Vienna is a beautiful city known for many things, but the design and manufacturing of audio equipment is not one of them. Waltzes and strudel, yes; loudspeakers, no. One exception is Vienna Acoustics, a company that has introduced a line of loudspeakers named after composers: Mozart, Bach, Beethoven, and Haydn. At the 1996 Las Vegas WCES, Sumiko, US distributor of Vienna Acoustics products (footnote 1), demonstrated the second-from-the-top Mozart, and Stereophile reviewers as diverse in their approaches as Jonathan Scull, Tom Norton, and Sam Tellig (as well as yours truly) were unanimous in our admiration of the sound.
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever sincealthough not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
Totem's Vince Bruzzese is very proud of his new Element series of speakers, which have the bass drivers running full-range, with no crossover. The Element series include Fire (compact), Earth (column, passive radiator), Metal (column, twin woofers), Wood (center channel), and Water (subwoofer). In a demo of the Metals (Arcam BDP100 Blu-ray player, Arcam 888 pre-processor, and Bryston 7B amplifiers), I was particularly impressed by the bass, which didn't seem like it had any need for a subwoofer.
Partygoer Vince Scalzitti's Tri-Cell Enterprises is Canadian distributor for no fewer than 19 product lines, from Acapella to Vandersteen. Vince is so low-key that he hardly seems to be in a business that involves sales, but he's highly successful at it.
On the morning of the last day of the show, I went around one more time, looking for anything that I might have missed, and re-visiting some exhibits that I particularly enjoyed. To this end, I stuck my head in the MBL room, hoping to get another listen to the small MBL126 speaker that had impressed me earlier. Alas, the speakers playing were the big ones, but Jeremy Bryan of MBL said that if I came back in 5 minutes, he would have a special listening treat for me.
There were a lot of turntables, and a lot of vinyl at the show, not just on demo, but for sale as well. LP vendors like Acoustic Sounds and Music Direct were doing brisk business in their booths in the Ballroom.
I'm a great fan of the musical theater: musicals, operetta, and opera, more-or-less in that order. A typical summer vacation for my wife and me involves driving from Toronto to the East Coast, stopping off to see musicals (and some plays) at places like the Barrington Stage Company in Pittsfield, MA, the Goodspeed Opera House in East Haddam, CT, the Paper Mill Playhouse in Millburn, NJ, , and the Ogunquit Playhouse in Ogunquit, ME. The Glimmerglass summer opera festival, near Cooperstown, NY, is not far from the route we usually take, but I never thought of visiting it because my impression has been that they specialize in performances of modern and obscure operas, which are not quite our cup of tea.
My discovery of the fact that Glimmerglass has greatly expanded the range of its offerings came about through sheer serendipity. . .
The train I took from Toronto to Montreal arrived at 2:30pm, right on schedule, so I was able to meet Art Dudley in the hotel lobby at 3:00 to discuss the game plan for covering the 2013 Salon Son & Image. As we pored over the map of the exhibits, Wilson Audio's Peter McGrath (right, with VTL's Luke Manley) came over to us and reminded Art that he had agreed to visit the Wilson/VTL room at 3:30. As it turned out, Art and I decided to cover the show geographically, and the Wilson/VTL room was going to be part of my beat, so I went along with Art.
VTL's Luke Manley was one of the many industry luminaries at the Coup de Foudre party.Through the control-room window of Graeme Humfrey's studio can be seen part of Graeme's large collection of classic pro-audio gear.