifier is the Ampzilla, produced by Great American Sound, but he also designed the Dyna 400. Currently Jim is living on a boat and serving as part-time consultant to the Sumo Company.
Thomas J. Norton  |  Aug 08, 2014  |  First Published: Sep 01, 1988  |  1 comments
666sumopre.jpgSumo is one of a handful of American audio manufacturers dedicated to producing moderately priced products aiming for high-end sound; their most expensive product is the Nine Plus, at $1199 (although a more expensive Andromeda II is imminent). When I heard I was scheduled to review the Sumo Athena, I looked forward to the opportunity. A Sumo Nine (not a Nine Plus, which I haven't auditioned) had been my front-line power amplifier a few years ago. It was an excellent budget amplifier whose only serious shortcoming was its limited 60Wpc power output.
Thomas J. Norton  |  Jun 03, 2016  |  6 comments
Day One was press day, with only we ink-stained wretches (or at least the carpal-tunnel afflicted) invited to the party.
Thomas J. Norton  |  Jan 25, 2018  |  6 comments
Notwithstanding the twists and turns of Japanese corporate culture, the status of Technical Audio Devices Laboratories, Inc. remains unchanged. Founded in 1975 as a subsidiary of Pioneer to build loudspeakers for the professional market, TAD remains part of that corporation, even after the recent sale of Pioneer's home-audio division to Onkyo.

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