Friday was Day One of a three-day show, but I'd already picked my best soundwhich I'm quite certain will not be exceeded by listening to any collection of electronic/mechanical contrivances. It was provided by soprano Sophie De Cruz, tenor Eric Thériault, accompanied by Dominique Boulianne on the piano. Standing near the entrance to the bar/restaurant at the Hilton Bonaventure, De Cruz and Thériault, sang arias and duets from La Traviata, La Bohème, Tosca, and other pieces of the Italian and French operatic repertoire.
Wharfedale is one of those venerated British names in audio. And while its image is perhaps on the old-fashioned side, there's absolutely nothing old-fashioned about the latest Jade series of loudspeakersunless you're thinking of old-fashioned craftsmanship. The price of speakers in the Jade series ranges from $1200/pair (stand-mounted Jade-1) to $4200/pair (floorstanding Jade-7), and the manufacturing is vertically integrated: they make every component of each speaker!
After having been at the show for some time, I received an email from John Marks, fellow Stereophile scribe, urging meand Art Dudley, who got the same emailto try to listen to the Bricasti DAC that John Atkinson reviewed in February, which he said was adding five minimum-phase filters, as well as offering an optional asynchronous USB input. As it happened, I read the email just as I was walking by the Bricasti room, and I took this to be a sign that I should follow JM's recommendation.
The French speaker company, Cabasse, is probably best known for their huge spherical speaker (La Sphèrereviewed by Michael Fremer in September 2008) but they make a wide range of speakers, most of them more conventional-looking. Making its US debut at CES 2016 was the Murano, a 3-way bookshelf type with a coaxial tweeter.
What does this photo of the bar in the Sheraton illustrate? Well, I could say that it provides further confirmation of the fact that it snowed in Montreal. But the real reason is that I just like this shot, taken with the Sigma 15mm fisheye on the Canon 5D, and thought that audiophiles that are also into photography (and there are many such in my acquaintance) might enjoy seeing it.
Another product imported by Mike Tang is the Carot One ($399, $370 tax-in show price), which can be used as an integrated amp, preamp, power amp (6Wpc), or headphone amp. It uses a single 6922 tube, with a class-D output section. It's so cute that you want to buy one whether you need it or not. It's pictured here, with my iPhone included to provide a sense of scale.
Made in Germany, the Ceratec Xeno ($7000/pair) is a "lifestyle" speaker that also functions as room lighting, the back of the speaker having top-to-bottom LED lights whose hue and brightness can be varied with remote control. Combined with the Vita II subwoofer ($6000; less expensive options are available), the Xenos had a nice, open sound.
On the evening of the first day of the show, John Atkinson, Art Dudley, and I attended a party at Coup de Foudre, one of Montreal's premier high-end audio retailers. There was much to admire there, not the least of which was listening to some of Peter McGrath’s hi-rez recordings on a system featuring VTL MB185 tube monoblocks driving Wilson Sashas and an Alpha DAC being fed USB data from Peter’s MacBook Pro via a Wavelength format converter.
One of the unofficial highlights of this year's SSI was the by-invitation-only party given by Montreal dealer Coup de Foudre. The genial hosts were Jennifer Cytrynbaum (Store Manager) and Graeme Humfrey (Product Specialist, Store Owner, jazz guitarist, and a recording engineer of 20 years' experience). They had great food and drinks, and they did their utmost to make sure that everyone has a good time. The picture shows Jennifer in her element, along with Wilson’s Peter McGrath (left), Wavelength’s Gordon Rankin (center) and Graeme Humfrey (far right).
Component supports take a variety of forms: squishy, rubbery things; hard, pointed things; ball bearings (loose or constrained); air or liquid bladders, etc. The Spike component supports, imported by Divergent Technologies, were a new one for me: they use magnetic levitation. Now, I'm familiar with platforms using this principle, but these are individual component feet, each with opposed magnetic components. A box of these "Spikes" contains four such feet, and the price for the total is CN$200. I was surprised that magnets could be made strong enough in this small size to be able to support equipment of substantial weighthich they apparently can.