The Tréo ($5995/pair), shown in prototype form at the 2011 CES, is the latest speaker from Vandersteen. Indications are that it offers the same sort of musical accuracy that characterizes all of Richard Vandersteen's designs. It's a three-way design, with a 1" ceramic-coated alloy-dome tweeter, 4.5" tri-woven composite-cone midrange, 6.5" woven fiber-cone woofer, and an 8" subwoofer. Like other Vandersteen speakers, the Treo is time and phase correct. Through the years, Vandersteen has moved away from the strictly functional appearance of the original model 2 and model 3, and the Treo is perhaps a culmination of this trend: the slim, truncated pyramid is stylish as well as functional. My notes on the makeup of the system playing are somewhat difficult to decipher (I need to take a course in remedial handwriting or start to carry an iPad with me), but I can tell you that it used Aesthetix electronics and a turntable source. The LP of Mary Black singing "Babes in the Wood" sounded smooth and engaging.
The folks at the Montreal Emile Berliner museum always bring to SSI some fascinating vintage audio equipment. The item in the picture is a "Personal Disco" component, Velo Model DK-990 (R), circa 1986, and it has everything you might want for your next disco party: two cassette players, radio, equalizers, four speakers, and a claimed output of 100W. Stephen, here's the subject for your next "Entry Level" column!
WLM stands for Wiener Lautsprecher Manufaktur, and their product literature states that the company’s ambition is "to keep the Viennese heritage of music alive." While this might appear to give short shrift to institutions like the Vienna Philharmonic and the Vienna State Opera, the system featuring WLM Lyra speakers, Audio Aero SACD player and electronics sounded was exceedingly musical in its presentation.
"Have you heard the Woo headphone amps?" Todd Garfinkle of MA Recordings pulled me over. I told him that I hadn'tbut then I have not kept up with the market in headphone amps. "Have a listen." So I did, over Sennheiser HD800 headphones. The MA Recordings Seeing Unknown Colors (MO 15A) sounded great through the Woo Audio WA6 ($650), without the touch of extra brightness that these 'phones are prone to.
I know that Zu is a manufacturer of loudspeakers, but what does "Omen Def" mean. I have no idea, but a pair of these speakers was producing a lively sound at TAVES. At $3400/pair ($2900/pair show special), the price seemed eminently reasonable. They were playing vinyl, courtesy of a KLM 15 turntable and Denon 103 Grade 2 (yes, it's still being made) cartridge.
In the same room as the large KEF system, there was a nifty mini-system for iPod users. The heart of the system is the new Fatman iTube iPod tube hybrid integrated amp ($649, including special stand for an iPod, and a second set of inputs for a CD player). Although rated at only 13Wpc, it had no trouble driving a pair of KEF IQ1s ($350). It's pictured here with Jay Rein of Bluebird Music, the North American importer.
The audiophile community was greatly shocked by the death, in September, 2009, of speaker designer Jim Thiel. My acquaintance with him was restricted to brief chats at shows, but he has always impressed me as a modest, gentle man, with a singular devotion to the pursuit of making the most accurate and musically pleasing speakers. Somehow, I thought he would always be around.
The Thiel/Bryston room had a system featuring the Thiel SCS4T ($3690/pair) speakers and a pair of new prototype Thiel USS subwoofers (price and delivery date TBD), partnered with Bryston electronics and digital source. The sound had that famed Thiel clarity, and an astonishing sense of depth on the well-known Misa Criolla recording. The SCS4T is the last speaker that Jim Thiel had a hand in designing: a fitting tribute to one of the greats of the world of audio.
My experience with the Thiel CS1.7 at CES is a story in three parts. Part I: Maybe. On the first day that I was at CES, which was the day before the Press Day, I visited the Thiel room while they were still setting up. I saw a prototype of the CS1.7, and asked if they were going to do a demo of these speakers. "We haven't decided yet. We're not sure if the crossover is finalized. But if the speaker sounds as good here as it did at the factory, we'll demonstrate it." Fair enough. I took some pictures and promised to return.