Dynaudio, which often exhibits with Simaudio Moon electronics, this time was doing a demo (with Mick Tillman in the photo) of their Contour S 3.4 LE speaker ($7850/pair) in a system featuring the Octave V110 integrated, T+A Elektroakustik music player/CD transport/DAC, and In-Akustik cables.
I have a lot of respect for Dynaudio speakers, and have enjoyed listening to them at various shows, but I've never been as taken with one of their speakers as I was with the new Confidence C1 Mk.II ($8200/pair). With Naim amplification and digital source (including a Squeezebox Touch), the sound was simply exquisite, with highs that were revealing and yet not clinical. The legendary Esotar2 tweeter (shown in the photo) has apparently undergone some evolutionary development, and continues to maintain its status as the best dome tweeter in the world.
I think after every audio show I've attended there was some product that I realized too late I should have checked outtypically, when somebody later said to me "Did you hear the XXXX speakers? I thought they were great!"
After CES 2012, there was one productactually, a line of productsthat I had fully intended to seek out, but somehow this intention did not translate into action. It was on the plane returning home that I realized that I missed seeing the new wireless speakers from Dynaudio. I made a note to myself to make sure that one of the first rooms I'll visit at SSI 2012 would be Dynaudio's.
Not having been actively involved in the turntable scene until recently, I found out for the first time about European Audio Team (EAT) at this year's CES. I was intrigued by the look of the various EAT turntables and arms, especially the E-Flat turntable with its flat arm ($4475). My guess was that the turntable was direct-drive, but the charming Jozefina Lichtenegger, the company's CEO (above), told me that the turntable was belt-driven, with a 35 lb platter.
I've always thought of Fujitsu-Ten as a company that manufactures car stereos. However, it turns out that they have a special division producing a line of home-audio speakers using single drivers of their own design. That's right: no woofer, no tweeter, no coaxially mounted woofer and tweeter—just a single cone driver, claimed to cover the range from 40Hz to 20kHz. In the top model, the TD712z ($7000/pair), this drive-unit is mounted in a rigid, egg-shaped enclosure. The sound of these speakers, driven by an Audion Sterling Plus Mk.II tube integrated amplifier ($2950), was simply stunning in its clarity and focus.
What a difference a tweeter makes! Elac makes a small bookshelf speaker, the BS 73, which costs $850/pair. They make another, even smaller, bookshelf speaker, the BS 312, which costs $2800/pair. The BS 312 is shown in the center of the photo, with the BS 73 flanking it (I'm not sure which one). There are some obvious differences in construction (the BS 312 has a metal cabinet), but the greatest difference is probably the tweeter: the BS 73 uses a dome tweeter, whereas the BS 312 uses what they call a JET tweeter.
SSI had a display of vintage gramophones and radios, courtesy of Montreal's Emile Berliner Museum. They've had this for several shows now, and it's always wonderful to see these artifacts that tell the history of our hobby. The Museum is member-supported, and publishes a pamphlet, His Master's Voice, four times a year, in English and French.
Michel Plante, previously co-producer of SSI, and now doing marketing for Audio Plus/Plurison, sent me an invitation to a special Press Breakfast on Friday morning, at which a new project involving Rega turntables would be introduced. He seemed most disappointed when I told him that I would not be at the show until Friday afternoon, so I would not be able to attend the event. Fortunately, Art Dudley was there in time, and he has posted a report. All I can do is provide another picture.
Episode Audio, exhibiting at T.H.E. Show, had some unusual-looking speakers, with the tweeter set well back from the front of the speaker, presumably to effect time alignment. They also claim wide dispersion horizontally and vertically over a wide range. The Episode-V ($12,500/pair) sounded good despite having a less-than-audiophile-quality Sony DVD/CD player as the source, and modestly-priced Onkyo electronics.
Epos and Creek have long been associatedEpos loudspeakers seemed to work particularly well with Creek electronicsbut the connection became more solidified in 2014, when Mike Creek acquired total control of Epos and appointed his son, Luke, to be the Epos brand director. The first result of this change of ownership is the new Epos K-Series, which importer Roy Hall describes as being more "lifestyle-oriented."