ProAc is an English loudspeaker manufacturer that doesn't change models willy-nilly: if it works well and people buy it, then why change it? And if change comes, it should be purely evolutionary, perhaps a refinement of the crossover, or drive units replaced by improved versions of the same models. So, for ProAc, replacing the popular Response D38 with the D40 ($12,000/pair) represents. . .
Audio show exhibitors have a lot of obstacles to contend with: equipment not showing up or showing up damaged, problem with room acoustics, problems with the electrical supply, equipment malfunctioning just as the show starts, and countless others. Ian Grant of Grant Fidelity told me that when he first set up his turntable front end it was picking up the signal from a local radio station! Being an ingenious engineering-type, he located the source of the interference (he could see the station's antenna from the hotel window), and got some building insulation material that had aluminum foil as part of its construction, and taped it to the hotel window. Voilà! Problem solved!
Lovers of Italian wine, travelers to Italy, and, of course, Italians, may be familiar with this story. It seems that in the year 1111, Henry V was traveling to Rome to be crowned Holy Roman Emperor. A member of his entourage, one Giovanni Defuc, was very fond of wine, and had the practice of sending ahead one of his servants to sample the wine in each place. When the servant found a wine that he particularly liked, he would write "Est!" on the door of the establishment, which was a signal to his master that the wine is (est) good. Having arrived at Montefiascone, the servant found a wine he thought so superb that he wrote on the door of the inn "Est! Est!! Est!!!"
PS Audio's first product, back in 1973, was a standalone phono stage; more recently, their PCA-2 preamp had an optional phono board. The GCC-100 integrated amplifier that I review this month has no room inside for a phono board, so they've gone back to producing a separate phono stage: the GCPH ($995). Like the other products in PS Audio's current line, this one is based on the Gain Cell, one module on the input side connecting to the cartridge, followed by a passive RIAA curve (with a claimed accuracy of 0.1dB over the 40dB range of the curve), and another Gain Cell on the output side.
Although advertising copywriters would have us believe otherwise, there is not a lot of true innovation in audio. Most audio products are based on well-established principles, perhaps refined in detail and execution. Of course, some products do take novel approaches, but they tend to be too off-the-wall to be taken seriously, or simply don't do the job as well as more conventional products. What's really exciting is to encounter a product that is audaciously original in concept, yet makes so much sense that you wonder why no one even thought of it before (footnote 1).
Determining whether an idea is brilliant or off the wall is often a matter of perspectiveand of looking at the results that follow from the idea. Take the notion of AC regeneration. AC is what comes from the wall socket, courtesy a network of power-generation plants, and it's specified as having a certain voltage and frequency, with the amount of current limited by fuses or circuit breakers in the electrical panel of the house or apartment. Audio componentsother than those powered by batteriesare designed to convert this alternating current (AC) to direct current (DC), then produce variable AC that drives the speakers to produce a facsimile of that signal. In short, AC provides the raw material used by audio components to do their job.
PS Audio's Power Plant Premier is a high-end product that takes the regeneration approach in providing audio/video gear with the cleanest AC possible. But not everyone can afford to spend $2195 on such a product, and although the new amplifier design that forms the basis of the Premier is relatively efficient, it does use power, and concern about conservation of the planet's energy resources might lead one to prefer a passive approach to power-line treatment. PS Audio's line of Power Centers provides such an alternative. The model I had for review was the Quintet Power Center, which differs from the Duet Power Center only in having five pairs of receptacles to the Duet's two.
PS Audio's Power Plant AC-regeneration devices have taken the audio and home-theater worlds by storm. The P300 was voted 2000 Accessory of the Year in Stereophile (December 2000), and the P600 won the Editors' Choice Platinum Award in Stereophile Guide to Home Theater (January 2001). The Power Plant differs from conventional power-line conditioners (PLCs) in that it doesn't just "clean up" AC but actually synthesizes (or regenerates) it. Each Power Plant is essentially a special-purpose amplifier, producing AC to run the equipment plugged into it, the maximum output wattage indicated by the model number. (The most powerful Power Plant available is the P1200, which produces 1200W.)
Several weeks before CES, I got an email from PS Audio, inviting me to a press conference that will be held during CES but not as part of the official CES itself. They promised to provide transportation from the Venetian to the Wynn, where PS Audio had a suite. I knew that PS Audio was very much into computer-based audio, an area that for the most part I’ve stayed away from, so I wasn’t all that interested in that part of their presentation; however, I’ve reviewed, and use in my system, PS Audio’s Power Plant Premier AC power regenerator, so I was intrigued by word that they would have information on the successor to the Power Plant Premier.
It turns out that they have two successors, both representing substantial reworking of the product while staying with the principle of “regenerating” rather than merely “conditioning” power. Alas, the “power plant” terminologywhich I’ve always thought was quite aptis gone: the two products are called PerfectWave P5 ($2999) and P10 ($4499). They differ mostly in terms of the amount of maximum current they can produce, the P5 putting out 1000VA and the P10 1200VA. The bigger unit also has more zones. Output impedance is lower than ever, and so is distortion.
What can you tell about the intrinsic sound quality of a loudspeaker if you've heard it only at an audio show? Arguably, not much. If it sounds bad, there may be a number of reasons for that, only one being the speaker itself. It may be the acoustics of the room, problems with speaker setup, poorly matched associated equipment, insufficient break-in/warm-up, or poor choice of demo recordings.