Robert Deutsch

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Robert Deutsch  |  Mar 27, 2013  |  2 comments
The English translation of the French word image in Salon Son & Image is "picture," or, well, "image." But it's been an open secret for some time that the show is much stronger on the son (sound) than on the image. I saw just one projection video setup at SSI 2013, and there were a few LCD/LED monitors, but no one seemed to pay much attention to them. However, SSI managed to enlist as an exhibitor Photo Service, a major camera store, which offers a wide range of products related to photography. This worked out extremely well for all concerned.
Robert Deutsch  |  Mar 23, 2013  |  0 comments
After the awards presentations, the rock band, Hans Wilwright, took the stage, with a typically energetic series of numbers. I know that some of my industry and media colleagues found this music too loud, but, hey, it's rock, and although I'm far from being a rock fan, I expect rock to be loud, and this was not nearly as loud as I've heard. (Sitting in the fifth row of Rent on Broadway—now, that was LOUD!)
Robert Deutsch  |  Mar 23, 2012  |  0 comments
As B&W's Doug Henderson pointed out in his presentation speech, being a manufacturer's rep in audio is often a thankless job. If sales are slow, the rep gets blamed, but it they're going well, that's just taken for granted. But not this time: the Lifetime Achievement Award was given to Marc Denis (pictured), rep for B&W, Rotel, and Classé.
Robert Deutsch  |  Mar 23, 2012  |  0 comments
One of the two Lifetime Achievement Awards was given to Richard Petit, President of KeébecSon. The presentation was made by Richard's daughter, Marie-Eve, and was the most touching event at the party.
Robert Deutsch  |  Mar 25, 2006  |  1 comments
Linn Products has moved in a major way into multichannel and multi-room systems, but some new products demo'd at FSI showed that they haven't abandoned the part of their customer base that just wants to listen to music in high-quality two-channel, in one room. For these folks, Linn had the Majik line: CD player ($4250), preamp with MM/MC phono stage ($3800), and 100Wpc amplifier ($3100). Very nice, well-balanced sound through Espek speakers ($5800), with an LP12 phono source.
Robert Deutsch  |  Apr 06, 2011  |  0 comments
The title "Ask the Editors" suggests one-way communication: people in the audience ask questions, and, guru-like, Stereophile writers answer these questions. In fact, communication at these events goes in both directions. For example, at the 2011 "Ask the Editors" session, one of the attendees mentioned that he was really impressed with the demo of a speaker made by Live Audio, a company based in Quebec.
Robert Deutsch  |  Mar 31, 2014  |  0 comments
A highlight of the Lifetime Achievement award party was another performance by soprano Sophie De Cruz, this time joined by baritone Julianne Horbatuck, her partner in an upcoming production of Lucia di Lammermoor. She sang Musetta's waltz song from La Bohème, tossing off high notes with abandon, and the two of them blew the roof off the place with a duet from Lucia. Pianist Dominic Boulianne provided unobtrusive but effective support.
Robert Deutsch  |  Jan 15, 2011  |  1 comments

The last time I attended CES was three years ago. Although many things have stayed the same, there were also interesting changes—some of them profound. At the Las Vegas Convention Center, it seemed that almost every exhibit had to do with 3D, iPods, or tablet computers. At the Venetian, in addition to the traditional areas of speakers and amplification, it was music servers and related products—ably summarized by Jon Iverson in his wrap-up. Cables were big. (More on this anon.)

It was a very crowded show. At the convention center, the scene was at times like being on a subway platform during rush hour. At the Venetian, home of high performance audio, there were long lineups for the elevators—see photo. Although officially CES is not open to the general public, there were a lot of attendees with “Industry Affiliate” badges, and being an industry affiliate was apparently very broadly defined. This had the effect of increasing attendance, which I guess is not a bad thing, but it also meant that some of these attendees were really consumers, not industry people. One veteran speaker designer told me that some of the questions he was asked at this year’s CES were quite naïve, like “What if you played all these speakers at the same time?” He attributed this to these attendees being consumers (and not very knowledgeable ones at that).

My show report assignment was low-to-moderately-priced speakers, and I was very pleased to get this assignment, leaving John Atkinson to report on expensive speakers. As I said in one of my reviews, I’m more of a Volkswagen/Honda/Toyota than a Ferrari/Lamborghini/Aston Martin kind of guy. But CES had lots for the Ferrari/Lamborghini/Aston Martin crowd, and sometimes I was taken aback by the prices. In one case, I saw a three-way not-too-huge floorstanding speaker that I thought might be under the $10k that for me defined the top of the moderately-price range. I asked how much it cost. The answer: ninety thousand. I wasn’t sure I heard correctly. Nine thousand? No, ninety thousand. OK, this one is for JA.

One thing I thought was interesting was. . .

Robert Deutsch  |  Jan 18, 2012  |  2 comments
In my posting on Opera Loudspeakers, I wrote about company names, and how they might suggest something about the product and the priorities of a speaker's designer. In the case of Volent Corporation, I must admit to being puzzled. What does this mean? The Dictionary of Difficult Words defines "volent" as "exercising will power." How does a speaker do that? Finally, going through the company's website, I found the following explanation: "the name Volent [is] derived from the phrase, 'Voice of Excellence': signifying not only the quality of reproduced sound but also the vocal appreciation of music lovers."
Robert Deutsch  |  Oct 02, 2011  |  0 comments
TAVES had a number of vendors offering an excellent array of audiophile LPs . . .

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