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Robert Deutsch Posted: Oct 01, 2012 1 comments
The most expensive audio system at TAVES 2012 was in the main ballroom. With components from Burmester's Reference line, the total cost of the system was $500,000. That's according to the advance write-up in Canada HiFi magazine. At the show, I heard $600,000 mentioned as the price. But I guess that when you're at that level, what's an extra $100,000? The system was playing during the show and served as PA system for the concert by Cindy Gomez. How did it sound? On its own, not at the concert, it sounded very good indeed, especially considering the size of the room (huge) and the lack of acoustical treatment. At the concert, it sounded like it could have been any PA system.
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Robert Deutsch Posted: Oct 01, 2011 0 comments
A major part of the success of an audio/video show—and, yes, based on my impressions of the first day of TAVES, it's shaping up to be a success—is having a helpful, experienced staff. Michel Plante and Sarah Tremblay brought with them most, if not all, of the staff of the Montreal Salon Son & Image. I was delighted to see Caroline St-Louis, the talented singer and flute player whose performances with her band are always a highlight of the Montreal show. Although this time she's not performing—she's expecting a baby—she's here helping out at the registration desk.
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Robert Deutsch Posted: Sep 30, 2011 4 comments
The new TAVES event taking place this weekend in Toronto is the result of two years of planning and market research and the efforts of Suave Kajko, Publisher/Editor in Chief of Canada Hi-Fi magazine, Simon Lau, owner of AuDiY, an audio component and accessory distribution company, and Michel Plante, President of the Montreal Salon Son & Image. The experience of Michel, and of Sarah Tremblay, Director of the Montreal show, who is also involved in the organization of TAVES, has, I'm sure, been invaluable. The list of sponsors includes Stereophile and sister magazine Home Theater. The venue is the upscale Le Meridien King Edward Hotel, a four-diamond property built in 1903 and subject to extensive renovations through the years.
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Robert Deutsch Posted: Oct 03, 2011 2 comments
Every person I talked to—manufacturers, distributors, dealers, and, most important, audiophile visitors—were most enthusiastic about their experience at the Toronto Show. Of the visitors, perhaps typical was the brother of a neighbor of mine, who lives in Florida and made a point of timing his visit in Toronto such that he'd be able to attend TAVES. Both brothers came to the show, and took pains to look for me and tell me how much they enjoyed it. The brother from Florida said that there are not many audio dealers in his part of the country, and he really appreciated the opportunity to see and hear so many products that he had only read about in Stereophile.

The exhibitors I talked to were uniformly positive about venue, and about the efficiency of the TAVES staff. Congratulations to Suave Kajko, Simon Au, Sarah Tremblay, and Michel Plante (L–R in the photo): a winning team.

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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 1 comments
As Wes Phillips reported a day or so ago, The folks at PS Audio have been extremely busy of late. There have all new designs for power-line conditioners, some of them descendants of the highly-successful Power Plant active devices, others passive filter designs. An impressive couple of demonstrations by Paul McGowan showed how a competing power-line conditioner was unable to cope with a power surge that was handled with aplomb by the PS Audio product, and, similarly, a competitor’s product (with the name taped over to protect the innocent) did almost nothing to power line noise that was effectively filtered by the PS Audio product. The loving couple in the picture are PS's Terri and Paul McGowan.
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Robert Deutsch Posted: Jan 16, 2015 0 comments
Wharfedale—which now bills itself "Britain's Most Famous Loudspeaker. . .Since 1932"—introduced the Diamond 200 series at CES 2015. The series includes the model 210 and 220 bookshelf monitors, model 230, 240 and 250 floorstanders, model 220C center-channel speaker, and model WH-D8 and WH-D10 subwoofer.
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Robert Deutsch Posted: Mar 25, 2013 11 comments
The management of SSI requested exhibiting manufacturers, distributors, and retailers to set up—in addition to whatever equipment they wanted to demonstrate—an entry-level system, with a total price of $5,000 or less. Some high-end audio manufacturers had nothing that would qualify, but others stepped up to the plate. Totem and Creek had a nifty little system that featured a pair of Totem Arros, Creek CD player and integrated amp, which have a combined price of $4,100, leaving $900 for cables, etc.
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Robert Deutsch Posted: Apr 07, 2011 0 comments
It was a really good show. That was the opinion of the people I spoke to at the 2011 SSI, including veteran as well as first-time exhibitors, and members of the public. Even the Trade Day, which in the past was not very popular, was busy enough that it felt like it almost could have been one of the public days. The Lifetime Achievement Awards ceremony was extremely well-attended, as the above photo illustrates. There was a kind of back-to-the-basics feel to the show, with a strong emphasis on music presented in two-channel stereo, and almost nothing in the way of surround sound. (Sorry, Kal!)
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Robert Deutsch Posted: Jan 11, 2012 0 comments
The first major press event at CES, scheduled to start at 4 pm on the day before the Press Day, is something called CES Unveiled, described as "a pre-show look at who will be making news headlines before the show officially opens...catch all the latest products in one room." This description is a bit...well...exaggerated. The exhibitors are mostly small companies, with no representation from heavy hitters like Sony, Panasonic, Sharp, etc. The high-performance audio companies also pass on it.
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Robert Deutsch Posted: Jan 16, 2012 0 comments
The Genesis Advanced Technologies 7.2f claims to be the "new affordable reference for bringing true-to-life music into your home." And they have a formidable amount to technology in the speaker to support this claim. At the top, there is the latest version of the circular flat-ribbon tweeter that apparently has been steadily improved since it was first introduced in 1992 (and which, for once, owes nothing to Dr. Oskar Heil). A solid titanium-cone mid/woofer claims to deliver exceptional clarity and low distortion within its range (and the "oil-can" resonance is far outside the range where the driver is utilized), and a servo-controlled powered bass from an 8" side-firing aluminum-cone driver, is claimed to extend the response down to 22Hz. There is also a rear-firing tweeter, which can be turned off if desired. There is control over tweeter as well as woofer level. The price of all this technology is a very reasonable $9000/pair.


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