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Robert Deutsch Posted: Oct 27, 2016 12 comments
Monitor Audio's Platinum PL300 II loudspeakers weigh 120 lbs each, and my listening room is on the second floor, but I was spared the heavy lifting. The speakers were delivered by Sheldon Ginn, Jeffrey Ginn, and Jamie Arseneau—respectively, the VP of Sales and Marketing, Account Manager, and Service Manager of Kevro International, Monitor Audio's North American distributor. We set up the PL300 IIs, ensuring that the distance from each speaker to my listening seat was the same, then optimized the toe-in: the speakers ended up almost directly facing the listener position, close to where I'd had Wilson Audio's Sabrinas.
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Robert Deutsch Posted: Jan 16, 2015 0 comments
Monitor Audio's Dean Hartley told me that he's been busy, revising the Gold Series (ranging in price from $2000/pair for the Gold 100 to $3500/pair for the Gold 300). He described the changes a "facelift rather than a complete revolution."
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Robert Deutsch Posted: Jan 13, 2011 0 comments
I was very impressed with the Monitor Audio PL200 that I reviewed last April; apparently, so were a lot of other audiophiles, but many were put off purchasing the speakers by the $8000/pair price. The new Monitor Audio Gold GX series is intended to appeal to these folks. The GX series offers most of the technology and aesthetic appeal of the Platinum, but at substantially lower prices. The GX300 is broadly similar in appearance and driver complement to the PL200, but costs an easier-on-the-wallet $5500/pair. It was making fine sounds at CES with Simaudio electronics and Simaudio digital source.
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Robert Deutsch Posted: Jan 08, 2016 1 comments
With two years in research and development, Monitor Audio's Platinum Series II involves—according to Dean Hartley, Monitor Audio's Technical Director—"advances in every area of design: electrical, mechanical, magnetic, acoustic and aesthetic."
Robert Deutsch Posted: Mar 27, 2006 0 comments
Manufacturers exhibiting at FSI for the first time have often told me that the Montreal-area audiophiles attending the show seem to be an unusually enthusiastic and knowledgeable group. This impression is confirmed by the existence of the Montreal Audiophile Association. The Association—which always has a booth at FSI—is a highly active one, with over 100 members. They meet twice a month (they rent space in a school for this purpose), one meeting devoted to equipment (eg, talks by audio designers) and the other to classical music (eg, comparison of recordings of piano concertos). Pictured: members Yves Lepage, who is also an occasional contributor to Son & Image magazine, and webmaster Serge Tremblay. A fun pair of guys—I quite enjoyed talking to them.
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Robert Deutsch Posted: Jun 29, 2015 3 comments
Established in 1980 by Victor Sima as Sima Electronics, Canadian audio company Moon by Simaudio Ltd. celebrates its 35th year in the audio business in 2015—or, as its ads say, "35 years of passion." To mark the event, Simaudio had a party at Executive Stereo, their Toronto dealer (see photo above). It was a fairly low-key event, with a handful of Toronto-area audio journalists—including yours truly—and representatives of Simaudio attending.
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Robert Deutsch Posted: Mar 29, 2014 0 comments
One of the not-so-secret principles audio design is that no matter how good the design of the basic circuitry, the ultimate sound quality will be a major function of the power supply. Simaudio has taken this to heart with a new product that builds on the already-excellent power supplies of the Moon Evolution series. The new 820S ($8000), pictured here, can serve as power supply for any two products in the Evolution series, providing separate power supplies for digital and analog components.
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Robert Deutsch Posted: Jun 06, 2006 0 comments
I heard some truly excellent-sounding systems at HE 2006, but if I had to pick one listening experience at the show that transcended all others, it would have to be Kimber’s IsoMike demonstration. The system itself is described by Wes Phillips in another blog entry, and I’m sure it would have sounded very good playing back normal CDs, but what made the sound more closely approach reality was that the source material consisted of four-channel recordings made by Ray Kimber using his IsoMike setup. (Ray is shown here holding a scale model of his IsoMike baffle.) I’ve been often disappointed with multichannel music playback, but this was completely convincing. The voices and instruments present in the room in a way that was at times spooky. Wes was right: Ray Kimber should be King of the Universe.
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Robert Deutsch Posted: Apr 04, 2009 4 comments
Is it just my perception, or do people who are looking through bins of LPs have a kind of happy excitement about them? The vinyl-buying folks at SSI sure seemed to be a really happy lot. Selecting CDs seems to be a much more matter-or-fact endeavor. And I can't imagine anyone getting too excited about the act of buying a new hard drive for their music server.
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Robert Deutsch Posted: Jan 16, 2013 0 comments
Morel had two setups at CES: one featuring a pair of Soundspot SP 3 satellites and 8” bass unit ($1799/pair) and, in another room, a pair of Sopran floorstanders, the latter winner of the 2013 CES Design and Engineering Innovations award. The Sopran ($12,000/pair} is one-down from the $34,000/pair—and, in my opinion, unfortunately-named—Fat Lady. The Sopran is a three-way, five-driver speaker, proprietary drivers and a molded carbon-fiber composite cabinet that I find a refreshing change from the usual wooden box.

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