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Robert Deutsch Posted: Mar 25, 2006 4 comments
As usual with shows of this type, many of the systems demoed at FSI cost tens of thousands of dollars. However, Angie Lisi of Audiopathic, distributor of some stratospherically-priced equipment, made it a point to assemble a relatively affordable yet highly musical-sounding system, consisting of the Manley Stingray integrated amp ($2250), Totem Rainmaker speakers ($1198/pair), and an Accuphase CD player. Oh, did you want to know the price of the CD player? Umm—$6995. When I pointed out to Angie the incongruousness of having this expensive CD player as part of the system, she replied—somewhat sheepishly, I thought—"It was the cheapest CD player I had around."
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Robert Deutsch Posted: Jan 18, 2012 4 comments
Although I don't consider myself an expert on headphones by any means, I know that they fall into three basic categories: (1) circumaural (pad around the ear, the back closed or open) (2) supra-aural (pad on the ear), (3) in-the-ear (tightly or loosely fitting). (There were also the Jecklin Float headphones, which involved a pad on top of your head, with the transducers being positioned some distance from the ears. These have never enjoyed widespread success, and I don't think they're being made any more.) However, I was intrigued by one of the pre-CES emails, announcing "ear-free" headphones.
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Robert Deutsch Posted: Apr 05, 2008 1 comments
dCS is known for its superb-sounding but stratospherically-priced digital source components—prices in the $50k+ range for a transport/DAC combination. While their new Puccini one-box CD/SACD player won't be a candidate for Budget Component of the Year, its $22,000 price represents low end for dCS. But don't start spending all the money you've saved by buying the Puccini rather than the more expensive dCS offerings: there is a matching external clock component upgrade that will be available in the near future. No price has been determined yet, but you can be sure that it will not be in three figures.
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Robert Deutsch Posted: Mar 25, 2012 0 comments
What would a high-end audio store party be without some live music? The musicians playing jazz at the Coup de Foudre party were keyboard artist Marie Claire Durand and bass player Martin Hezlop. They're also Graeme Humfrey's recording clients.
Robert Deutsch Posted: Oct 20, 2002 0 comments
Single-ended triode amplifiers (SETs) have a considerable following, but even their most devoted fans admit that its maximum power output is not among an SET's strengths. You'd be lucky to get an SET that puts out 7Wpc, and some (like those using the 45 tube) are closer to 2Wpc. Highly sensitive speakers (eg, horns) will tend to offset the power limitation, and SETs usually sound more powerful than their measurements indicate, but the laws of physics still apply: 2W is 2W, regardless of the kind of amplifier that produces it, and an amplifier's manner of clipping and recovery from overload take us only part of the way toward achieving greater volume.
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Robert Deutsch Posted: Mar 24, 2012 0 comments
A sign that says "Warning! Extreme Lifelike Sound Levels" is like waving a red cape in front of a bull. Who would be dissuaded from entering a demo room just because you're going to encounter lifelike sound levels? Not me! And are they overstating how loud a sound they're talking about?
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Robert Deutsch Posted: Jun 04, 2006 Published: Jun 05, 2006 0 comments
Immedia's Allen Perkins, the third member of the John Atkinson Trio at their Sunday afternoon concert, is studying with jazz drummer Peter Erskine (Diana Krall, Joni Mitchell).
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Robert Deutsch Posted: Jan 11, 2007 2 comments
The Australian Ambience Reference 1800 ribbon hybrid loudspeakers ($13,995) use ribbons of their own design, combined with a vented bass section. The cabinet is sleek, with a narrowing toward the top. I quite enjoyed listening to these speakers, and, ever on the lookout for a cost-effective components, I was impressed by the fact that they were being driven by relatively inexpensive Vincent electronics (SAT-1 preamp, $1495, SAT-100 monoblock power amps, $2495/pair). Designer Tony Moore was on hand to demo the speakers.
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Robert Deutsch Posted: May 11, 2007 0 comments
The press conference that I personally found the most exciting on the Show's first day was by Ralph Glasgal (left) on his Ambiophonics system. I knew about Ambiophonics (a signal-processing system designed to cancel out interference between a pair of loudspeakers, creating something akin to binaural listening but from speakers instead of headphones), but somehow I’ve never heard a demonstration, or at least not a convincing one. The demo setup at HE2007 was rather unusual, with a pair of giant Sound-Lab electrostatics at one end of the room, and another pair of floor-standing TacT speakers at the other end, the setup intended to demonstrate how the system works with these two types of speakers. I only heard the demo with the Sound-Labs, but I must say I was quite blown away with the huge soundstage, precision of imaging, and sheer ease of the sound. The Ambiophonic processing was performed by the latest TacT RCS 2.2 XP ($6000) which also functions as a full-feature preamp, a digital room correction device, and a D/A converter. Tact’s President and Designer, Radomir Bozovic (right), was also on hand to answer questions about the Tact system.
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Robert Deutsch Posted: Jan 18, 2012 0 comments
Stephen Mejias has written about Anssi Hyvönen of Amphion, who believes that music reproduction doesn't have to be loud to be effective, and that, in fact, the hallmark of a really good speaker is its ability to be involving at low levels. Amphion's demos always provide for a soothing experience at shows, and so it was at CES 2012, this time using the new Argon7Ls ($5999/pair) with Nuforce electronics.


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